Content warning for stalking, victim blaming, homophobia, suicidal thoughts, on-page drug use and drinking, and graphic discussions of sex.

Jack is a gay teen who likes casual sex and isn't interested in being in a committed relationship. Maybe one day - he isn't completely ruling it out - but definitely not right now. While he enjoys having sex, he doesn't enjoy people gossiping about his sex life, and for some reason his sex life is a hot topic among the gossips at school. When his friend Jenna suggests that he write a sex advice column for her personal blog, he reluctantly agrees. Maybe if he works in some true stories about his sex life, the rumors about stuff he's never done will go away. And the posts will be semi-anonymous, written by "Jack of Hearts," so there's no way some future college or employer will google him and see them.

For the most part, the advice column goes surprisingly well, but things take a turn for the worse in his private life. Someone keeps putting notes in his locker. At first they look like love notes, but as time goes on, it becomes increasingly clear that Jack has a stalker.

I got an ARC of this at a conference a while back and only just now got around to reading it. The book came out in October 2018, so that gives you an idea of how long I've had it. It looked good, but I was a little afraid it'd have more sex in it than I wanted to deal with. Now that I've read it, I can say that, yes, the advice columns were extremely explicit and did mention, in graphic detail, some of Jack's past sexual experiences as context for whatever advice he was giving. However, even though Jack has sex multiple times in the story, there were no on-page sex scenes. I appreciated that. The advice columns were one thing, but first person present tense on-page sex scenes, especially in a YA novel, would have felt voyeuristic and gross.

Okay, I'll start with the good. I thought that most of the advice columns were well-done. I could imagine the topics and explicitness crossing lines for some folks - I, personally, thought that the last one about roleplay and BDSM would have been more appropriate in a book aimed at adults than teens - but for the most part I liked the way the topics were handled, with an emphasis on communication and consent. There was even one column addressing the fears of a letter writer who was probably asexual, as well as a column that discussed the fetishizing of gay men by straight women.

I liked Jack reasonably well, even if he occasionally made me want to scream in frustration, and I thought his friend Ben was an utter sweetheart. Although most of the prominent characters in this book were very much into sex, usually casual sex, I liked that there was an effort to say "it's okay for teens to not want to have sex, or to want to wait until they meet the right person or feel like it's the right time." And the story's pacing was good and definitely kept me hooked.

However, here's where I get into the things I wasn't as wild about. The stalking plot had several moments that made me incandescently angry. Yes, I understand that there were teens who would not want to tell anyone if they were being stalked, who, like Jack, would want to just wait and see if the problem would go away on its own. And yes, I understand that there are horrible adults out there who'd react like Jack's principal and not do anything particularly helpful. However, it just kept going on and on and becoming more and more awful. The message the book was communicating boiled down to "there's nothing that could possibly be done to make your situation any better, no one will help you, and even the people who try to help you won't be able to accomplish anything." It did resolve in a positive way, but it felt like a stroke of luck on Jack's part, and even then it almost didn't work out. Things got so bad that I was worried the book was going to end in Jack's suicide.

Jack was so frustrating. Every time one of his friends suggested going to someone for help, he trotted out reasons why that wouldn't do any good or just plain said no. No cops, no telling his mom. Considering the principal's reaction when he was first alerted to the problem, I could understand, but as the notes got darker and more threatening, I had a harder time seeing why he wouldn't try again, with a different adult. His mom would have been perfect, but no, he didn't want to worry her. Jack and his mom often felt more like roommates whose paths occasionally crossed than like parent and child. Giving your son space to grow and figure himself out is one thing, but Jack's mom didn't seem to have any rules beyond "don't get blackout drunk and make sure you practice safe sex." And what good was having a "cool" mom, anyway, if Jack still didn't feel comfortable enough to tell her that a stalker was blackmailing him and making his life hell?

The high school experience depicted in this book was more like what I see in movies than what I remember of my own high school life. It seemed like everyone was having huge parties, drinking, smoking pot, and having sex. Yeah, there were mentions of kids who wanted to take it slower, like Ben, and that asexual letter writer, but the bulk of this was just...are there really people out there whose high school experience is like this?

And while I do think it's good that sex positive YA books exist, there were certain things in this one that crossed the line. For example, there were multiple instances where Jack admitted that he'd used Grindr to find partners, that he'd lied about his age, and that at least one or two of his partners were probably adult men who didn't realize that he was still a minor. The problems with this were never addressed. Honestly, the "hooking up with older men via Grindr" stuff could have been cut from the book without hurting anything - Jack had zero problems finding people his own age to hook up with via parties.

Anyway, it was a quick read, but I definitely had issues with it and am not really sure I enjoyed it. I could see the advice columns being helpful to some readers, though.

(Original review posted on A Library Girl's Familiar Diversions.)

Rotterham Home is a hospice for teens with a variety of terminal illnesses. One small group, consisting of Ilonka, Anya, Sandra, Kevin, and Spence, gets together every night at midnight to tell stories. Spence's stories always feature some form of mass murder, Anya's story has more of a supernatural bent, Kevin's is a multi-part story about an angel who becomes a mortal out of love for a young woman. Ilonka, meanwhile, always tells stories based on her memories of her past lives. Although she says she's never met anyone in this life that she's known in her past lives, that's a lie - she recognizes Kevin as someone she's met and loved in all or most of her past lives. Unfortunately, Kevin is currently dating a pretty and healthy cheerleader.

Almost every member of the group has a secret gnawing at them, something they must deal with as best they can in the little time they have.

