Reply to post #37
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@SilverThistle - Christie's books are typically low on the feels. I think that this is partially because of the era in which she wrote - the whole "emotionally immerse your reader and then manipulate the hell out of them because you can" theory of writing had not yet been developed. Books tended to just be more detached until the last couple of decades or so.
In addition, Christie is definitely plot driven. There are few characters who receive more than a cursory, almost stock, treatment in any of her books. Poirot & Marple get well-developed, but it takes many books, as well as Hastings, and a few others. But, over all, she uses character tropes more than she uses characters (the bright young thing, the bumbling detective, the mean wealthy old man who manipulates his relatives, the middle-aged woman with good common sense, etc).
I haven't actually started this read, but I've read the book before, and IIRC, this is a pure standalone, and the point of it is the puzzle. You're almost certainly wrong about the identity of the killer. ;)