I seem to be having trouble connecting with this series, and I honestly don't know if it's the length of the stories or if it's the narrator.
This is really too short to go in-depth with the material or the characters, and things and other characters keep getting introduced, on top of the mystery of sorts that Lee and Gideon are working on. I did love Gideon's mom, and it was nice to see Gideon going out on a limb relationship-wise, planning time off from his job when he knows that Lee will be home from his own job.
I didn't understand why Lee, a psychic, didn't believe in spirits off the bat. His job is going out, documenting monsters and such, and reading energies and people's minds and other random mojo to find things and people. But spirits? That's crazy talk! Atheism in paranormal settings just doesn't make a lot of sense to me. He doesn't have to be religious or anything, but he does have use basic common sense. It reminded me of those idiots in that godawful The Boys on the Mountain, going out to investigate a haunted house but none of them believe in ghosts. *headdesk* Thankfully, Lee does prove to be smarter than that lot. Not that that would've been a hard thing to do.
Tim Gilbert is a great narrator, and he's easy to follow, but he's got this gravelly, gruff voice that just doesn't really seem to fit. Well, that's not quite right. It fits Gideon perfectly, but everything else? Not so much. He is able to clear his voice up for Lee, but the variation in his voices for the various characters shows a limited range. And I still feel like he should be reading something much more serious, like one of those classic Russian authors with names I can't pronounce. :D
There is promise here, and I've loved nearly everything else I've read by Ms. Fox, so I'm going to try the next one eventually, but I I'll be reading it. This'll be it for me with the audiobooks.
They don’t get much better than this. It’s a wonderfully slow burn of a story that builds up to a gross-out creepfest. The characters were fun, some people get what they deserve (yay!), some wholly undeserving people get it (oh no!), and the scary stuff is left satisfyingly under-explained for a lingering aftertaste of mystery (ahhhh).
Audiobook, via Audible. I have mixed feelings on the performance by RC Bray. I liked his voices and infection, and his Southern accents were very plausible. But at times he was a little too deadpan, which flattened the story a bit. I read this for the 2018 Halloween Bingo square Southern Gothic : mystery, supernatural, suspense or horror set in the Southern part of the United States. This horror story is set in Alabama.
This is not bad by the standards of self-published books, but there isn’t much to recommend it unless you happen to be seeking a book set in Bahrain; it is currently the most popular book on Goodreads (admittedly, an English language-dominated site) set in that country. Titled “Yummah,” a word used in the book to mean “grandmother,” it seems to be the fictionalized life story of the author’s grandmother – a conclusion supported by the fact that toward the end, a favorite granddaughter appears who, like the author, is named Sarah, goes to college in Boston, and moves to Saudi Arabia for marriage.
The book begins sometime in the mid 20th century, and spans the time period from British colonial rule of Bahrain, to the country’s independence in 1971, the First Gulf War, and the beginning of the 20th century. It is narrated by a woman named Khadeeja and focuses on the domestic dramas of her own and her children’s lives. Khadeeja is married off at age 12, loses several people she loves and is abandoned by her otherwise apparently perfect husband as a pregnant mother of eight, but overcomes adversity and sees her children find love and success.
It’s a quick read, and the story moves briskly, covering an entire lifetime in fewer than 200 pages. It does suffer from several drawbacks, however. Khadeeja narrates the story in first person (except for a few brief sections told in third person from someone else’s perspective), and her perspective is not particularly nuanced; she romanticizes child marriage and makes sweeping statements like “in my days the twelve-year-olds were still innocent, their eyes still had their childish sparkle and their hearts were pure as angels’,” or, on the day of Bahrain’s independence, “there wasn’t a single soul on the island of Bahrain who wasn’t happy.”
She’s also a heavily romanticized character herself, with no apparent flaws, and called an angel even by her ex-husband, who is similarly romanticized despite his abandonment of his pregnant wife and eight kids. (I can sympathize with his shame at losing his job and his initial decision to flee, but to never send for them or even send money once he’s back on his feet – when they’re on the verge of eviction and the older kids are leaving school to support the family – did not seem nearly so forgivable to me as it was to every character in this book. That said, my guess is that this book is based on the author’s grandmother’s life, and if this is treated as a great love story in her family, well, at least it’s authentic I suppose.)
Beyond that, there are problems one expects from a self-published book. It appears to have been copyedited by spellcheck, given the number of misused words. For the most part, the author’s English seems fluent, but she struggles with prepositions (Khadeeja is concerned about someone’s “desire in revenge”; a character comments that “life has been cruel on you”), the occasional word is jarring to the English-speaking reader (the dialogue tag “screamed” is overused, including even for a polite greeting at one point), and there are some run-on sentences and some passages which lapse into the present tense although most of the book is in the past tense. Meanwhile, I was never sure whether the seeming expansion of the age gaps between Khadeeja’s children (all nine born within eleven or twelve years) was a continuity error, or whether society really was changing so rapidly that the middle and younger children wind up seeming a full generation younger than their older siblings.
All in all, this was a quick and painless read, especially since my expectations for a self-published book were so low. It’s not one I would recommend on its literary merits, but it’s a perfectly decent choice for those looking for a story set in Bahrain.