I'm behind on my reviews here because I need to add the books to the catalog.  But I re-read this one because my RL Book Club is doing it for Dec.  

I first read this after seeing the Shiran Neshat show at the Hirshhorn in DC.  Honesty, go check out her work.  Neshat did a film of this novel. 

This is magic realism and is about women in the world of Iran.  Even the one good man is actually more woman in a literary sense (he is a gardener).  

It is a short novella, but it is about the feminine and knowledge.  It is lyrical.

I want to start by drawing your attention to the beautiful cover of this book. It should have been obvious to me that it is a clever representation of a females genitalia, but it wasn't. I had one of those "aha!" moments while chatting with a fellow Bookliker. I feel I need to give props to whoever designed this!

Sarah Barmack is did an amazing job with this look into female sexuality. In the blurb to this this: 

Closer reveals how woman are reshaping the their sexuality today in wild, irrepressible ways; nude meetings, how-to apps, trans-friendly porn, therapeutic vulva massage, hour-long orgasms and public clit-rubbing demonstrations - and redefining female sexuality on its own terms.

This was eye opening to say the least. I agree with so much of what is in this book. This is a good read for woman who want to feel liberated about their sexuality. Just think how better sated we would all be if we just voiced our wants and needs. I already do this and have been for some time. I remember how embarrassed I was the first time I explained to my husband what exactly I wanted, but in the end it helped so much. 

A little dry, but very informative. I particularly like how she traces the history of some of the feminist and political groups.

For the past few years, I have traveled to Washington DC and stayed a few days just to visit the museums.   Plus, I live in Philly, so it’s like a two hour train trip.  I’ve learned that the smaller Smithsonian tends to have the more interesting exhibits.  I discovered a love for Whistler’s etchings at the Freer, and at the Hirshorn, I discovered that I do like some modern art and video installations.  It was at the Hirshorn last summer that I heard of this book.

                Last summer, the museum had a major exhibit of Shirin Neshat’s work, and if you are like I was at the time, you are going who.  She is Iranian and is known for her photography and videos.  If the show is anywhere near you, I highly recommend you go.  Neshat’s art is powerful and beautiful.   At one point in the show, there was a clip and significant verbiage about Neshat’s film adaptation of this novel.   The book itself was not in the bookstore, so when I finally sat down to read it, it was with so trepidation that it would not live up to the hype in my head.

                It does.

                When one reads Women without Men, it is easy to understand why Parsipur is living in exile.  It is a feminist book that will anger many conservatives, in particular conservative men in power, angry.  Yet, for all the short space that it inhibits it is a work of sheer brilliance.   I cannot thank Neshat and the Hirshorn enough for introducing me to this book.

                Women Without Men, despite its title, does in fact have men in it, and not all the men are bad.  To call the book anti-male would be incorrect.  Parsipur relates the lives of different women from different levels of society who came together briefly in a garden before going their separate ways.  Each of the women, from the prostitute to the high society wife, has been constricted in some way by society.   One of the brilliant aspects of the novel is that not all the women are likable. 

                Perhaps the most accessible, and most challenging to power structure, is Munis who changes the most and becomes one of the fulcrums that the other women  turn around (Mahdokht is  the other.  It is no surprise that these two women go though the most and the least changes).  Her reaction upon learning something is just so human, even in this tale of magical realism.   What happens to Munis and her eventual fate in many ways is the heart of the novel (and no surprise that part of the arc was the clip from the film shown in the Neshat exhibit).    The fates of the women are in part dictated by the society in which they live as well as the roles forced upon them by that society.  In many ways, the book references the Garden of Eden, but almost as a place of renewal and peace.

                It’s a beautiful novel.  

Really interesting argument about the importance of women as supporting players in medieval and early modern warfare, with great illustrations and examples. The author is limited by sketchy source data, so he doesn't answer many of my questions. But that is something he cannot help.

On the whole, a good read that does its best with the material available and opens up a new field for analysis.

The basic argument is that before 1650 or so, when governments made a serious effort to professionalize their armies, soldiers traveled with an equal number of women and children whose activities were crucial to their survival. These women did violate some of society's traditional expectations, but for the most part they did not try to imitate men. On the contrary, the gender-determined division of labor made their skills as laundresses, providers of food and drink, seamstresses, and managers of the family budget just as important as their men's contributions to the war effort.

#6 on my History Challenge and #10 on my TBR Challenge (#5/9 was Russia's People of Empire, which I enjoyed and may review later—haven't decided yet what to say).