TRIGGER WARNINGS ALERT Stay away from this one if you prefer safe reads. Don't read my review if the word "rape" makes you unconfortable, because I use it a lot, because this book has a lot of that. My review contains spoilers so beware.


I don't recommend this if you feel uncomfortable reading about:

Pedophilia Nicasius is only 13 and he's used as a sex slave. The worst is that he is supposed to be willing to be forever a sex slave because the king, his master, gets tired of children when they grow up and Nicasious is eagerly searching for a new master. 

Rape and Sexual violence Damianos the Main character is entered in a slave contest where the loser gets raped. He gets drugged by Laurent "his love interest" so that he'll get weakened and lose the contest and Laurent can watch when Damianos gets raped...publicily!! In this book the court takes rape as a sport. Later Damiano's forced to receive oral sex from another slave to the enjoyment of Laurent. I repeat, Laurent is the "love interest". 

No romance  by the end of the book there's not even a kiss

Stockholm Syndrome Erasmus, A sexual slave, gets raped all the time but he supposedly enjoys being a sex pet and is all grateful when he gets to serve another master because said master treats sex-slaves "better". Sorry but in what sick world a sex-slave enjoys being a slave?How is that romantic or sexy? 

Extreme violence  Laurent, the MC "love interest", is a Prince and he gives orders to whip Damianos. This is vividly described and Damianos spends some time recovering from his injuries. How is that romantic? 

Double standards So Christian Grey gets the sh*t here in GR although he NEVER raped ANA, (although, to be honest he pushed her consent, but NEVER raped her) yet Laurent gets nothing but praise??? So dubious consent, sexual violence, and rape are okay when the characters are male? NO JUST NO!! That's not feminist at all, that's not fair. If the main character had been Princess Damiana everyone and their dog would be screaming murder. "Oh the abusive relationship in romance!" But because the victim is a male then it's okay? How is that fair? 

Unsafe reads This is supposedly a slow-burn-romance between two males, but there's a lot of cheating and disloyalty. [ In the sequel of this rape -fest Laurent who is Damianos owner and master, "lends" Damianos to a group of women warriors so that they can use him for reproductive purposes. Laurent's not even slightly jealous! He laughs with joy when Damianos returns to their tent worn-out from having sex with a lot of women in just one night. Damianos is attracted to Laurent but he is more attracted to women than to males. So we the readers don't get a little bit of cute jealousy and the couple doesn't kiss until way into the second book. 

I'm not the most articulated, coherent reviewer, so I invite you to read these reviews if you want more info on the problematic issues of this book.

Cait's review
Lainey's review

This book makes me angry. The writing is exquisite and clever, but it's the most disgusting portrayal of an M/M relationship. Contrary to what this book portrays, Homosexual Men have healthy, committed relationships . This is not the best book to portray diverse couples, because, as it is, a lot of people think wrongly that homosexuality and bisexuality are against nature and that Bisexuals and Homosexual aren't capable of loving, committed relationships. This book only re-inforces the idea of sexually "degenerated" characters. In real life gay people aren't like this. Not at all.

I gave two stars to the sequel because the graphic rapes aren't present. It's cleverly written and it's addictive, but it's still a harsh read because poor Nicaise. It's not fair what happened to him.

Final note: There are reviewers here in GR who praise this book to no end, and yet get all angry and write rants about romances like Twilight, Hopeless, FSOG, Beautiful disaster and other romance books of the romance genre. At time it feels like some of those reviewers are trying to make the people who enjoy, for example, FSOG bad with themselves because "they are supporting a book that portrays an abusive relationship". Yet they go and praise this very abusive book. 

This isn't about me having a problem with the people who like this book. I think it's okay if people enjoy this kind of books because

* Everyone has different tastes and opinions and all opinions are equally valid. You enjoy this book? That's fine.
* WE ALL ARE SMART! WE ALL KNOW HOW TO DIFFERENTIATE REALITY FROM BOOKS. We all know that In real life rape is wrong. The people who love this book to death aren't supporters of rape, this is just a book. But just like the the captive prince fanbase knows the difference between reality and books, the FSOG fanbase knows better than go and get themselves in abusive relationships because of a book.

My problem is when the double standard comes:Contrary to popular GR belief the people who enjoy books that portray abusive M/F relationships are as smart as the people who enjoys Captive prince. Just saying. 

So anyone who enjoys FSOG or any other bad-reviewed romance, but never says it aloud for fear of how their opinion will make them look in a site like GR where people trash "abusive relationship" books, should say it aloud. Most of FSOG bashers are top reviewers who praise this rape-fest so there's nothing wrong with liking FSOG or any other poorly-reviewed romance. 

