Andrew recommended this to me a while ago and I finally had the chance to read it! I was worried at first, because his last two have been, while very good, incredibly depressing, but this was a whole lot happier and more hopeful than White Teeth by Zadie Smith and The Autobiography of Malcolm X, so I can keep on with his recommendations! It’s interesting because Fruit of the Lemon does deal with the same sort of issues as those other two books — namely, what it means to be not-white in a society that favors being white, but it also marries this idea with a young woman’s coming of age. Faith has just graduated college and is trying to figure out who she is and what her place is in the world, which is made even more complicated by the fact that it’s harder for her to get the jobs that she wants because of racism and it’s harder for her to embrace her culture when she doesn’t have any friends that come from the same background as her.

I appreciated Levy’s ability to take serious concepts while also bringing humor and levity into it. Faith is living in a house with two guys and another girl, and the description of the house is hilarious, grotesque, and all too real of just-graduated-from-college young adults. The hygiene, decorating skills, and overall responsibility skills just aren’t quite there yet, but they’re trying to figure it out; Faith’s dad coming by the house because he was “in the area” is a hilarious moment because of this.

The racism in Faith’s workplace was well done — she wanted to be a dresser instead of working in the costume department of a TV station, cataloging costumes. Someone told her they never have “colored” people working those jobs, and when the hiring committee started being unfair to her, she mentioned that and eventually got the job she wanted, but they don’t actually really let her do the job, saying that no shows needed anyone to help dress the actors at the moment. This was much more interesting than Faith not getting the job outright, because it was harder for her to find something to be upset about — she got the job she wanted, they just didn’t need her to do those responsibilities right now. And then, when they do let her work, it’s to dress up dolls for a kid’s show and not actual actors.

However, this novel shines with Faith goes to Jamaica and learns about her family. More than anything, this book is about how people become who they are, how they relate to their families, and how family can tie everything together. I loved seeing Faith trace her family tree as each new story about a new relative is told to her, and even though the reader doesn’t get to see much of Faith’s transformation, I felt her becoming more comfortable with herself and who she is with each branch she adds to the tree. Fruit of the Lemon is a beautiful story about family, identity, and culture, and it’s able to tell an important story while still including humorous and touching moments. Along with my husband, I highly recommend reading this book.

Many thanks to the More Historical Than Fiction book club for bringing this book to my attention.

The premise of a story of catholic missionaries trying to spread Christianity in Japan really caught my interest because I have fond memories of reading Shogun, which featured a similar premise as a side-story. Although, if any of you have read Shogun "fond" may not be the best way to describe the reading experience as there lots - and I do mean LOTS - of gory descriptions of cruelty and violence.

Obviously, I must have forgotten about that when I gleefully signed up to the group read of Silence.

Endo also goes into a lot of detail when describing the obstacles and hardship - read "torture and violence" - that the priests and Christians endured under the samurai rule, at a time when Christianity was banned from Japan - because the rulers decided it was of "no value" (according to one of Endo's characters) to the Japanese society.

The second aspect that intrigued me to the book was, of course, that some reviews compare Endo to Graham Greene. How could I not be intrigued by that?

Silence really was an intriguing read. Endo really tried to capture the mind and spirit of the priest that is sent to Japan and discovers that he may not be able to fulfill his mission and the doubt he feels when he witnesses the events around him.

Unfortunately, this really didn't work for me.

Endo's narrative limits the reader to experience the book only from the priest's point of view. There is not a lot of dialogue or consideration that deals with the point of view of the Japanese characters. I'm sure Endo created this limitation on purpose, maybe to focus on the priestly condition and to emphasize the isolation of the foreigner from the other people around him, but without the other perspectives the book is really limited and reads more like a list of Japanese torture methods than an investigation into the human or priestly condition.

In turn, this distances Endo's work from that of Greene's. I may not have enjoyed Greene's religious musings but at least he made his protagonists doubt their mission, doubt their conviction, and consider other points of view. This was missing from Silence.

I thought that I will not like this novel. I thought that all the fuss about it was exaggerated.

I was wrong.

I enjoyed this novel a lot. I laughed a lot while reading it. I liked the irony, the sarcasm, the tragic-attractive moods. I liked the contradictions and the writing style. In short I liked it whole.

There is one reoccurring theme: death. How can we get rid of death? What if there is a pill for avoiding the fear of death? There is a pill for everything so why not death?

If a cure from the fear of death is found, what could be the consequences? It is interesting that the major side effect from which the patient who takes the pill of release suffers from is forgetting. Forgetting is a sort of death as the patient starts to forget everything that makes her alive, except the fear of death. This of course shows that such pill is bound to fail.

Knulp by Herman Hesse

Knulp is intelligent and witty and everyone likes him, but he has turned his back on having a career or a home or any of the conventional trappings of success. Instead he travels around, sleeping in fields and visiting friends. Because he’s so happy and charming, he has friends all over, and they’re all happy to shelter their vagrant pal for a little while. The novel was told from several different points of view and depicts different periods in Knulp’s life. As he gets older, it becomes clear that sleeping rough has taken its toll and that Knulp is not long for this world. He revisits his home town, which I found very touching. Then he has a philosophical conversation with god about his purpose in life, before lying down in the snow to sleep. The god business is SO not my kind of thing, but it was actually really well-done and I found it quite moving. The “cheerful wanderer” seems to be a “type” from this period. (For example, Maud Hart Lovelace’s Betsy is constantly talking about The Beloved Vagabond, but I don’t think I will ever read it because it is from 1906 and I’m certainly not going to make it to 2106.) This type is valorized in Knulp, but skewered in another book of 1916, I Pose.

