[I received a copy of this book through NetGalley.]

That was a quick and fun read, even though I think it was too quick, and could’ve been developed into something a little longer without losing its focus or just filling pages: there was definietely a lot going on in this story, what’s with robots and wizards, of course, but also aliens and time travel!

I found the plot easy enough to follow, which isn’t always the case when time travel is concerned. I liked the two (three?) worlds depicted, too: Ada’s ‘present’ with its computers, drones and technological feats; the future world, full of despair but also of loyal robots holding the fort until the end; and, in a way, the world of the wizards, in a ‘powerful beings mired into their own past and refusing to acknowledge changes’ way.

The main characters, too, all had aspects that made them quite likeable in spite of their faults. Sara’s mum may not be available for her family, but she wants to further the cause of knowledge and build a good future for humanity. Ada has her sulky side, but on the other hand she’s loyal to her friends, whether humans or robots. Kaku is powerful, but uses his power and intelligence to learn and protect. Geller isn’t strong, but when offered a bigger power, he clearly uses it to help, and not for his own personal gain.

I’m not giving the book more than 2.5/3 stars, because even though I enjoyed it, it was too short to properly deal with everything, and the ending raised so many questions, and left so many doors open, for something that doesn’t look like a sequel’s in the plans (I had that feeling when I was some 50 pages from the end, and wondering how on Earth everything could be wrapped up). So, yes, the characters were enjoyable, but not very developed. There’s no clear explanation as to why the Spawn is here (well, there is one, but we never get to learn why exactly what they wre trying to destroy was so dangerous -for them-). There are too many unresolved threads when it comes to Ada’s present, such as the future role of the anti-robots people, or what she’s going to do after such an end to the story; and what awaits Geller is too vague, too.

Conclusion: Good for a quick and entertaining read, but don’t expect well-developed characters or a tight plot.

Modern life seems to have a soundtrack for everything. Even crime.

CRIME + MUSIC: The Sounds of Noir, collects twenty darkly intense, music-related noir stories by world-renowned mystery authors Brendan DuBois, Alison Gaylin, Craig Johnson, David Liss, Val McDermid, Gary Phillips, Peter Robinson and, from the music world, Galadrielle Allman, author of Please Be With Me: A Song for My Father, Duane Allman and award-winning songwriter-novelist Willy Vlautin. Edited by novelist and Wall Street Journal rock and pop music critic Jim Fusilli.

The lively anthology’s chilling, sinister tales tap into the span of rock and pop history, ranging from Peter Blauner’s heart-wrenching “The Last Temptation of Frankie Lymon” to Fusilli’s “Boy Wonder,” set in the world of contemporary electronic dance music; from Naomi Rand’s “The Misfits,” a punk-rock revenge saga to Mark Haskell Smith’s menacingly comedic “1968 Pelham Blue SG Jr.”; from Reed Farrel Coleman’s study of a one-hit wonder, “Look at Me/Don’t Look at Me” to Erica Wright’s account of betrayal among minor talents in “A Place You’re Likely to Find”—and many more.

In the hands of these modern masters of mystery fiction, CRIME + MUSIC exposes the nasty side of the world of popular music, revealing it to be the perfect setting for noir.

Genre:  Fairy Tale / Denmark / Audiobook / Family / Romance

Year Published: 1989

Year Read:  1994

Publisher: Rabbit Ears Books

Series: Storybook Classics

Illustrated by David Johnson

“Thumbelina” is one of the most cherished stories in the Rabbit Ears Storybook Classics series and is surely a classic in its own right. Kelly McGillis’ tender narration, along with Mark Isham’s memorizing music and David Johnson’s exquisite drawings, combine to make “Thumbelina” one of the tenderest stories in Rabbit Ears history.

Kelly McGillis’ narration is extremely tender as she makes this story extremely touching and soothing to watch and she also greatly expresses Thumbelina’s sorrow of being married to the mole in a sorrowful tone which brought life to that scene. Another great aspect of Kelly McGillis’ narration is that she provides a wide variety of vocal talents like Robin Williams when she uses a high-pitched voice to voice the field mouse and a croaking voice when she voices the toad. Mark Isham’s music is extremely soothing and memorizing to listen to and the scene where Mark Isham’s music takes center stage is in the scene where Thumbelina finds the flower angels’ kingdom as Mark Isham accompanies this scene with soothing guitar sounds. David Johnson’s illustrations are extremely beautiful and light toned especially when he illustrates Thumbelina as an extremely beautiful girl with blond hair wrapped up in a braided ponytail and who wears a blue overall dress. Also, the scene where there is an image of the white marble palace by the lake is extremely breathtaking as you can see the reflection of the palace in the lake.

“Thumbelina” is probably Rabbit Ears’ most beloved story and it will surely be an instant treat to children young and old. I would recommend this story to children ages three and older since it has nothing inappropriate for the children.

Review is also on: Rabbit Ears Book Blog