If you like me feel unconfortable reading certain topics, ignore most of the 5 star reviews, very few of them mention the problematic issues of this book and most lack trigger warnings. Read some 3 stars reviews and some triggers warnings before deciding if this book is for you or not

WARNINGS WARNINGS 
I don't recommend this book if you feel uncomfortable with books that depict graphically

* Pedophilia/rape [ A 9 year old girl forced to marry and later bear a child to a grown man (hide spoiler)]

* Incest/child abuse [ The Buendia family members are constantly falling in love with close cousins, half brothers, nephews. An older woman Amarantha makes out with her underage nephew (hide spoiler)]
* Non sensical Violence [ including the cruel death of a newborn, and that's the ending scene. This book leaves you feeling disturbed (hide spoiler)]
*Prostitution
* Cheating
* Bestiality
* Women treated as objects sometimes by their own parents





If you like me grew up reading marvelous books like Harry Potter, Percy Jackson, Twilight, The Hunger games, which are all extremely strong in terms of characterization and character development and which are at times trashed by the same critics that praised this piece of cr%p, I doubt you'll enjoy this book because:

* No plot, everything is a messy mix of twisted, and I mean TWISTED, disturbing, cringe-inducing family anecdotes
*No character development. 
* Poor character presentation. Other than I know that Amarantha is somehow fierce it's difficult to describe the rest of the characters personalities. What are their goals? What do they want? What do they fear? Who are they? What are their motivations?
* Poor worldbuilding. Am I supposed to know how Macondo, the setting of this book looks like? All I know is that Macondo founders were trying to reach the sea and they couldn't and were tired of travelling so I know there's no sea close to this town. The rules of this world don't seem to follow a logic, either. It's like Garcia Marques just smoke weed and added whatever he saw when he was under the effects of the weed to add magical elements here and there. I rarely notice worldbuilding issues in my reads because I have a strong imagination. Even books that don't describe the rules of their worlds or the setting properly don't turn me off, but since this book is universally praised as a "master piece" I was expecting more. 
* No coherent timeline, Little to No dialogue
* Author breaking the rule of show don't tell 98% of the book




I should have tried to convince my professor to change this assigment. I should've told him that this kind of topics are potential PTSD triggers for me (which is 100% true, although usually books don't activate triggers for me, certain kind of music and smells are triggering for me) or that they are against my religious beliefs (that'd been a lie, but I wish I had lied) Maybe it wouldn't have worked and still I'd been stuck to read this horrible book, but these professors should be more responsible when assigining this kind of disturbing readings and forcing people to read them taking away our sacred right of DNF a book we don't enjoy .

I'm aware that the author won a Nobel Prize, but it seems to me that it was more like the academy thought it'd be rebellious and edgy to give an award to this author leaving other more talented authors out, therefore steering controversy. Sort of like they did when they gaveBob Dylan the Nobel Prize even if he's a songwriter and poet more than a book writer.

I don't even know who is supposed to enjoy this book. I think that some Hispanic readers might find something good in this book because it seems to me that the author at times was talking about Colombian/Hispanic political issues in a metaphoric way, but honestly there wasn't enough of that.

Also, the opening line of this book is supposedly matter of study in English literature courses around the world 


'Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.'


I can see why some readers might find that intriguing and get hooked from there, but I read a lot of books with great opening lines/paragraphs in commercial literature. Angefall by Susan EE, Divergent by Veronica Roth, Maze Runner by James Dashner have strong opening lines that get you hooked. I think every reader gets hooked by different opening lines, so why critics and scholars think this opening line is better than any is beyond me. However, I'll say that the ending scene was strong and extremely disturbing. It's a scene that will make you feel haunted and in search of a happy reading because [ A newborn is eaten by ants. You're supposed to imagine the ants carrying only the carcass of what was moments before a lovely baby ... who was born with a pigtail O_O (hide spoiler)]

I'm only writing this because I need to organize my ideas for my essay. I doubt that writing my honest opinion about this trash will earn me a good mark, so I'm trying to find an angle to write about. Maybe I can write about the role of women in Garcia's books. The other Garcia's book I read was Chronicle of a foretold death which was thankfully short and somehow realistic, but still 100% misogynist. An oudated view of women is common in this author's writings.
My recommendations if you are forced to read this author:

* Write notes for each time a new Buendia appears. There are at least a dozen characters sharing almost the exact name and that is confusing
* Don't expect character development, don't expect world building
* Don't expect brilliant dialogue, although you can expect beautiful monologues
* Expect a lot of info-dumping and exposition
* Expect a lot of magical elements, but not the kind of magic that makes you want to live in this world.
* Expect a lot of misogynism It's like the author comes from ancient times or the Taliban and his views on women are very outdated. As a demi-feminist some scenes were hard to stomach.
* Keep an enjoyable read at hand because sometimes you're tired of this world and you want to get out of it by reading something good.