The Valley of Fear by Arthur Conan Doyle

A top-drawer Sherlock Holmes novel! It has Professor Moriarty, a secret society, a long backstory, lots of contradictory clues... you can’t ask for more.

Emma McChesney and Co. by Edna Ferber

The longtime fans of my reviews (like, um, my brother and no one else) will remember that I adore Edna Ferber’s Emma McChesney series. So I’m not even sure how good this book even is, all I know is that I loved it. The best part is how closely this novel mirrors my recent life. Emma McChesney travels to Bahia and Rio, Brazil—just like me! Then she goes to Buenos Aires, Argentina—just like me! Then she meets Miss Morrissey—just like me! Oh no wait, that didn’t happen to me. Anyway, after a triumphant voyage selling a line of petticoats, she returns home and finally deigns to marry T.A. Buck, the head of the petticoat company who’s been courting her for the last two books. Then she spends three months in marital idleness, shopping on Fifth Avenue and attending important dinners, but she can’t stand it and returns to work at the petticoat company. This was a very subversive message for 1915, but Edna Ferber slides it right down your throat before you’ve even noticed. The most fun part is when a dowdy rich girl comes to the factory to lecture the shop girls on dressing respectably, but instead a nice Jewish working girl gives the rich girl tips on clothes and advises her to marry the poor man she loves. Unfortunately, it looks like this is the last Emma McChesney book.

Polyanna Grows Up by Eleanor H. Porter

Remember how bad Miss Billy Married was? So actually I didn’t read the famous one last year, Pollyanna, just this sequel. Polyanna is an inspirational little orphan girl who has been cured of some kind of disability, and has been sent to cheer up a bitter old rich lady. Polyanna is continually playing “the Glad Game,” where no matter what kind of horrible thing has just happened, she will find something to be grateful for. This drives everyone totally bonkers, obviously, but eventually they all swallow the Kool Aid and become incredibly cheerful in the face of life’s adversity. Polyanna is mono-maniacally focused on her Game, so that she comes across as a bit unhinged. A sign of trauma?

Just this very day, my wife was telling me about a concept of acceptance she learned about from an Enneagram teacher named David Daniels, called an attitude of gratitude. But you’re not supposed to concur, condone, or capitulate to bad things that are happening. Polyanna is concurring, condoning, and capitulating all over the place. I’m not sure if I can explain what I mean, but there’s a reason Polyanna is one of the most infamously annoying characters in literature.

Polyanna finds an orphan boy with a disability for the bitter old rich lady to adopt. The lady thinks he might be her missing nephew but she can’t be sure; however, she decides she loves him either way.

Then we fast forward ten or twelve years and our author is presented with a problem. It’s cute (maybe) to have a child constantly playing the Glad Game, but in an adult it would be insufferable. Eleanor Porter actually does a pretty good job of turning Polyanna into a semi-normal human being, considering the situation Porter had created for herself.

Now the book gets a little bit fun, as a few love triangles develop, with many comical misunderstandings about who’s in love with whom, à la Three’s Company. There’s a part that’s really bizarre where Polyanna is almost gored by a wild boar (I think I’ve got this right.) But the one who really suffers from this mishap is the orphan boy with the disability, now also all grown up, because he was unable to rescue her, and he makes a big production out of it. Like many children’s book authors of this era, Porter really has a bee in her bonnet about disability. In the end, everything is sorted out—the orphans all come into their rightful inheritance and everyone is paired off with the right person.

I Pose by Stella Benson

I had high hopes when I began this novel as it has a strong opening. It’s about a highminded young vagabond known only as “the gardener” (because he tells people some claptrap about how the world is his garden) and a woman known only as “the suffragette.” The author explains frankly that these people are poseurs who don’t know how to be their true selves, and they wander the world disapproving of everyone and trying to be avant garde, unable to have authentic relationships with anyone, including themselves. I guess there have always been people like this, and there are certainly still people like that today. The author also promises that even though one of the main characters is a sufragette, it’s not “one of those books,” which made me feel relieved after my bad experience with Delia Blanchflower last year. But she lied! It is one of those books.

I Pose completely falls apart when the characters alight on a Caribbean island that is an English colony. This is the most racist book I have ever encountered—it makes Tarzan of the Apes and Penrod look real good. Reading this novel, I felt unclean. I don’t really want to get into the details, but I will say, I think a lot of times people have this idea that racist English people from a century ago were just old-fashioned but meant no harm; it was all kind of a misunderstanding, god love ‘em. I Pose makes it clear that this rosy assessment is not the case—one hundred years ago, racists hated black people with vicious cruelty and made fun of everything they could think of about them and literally did not care if they lived or died.

There was a kinda interesting part at the end where the suffragette goes into a poor neighborhood in London and tries to get the women to unionize, leave their alcoholic and abusive husbands, etc. but all her schemes backfire. This bit seemed heartfelt and true to life. Now I’m going to go ahead and spoil the ending, since I don’t recommend this book anyway. The gardener and the suffragette decide to get married, but instead, the suffragette shouts, “I hate god!” and runs into the church and blows it up, killing herself. The end. What??

I looked up Stella Benson on Wikipedia to see what was her deal, anyway, and it turns out she was a feminist and a suffragette (it wasn’t clear from the novel which side she was on) and that she lived all over the world, including China and Vietnam. From her bio I would think oh, I can’t wait to read a book by this neglected woman writer but having read this novel I say, never again, Stella Benson, you deserve to be forgotten.

bookshelves: britain-england, amusing, play-dramatisation, radio-4, winter-20112012, tongue-firmly-in-cheek, sport, wwi, published-1941, britain-scotland