I had forgotten how much mysticism was in some of Christopher Pike's books. This particular one had a LOT. Ilonka had repeated dreams of sitting at the feet of some guy she called the Master, who philosophized at her and tried to get her to stop looking at the past or longing for the future and instead focus on the present. Weirdly, her reincarnations resulted in her being both the Master's mother and his first disciple. The two past lives readers got to see the most of took place in ancient India and ancient Egypt (sort of). Then there was Kevin's angel main character, Sandra's evangelical upbringing, and lots of mentions of God.

Speaking of Sandra, evangelical readers would probably be annoyed by this book, since she comes across as the least likeable and most hypocritical character. Oddly, she was also the only character to find Spence's stories disturbing. Considering Pike's usual inclusion of murder and/or horror in his books, I initially thought Spence's stories were going to lead up to some kind of murder mystery, but that wasn't exactly the case. (There was a tiny bit of mystery, but it was more of a minor detail than anything.)

I'm not really sure what else to say about this. The one bit where Ilonka had a bunch of magic-filled dreams of past lives was weird, and the far-future ending felt weak and tacked on. This was a bit of an "issue" book, dealing directly with subjects like teenage sexuality,

, in addition to the more obvious issues of death, serious illness, and mortality. (And yes,

All in all, this wasn't the book I expected it to be and wasn't one of my better Pike rereads, but it wasn't bad. Just don't let the cover trick you into thinking it's horror, or you'll be terribly disappointed.

(Original review posted on A Library Girl's Familiar Diversions.)

My copy of this is an ARC that I picked up at a conference four years ago. Yes, it took me this long to finally read it. Because it's an ARC, I won't be quoting from it.

Phoenix and his team spend their work days fighting battle after battle. Each time they die, they're regenerated. That's because they aren't people - they're the NPC enemies that human gamers try to defeat. The only difference between one day and the next is what game they're in. When Dakota, a new member, is added to Phoenix's team, things gradually start to fall apart.

Dakota won't stop asking questions. She has what she thinks are memories of a life prior to being in the game. Doesn't that mean she, and all of them, are really human? Doesn't that mean there's a life she could get back to? Phoenix tries to ignore her and concentrate on being the biggest, baddest opponent gamers have ever fought against, but then things start happening that even he can't explain away.

I went into this thinking it'd work reasonably well for me. I like "stuck in a video game" stories, and this seemed somewhat in the same vein. Unfortunately, I disliked Phoenix, who I assume was written to primarily appeal to male gamers. His idea of a good life was battles, good weapons, and Mi, his only female teammate prior to Dakota's arrival, tucked under his arm when she wasn't pulling off an impressive number of headshots. Although Dakota annoyed him, he gave her living quarters closer to his because he thought she was hot...which was weird since he acknowledged that all women in his game world were hot.

I spent a good chunk of the book thinking Dakota would have made a better POV character, but I doubt that would have made me like this book any better. She annoyed me almost as much as she annoyed Phoenix. But at least she was less passive than Phoenix, who was aware that things were going on around him that he knew nothing about but who did nothing to learn more about those things.

For a book that contained cannibals and a Mad Max-style dystopian wasteland, this was surprisingly boring. The pacing was really bad, and none of the characters felt like actual people. Part of the latter could have been due to Phoenix's POV. Mi, for example, came across as his token girlfriend. Why were the two of them together? She seemed more inclined to question things than him, and there were hints that she had thoughts and emotions he hadn't even tried to find out about. And yet the two of them stayed together. The only explanation I could think of was that Phoenix was team leader, and as team leader he was required to have a girlfriend. Which was...depressing.

The book's ending was garbage, a last-ditch effort to mess with readers. The result was hugely unsatisfying. Phoenix's shock and horror didn't exactly do much for my opinion of his intelligence, either. The ending he'd been about to have was filled with great big gaping plot holes (not to mention a stunning display of selfishness and wastefulness, but that's a whole other issue). It shouldn't have required dragging him over and rubbing his nose in them for him to see them.

Extras:

I don't know if these made it into the final book, but the ARC came with a few illustrations and stats for Phoenix and his teammates.

(Original review posted on A Library Girl's Familiar Diversions.)

I'm doing this massive work project to add subject headings to records that don't have any, concentrating on our children's and young adult stuff (1,315 to go!), since the most knowledgeable staff member in that area is planning on retiring in a year.

As a result, I keep stumbling across things that look interesting. This might become one of my Halloween Bingo reads - a book about an 17 or 18-year-old who was sent to a mental institution ("school for disturbed juveniles"?) after a girl's murder. It sounds like most of his small town believes he committed the murder, and only his grandfather believes him when he says he witnessed it.

The 1985 Kirkus review for this says the ending is melodramatic, but I feel like a lot of 1980s and 1990s YA thrillers and mysteries had at least a little melodrama. Look at Killing Mr. Griffin (okay, it was published in 1978), which ended with a maniacal villain attempting to burn the heroine alive in her own home. And, like, all of Christopher Pike's earlier works. (Now I kind of wish I had another Christopher Pike book on hand. I don't know that an ILL request would get me one fast enough to read it before the end of Halloween Bingo, though.)

This is a nice little book that covers the space of a day. (American) heroine and (English) hero end up sitting together on a flight from the United States to England, both ducking across the pond for family events.

Heroine Hadley’s family was torn to pieces when her father fell in love with an Englishwoman and abandoned them, and now she’s expected to attend the London wedding. This story is as much about family as romance.

As for the romance, I think the author managed the culture clash aspects well, and didn’t push things too far over such a short timeframe.

A sweet little book overall, though I’m not sure the father deserved to be so easily forgiven!