Tag: non-fiction-bio-autobio • BookLikes

review 2014-04-20 04:56

A Personal Matter - Kenzaburō Ōe,John Nathan

You and I exist in alternate different forms in countless other universes...
At each of those moments you survived in one universe and left your own corpse behind in another.
- Kenzaburo Oe: A Personal Matter

Bird, the protagonist, is confronted by a grave problem, a problem that threatens his future freedom in life - a deformed baby. He is devastated by a sense of shame since he has just fathered a monster baby and feels trapped with unforeseen, unwanted responsibilities. In the face of his grotesque tragedy, envisioning his future destroyed, his continuity broken, and freedom denied, Bird goes through a pattern of decline that reveals all the vileness and ugliness of a man. He plummets into a series of debauched actions, self-loathing and self-destruction. He sees a monster reflected in himself as repulsive as his neo-creation.

Through the course of the narrative, Oe moves his personal matter subtly with political, social and existential thoughts concerning man's being, his fear, dread, suffering, alienation, anguish and death. There is the suggestion that the deformity is possibly caused by radioactive contamination.

In this age of ours it's hard to say with certainty that having lived was better than not having been born in the first place.

Bird himself finds his own nature distorted and poisonous, blaming himself personally for bringing a severely deformed child into a world where there would be no acceptance of him nor an acceptable place for him.

Under what category of the Dead could you subpoena, prosecute, and sentence a baby with only vegetable functions who died no sooner than he was born?

Oe explores moral and philosophical themes as Bird has to make a choice to take responsibility or run away, to face or look away from the atrocity; to make the decision that would result in his 'vegetable' baby dying with dignity, or being killed in shame - a decision that eats away insidiously at his sanity.

A Personal Matter's themes of deception and escape, authentic life and self-identity, raises the novel to a more universal concept. Oe explores how the individual in confronting life's tragedies, in choosing his ideals and finding his "meaning," overcomes humiliation and shame, gains self-definition, finds his destiny: to eventually "get on with life;" and in so doing, finds personal dignity and a sense of responsibility to his fellow man.

And to Bird, from another parent of a disabled child: I hear you, I feel you. The only direction you need to take would come from the one who truly, personally matters -

I chose you, dear father, to hold my hand,
Let's walk the same road.
Be brave...follow me,
I'll show you who you can be.

********

Oe's childhood years occurred during wartime, an important fact that shaped his writing.

His first son, Hiraki, was born in 1963 with brain hernia; his fate rested solely on Oe's decisions. It forced him to reflect on the meaning in his stories which up to that point, in his mind, amounted to "nothing." The central theme of his writing since then has been the way his family has managed to live with, and care for a handicapped child.

While in Hiroshima reporting on an anti-nuclear rally, an event that occurred soon after Hiraki's birth, Oe met survivors of Hiroshima's bombing, and had conversations with Dr. Shigeto, himself a survivor, who had devoted his career to caring for victims of the A-bomb atrocity. Oe found inspiration in confronting his own heartbreaking tragedy through the dignity and courage of the survivors, and from Dr. Shigeto's dedication to "a hopeless cause." The Hiroshima visit was the transforming experience that forever changed his view of what it means to be human.
It ultimately led to, in his own words, a rebirth of his writing style. This renewed outlook swayed him to 'rescue' his son.

Living with a disabled family member, we come to know despair, but "by actually giving it expression we can be healed and know the joy of recovering." - Kenzaburo Oe

Hiraki Oe has composed and recorded 2 distinctive works to date: http://m.youtube.com/watch?v=l4e3pI8k6zY

Oh, yeah- highly recommend.

Autobio-fiction Japan Literary fiction Nobel Laureate

review 2014-04-09 01:05

Nicole~

The history of ancient Rome, in general, has cloaked the women of the Caesars in shadows and obscurity. Undoubtedly, these women are worthy of greater attention; their stories are fascinating in their own right, and rife with intrigue and scandal.

Livia Drusilla (58 B.C.- 28 A.D.) was extremely charitable to the cause of orphans and provided relief support to victims of disasters. She was privy to affairs of state and had the ear of "the ruler of the world." She has been viewed as the most powerful woman in the history of ancient Rome and was deified as a goddess after her death.

Livia was described by her grandson in I, Claudius (1934) as: both "remarkable and abominable," and one of the worst of the ancient Claudian family of Rome. Robert Graves's Claudius leaned to the beliefs that she was shrewd, cunning and responsible for poisoning many who crossed her path to power. Contemporary historians dispel this idea, finding these accusations baseless - a fair sentiment which Smith achieves in I am Livia by portraying her in a more judicious light.

To be appreciated as a woman, and also to be appreciated as a creature with a mind --what more could I have wanted?

The novel's similarity to I, Claudius is its autobiographic-fictional device, used in this case, to tell the historical events starting from the murder of Julius Caesar to the last Civil War. Smith's work however, skims the surface of historical details and their significance in shaping the Empire, focusing more on the characters' relationships, specifically, the woman behind the man.

Any woman who says she does not want to guide the actions of the man she loves, is in my opinion, lying.

Readers get to see the developing inner machinations of an astute, intuitive woman, viewing Livia as a young, out-spoken daughter of a nobleman, as a teen-bride, a wife to a Caesar and mother to a dynasty- a woman who could capably exercise influence over Caesar Octavianus, in her mind, "for the good of Rome"; whose political savvy and sound advice were probably her husband's greatest assets.

I can't claim to know much of ancient Roman history (a paucity I regret and look forward to remedy), so it was a little confusing for me with all the key figures (who bred like rabbits), their offspring, extended family members and/or adopted heirs with same or similar names. It is for this reason that I would have liked to see a genealogy map. Trust me, this is important! In the mean time, for those of like-mind, I am Livia is an enjoyable prompter to pulling out those ancient history books.

Generous marks to Phyllis T. Smith's I am Livia for a very good start (there's a follow up in the works).

Ancient Rome Autobio-fiction Histi-fiction