Long story short, this book is way Overrated. Overrated doesn't cover it. I think the author, may he rest in peace, might have written it under the effects of the weed.




Best reviews I found on GR:
Martine's

Adam's

I’m writing this review on behalf of Rosie’s Books Review Team and thank Rosie and the author for providing me with an ARC copy of the novel in exchange for an unbiased review.

I read the first novel in this post-apocalyptic series The Dead Lands not too long ago (read my review here http://wp.me/p73X7h-24C) in preparation for the next novel. I enjoyed the first one (although I don’t read much in that genre, I had read another one of the author’s novels, and it had come very highly recommended) and was eager to see what would happen next.

The story picks up where the other one left of, or near enough. A much larger military expedition, this time headed by Colonel Paden, is sent to Hemera, officially to rescue the survivors of the first mission, but in reality to recover the treasure and wealth of the city that Paden has been assured is still there. Anybody who’s read the first novel knows that all the members of the mission are in for a surprise. Although they’ve been told there are some hostile life forms in the planet (that’s more than the first mission knew), nothing has prepared them for the mutated ever hungry creatures they meet.

The style of the story is very similar to the first one. It’s also written in the third person, with each chapter or part of the narration told from a different point of view. I did mention in my previous review that it made for a fairly democratic experience, and a pretty uncomfortable one at times, and that’s again the case. We are in the shoes (or the consciousness) of soldiers, male and female, of all ranks, of those in charge and those following orders, of male and female mutants… It does not necessarily help create empathy for the characters, but many of them are not likeable (and some are utterly disgusting, and I’m not talking necessarily about the mutants that after all have no choice in the matter) nor do they need to be. Like in the first one (personally I thought perhaps more in this one than in the first novel) there are characters who are easier to root for, like Ryan and his sister Jayde, Marshal, Darrell, Laila, Boone… Murdoch and Paden are the official baddies, although nobody can compete with Paden. He’s gross and horrible and… Yes, so bad he’s good. The behaviour of most of the characters is more loyal and morally sound than in the first one, perhaps because these are military men and women among the best, rather than a problematic team handpicked to die and not be missed like in the first novel. There are moments of extreme loyalty and self-sacrificing behaviour that keeps it emotionally satisfying in parts (despite the body count).

Although there is not much in the way of back story (like happened in the previous one) we get snippets of personal history, for example the history of Ryan and his sister, and we learn the reasons for Murdoch’s hatred towards Ryan (and even get several versions of the story). Overall, the book is mostly about the now and the action and mission the soldiers get landed in. Despite traumatic memories, the soldiers have to remain focused on the task at hand if they want to survive and because we experience the story from the points of view of the different characters we, readers, also get into the action mode, fearing where the next attack might come from, if we’ll make it out of the sewers in time, and if there’s any future at all out of that rat hole.

The novel questions issues of loyalty and morality, and highlights the fact that following orders is not a valid excuse when it leads to extinction and it’s led by greed (Marshal and his hesitation about following Paden’s orders reminded me of Starbuck wondering if he should follow Ahab’s. Ultimately, and I’m not going to spoil the novel for anybody, Marshal’s call is the right one, duty or not. And after all Ahab has his humanities, whilst Paden…). Rampant materialism, self-interest, egocentrism and narcissism are weighted against team loyalty, discipline and team spirit.

There is no humour as such in the novel, although sometimes the contrast between the situation and the point of view of the character the reader inhabits can create moments of utter disbelief and even some unintendedly funny ones (Paden can be annoying, disgusting but also quite witty at times). And I couldn’t help but chuckle thanks to a lovely twist involving a particularly grand mutant (that in fact is the mirror image of the colonel).

There are also interesting observations about the mutants, who are perhaps not the wild slaughtering and devouring machines they appear at first sight that might hint at future changes to come.

The novel has plenty of violence (like in a video game), with fights, shootings, descriptions of weaponry and gore, destruction, nasty smells, biological functions run amok, and injuries described in painful detail. This is not for the fainthearted or those who are looking for a nicely wrapped up and happy ending. Although the ending is perhaps less dark than in the first novel, at least so it seems initially, it has a twist in its tale and it leaves many questions open, including the future of Erebus.

Who do I recommend it to? To lovers of the post-apocalyptic genre who are keen on action, and do not mind descriptions of battles, destruction and explicit violence. Also to those who like to experience stories that go beyond the comfortable following of an unambiguous hero. And I especially recommend it to those with a good stomach who love to hate their baddies. Paden is epic.