God Saves The Queen is a high concept story about fairy heroin, a mythic revolution and the 70s punk scene (well, it's supposed to be about the modern punk scene-but really, the author didn't have time for any research). Unfortunately, its concept falls flat on its face. This is partly due to Carey's writing, and partly due to Bolton's illustrations.
Let's get this out of the way- Bolton's illustrations are gorgeous. They're like paintings, really-but they have no movement. This doesn't lie solely in Bolton's hands, of course, as he wasn't given much room to make them move (even the climatic battle scene hardly starts). I felt that if Bolton could have added a little more movement, it would've made the entire book better, though there could have been a better distinction between Fairy and... the real world?
The lettering certainly doesn't help things. I hate any font I have to strain to read, which includes literally every handwriting font ever. Seriously, who writes in those things? I would've preferred Comic Sans for her diary.
As for the story? It just... didn't click. There were so many individual elements I should've loved (seriously, heroin with half-human half-fairy blood in? That's so out there it's in a league of its own), but when packed together into a 92-page comic didn't feel deep enough. I wanted to know more about... horse, or whatever the drug was called. I wanted to know more about the previous revolution. I wanted to know more about the inhabitants of Fairy. I'm sure some sort of author could have balanced these elements, but Carey isn't that author (which is strange, as I thought the first Tommy Taylor volume- I haven't got onto the rest-was pretty great). Also, I was fairly sure it was supposed to be about punk at first, but it kind of discarded that element pretty quickly, and left us with an outdated relic of a title.
I don't know what made God Saves The Queen fall so flat to me while others loved it. Maybe it was the characters, or the art, or even the lettering. All I know is that it just never fully clicked.
Rating: one star out of six
Also found here
Let's get this out of the way- Bolton's illustrations are gorgeous. They're like paintings, really-but they have no movement. This doesn't lie solely in Bolton's hands, of course, as he wasn't given much room to make them move (even the climatic battle scene hardly starts). I felt that if Bolton could have added a little more movement, it would've made the entire book better, though there could have been a better distinction between Fairy and... the real world?
The lettering certainly doesn't help things. I hate any font I have to strain to read, which includes literally every handwriting font ever. Seriously, who writes in those things? I would've preferred Comic Sans for her diary.
As for the story? It just... didn't click. There were so many individual elements I should've loved (seriously, heroin with half-human half-fairy blood in? That's so out there it's in a league of its own), but when packed together into a 92-page comic didn't feel deep enough. I wanted to know more about... horse, or whatever the drug was called. I wanted to know more about the previous revolution. I wanted to know more about the inhabitants of Fairy. I'm sure some sort of author could have balanced these elements, but Carey isn't that author (which is strange, as I thought the first Tommy Taylor volume- I haven't got onto the rest-was pretty great). Also, I was fairly sure it was supposed to be about punk at first, but it kind of discarded that element pretty quickly, and left us with an outdated relic of a title.
I don't know what made God Saves The Queen fall so flat to me while others loved it. Maybe it was the characters, or the art, or even the lettering. All I know is that it just never fully clicked.
Rating: one star out of six
Also found here