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review 2017-10-22 18:15
Little Star, by John Ajvide Lindqvist
Little Star: A Novel - John Ajvide Lindqvist

After seeing the recent adaptation of Stephen King's It, I was inspired to delve into a big, fat horror novel (I already read It a few summers ago); plus, 'tis the season. John Ajvide Lindqvist has been referred to as Sweden's Stephen King, and I can see why. What I like most about King's writing is his characterization: characters feel like real people, no matter how fantastical, or evil. Little Star is my second Lindqvist novel, and he has a similar gift for creating engaging characters.

 

In some ways, though, I find his horror even more frightening than King's. He has a way of providing the details that are often skipped over in horror movies, such as the way the human body reacts to terror. Acts of violence are shockingly brutal (early in the novel a husband savagely breaks his wife's kneecap). He also appears to be interested in children as protagonists, especially girls. Little Star, like Let the Right One In, the other Lindqvist novel I read, features two children as the characters who drive the narrative. One (Theres) does not seem to be quite human (like the vampire in the latter novel), while the other (Theresa) is a human who is an outcast (like the boy who befriends the vampire). Each one's story is told separately at first, including their parents' points of view, until they meet--virtually and then in person. At this point we know the two will be frightening together.

 

Much of this novel details the angst and alienation of young girls, which can be painful to read if you're a woman who felt like an outsider at some point during your childhood. That alienation is weaponized; it's a freight train whose collision you can't stop but also can't look away from. It reminded me of Dietland, which I read a while ago and is not a horror novel, or even Kill the Boy Band and The Girls. I suppose I'm drawn to stories where patriarchal suppression erupts in violence.

 

I was left with a question or two, including Theres's origins (she's left to die as an infant in a forest before being discovered) and the red smoke she and the girls feed on. I also wanted a bit more of Theres's adoptive mother's perspective at the beginning.

 

Despite these questions, this novel shocked, disturbed, and awed me. I tore through it. AND I learned about several Swedish pop stars!

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review 2017-08-28 00:37
The Night Guest, Fiona McFarlane
The Night Guest - Fiona McFarlane

The Night Guest opens with elderly Ruth fearing she can hear and smell a tiger in her house--in Australia. One of the great pleasures of this book is its unreliable narrator, unreliable not because she's deceptive but because her mind isn't what it used to be and may be getting worse. Yet the phantom of the tiger presages what may be a real danger: the arrival of a woman named Frida who claims to be a government carer. Is she, or is she fleecing Ruth?

 

Ruth's narration leaves just enough room for the reader to come to their own conclusions about her and Frida. Some things are left diaphanous, but not so hazy as to cause confusion. On top of that, the prose is terrific: distinctive but not overbearingly poetic. McFarlane capture fine states of feeling or consciousness with her language and imagery. I really delighted in reading it.

 

Not so delightful is the nature of what's going on, or even the suspicion of it. My grandmother, who died a few years ago, suffered from dementia. She had an excellent aide, but my parents eventually had to put her in a nursing home close to where they live. Even the best of those places upset me, and it was hard for me to see my grandmother--the smartest person in my family--lose herself. This recent experience made it difficult to continue at times.

 

I also found myself thinking about Frida's race and physicality--she's a brown-skinned and heavyset woman. Ruth is tiny and was fair-haired. What's being said about Frida and race? I searched reviews and finally found one that addresses the issue by referencing the author's own explanation (in the Sydney Review of Books, here). This explanation satisfied me, though I'm still wondering about Frida's size.

 

Finally, it was lovely to see a bit of romance between Ruth and her almost-love from the past, who's even older than she is. A delicately handled rarity in literary fiction.

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review 2017-04-16 16:50
The River at Night, by Erica Ferencik
The River at Night - Erica Ferencik

A compulsively readable survival thriller ala Deliverance and The Descent that is begging to be adapted into a show or film. It features a group of friends in their late 30s, all women, who don't regularly see one another in their day to day lives but who take periodic, adventurous vacations away from it all. On this vacation their fearless leader, Pia, has arranged for them to raft a river in Maine, one that is virtually "undiscovered," according to their young, male guide. Read "undiscovered" as in the middle of nowhere, no cell phone coverage, and no help nearby. You see where this is going.

 

Disaster strikes during the trip, and the group is forced to make tough decisions and survive a dangerous situation that only gets more dangerous. The strain heightens tensions and reveals cracks in the group, and everyone loses their shit in a way specific to each character. Our narrator is Winifred (Win or Wini), clearly the least brave of her friends, a woman who's recently lost her husband (divorce/separation) and younger, deaf brother. She's lonely, at sea in her life but without the impetus to make changes and be happier.

 

All the women bring their own baggage, but it's Pia's need to be "off the grid," be authentic, whatever that means, that brings them to the river. Besides Win's relatable narration, the adventure, and some very cool descriptions of their environment, the book's refusal to say, simply, that nature is better and civilization is corrupt is a favorite aspect of the story.

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