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review 2019-01-17 16:30
The House of the Seven Gables (Hawthorne)
The House of the Seven Gables - Nathaniel Hawthorne

Somehow I missed this during my omnivorous reading of the 19th century gothic in my undergraduate years. I read it now from the point of view of someone who distinctly resembles fractious, unsightly Hepzibah far more than the idealized "little woman" Phoebe (though perhaps I have always been more a Hepzibah than a Phoebe). In any case, the emphasis on Hepzibah's incapabilities and infirmities, and her constant scowl, was the one truly uncomfortable note for me in this otherwise delightful excursion into Hawthorne's extravagant and oratorical chessboard of symbols and motifs. I'm aware that Hepzibah's offputting scowl, which does not at all represent her actual mood or actual morals, is the counterpart of the Judge's false and beaming smile, and both are equally insisted upon beyond any reasonable requirement for description so as to force the careless reader to consider what they actually represent. But I must admit, at the umpteenth reference to the ugly Hepzibah scowl, I was provoked into growling, "oh just give it a rest, already, Nathaniel!" Subtlety - not his forte.

 

Chapter 18 is extraordinary writing. I started reading it in a slightly irritated mood, because it seemed that the author was going to take a simplistic trope (the narrator doesn't realize that Judge Pyncheon is dead) and just make a chapter out of it without doing much. Instead, it becomes an absolute symphony of rhetorical, imaginative expansion of the would-haves and could-haves surrounding the mundane fact of a nasty man dead of congenital heart failure in a decaying old house.

 

I have a very small and select folder on my Kindle called, "read but keeping". In goes The House of Seven Gables.

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review 2019-01-10 12:52
Prophecies, Libels & Dreams: Stories - Ysabeau S. Wilce
Prophecies, Libels & Dreams: Stories - Ysabeau S. Wilce

  It would be five stars if the Flora novels weren't so good. Same universe, some of the same characters. I love the framing : these are fragments being discussed by a future historian, there are sources cited, and judgment of the veracity of the stories.

 

Library copy 

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review 2019-01-09 09:27
The Devereaux Legacy
The Devereaux Legacy - Carolyn Hart

An early stand-alone mystery from Carolyn Hart, that was originally bought by Harlequin and marketed as a gothic romance.  This is one of those stories that is best discovered by someone who hasn't already read a fair variety of romantic suspense.  With nothing to compare it to, one might find this a very lively and escapist story.

 

Leah arrives in South Carolina after the death of her paternal grandmother and Leah's subsequent discovery that she herself has been presumed dead since she was 2.  Wanting to find out why, and the truth about what happened to her parents, she arrives at the Devereaux Plantation full of questions, discovering she still has a maternal grandmother who is thrilled she's alive, and 3 cousins that might not be so thrilled.

 

This slim volume reads exactly like a Barbara Michaels in many respects.  Hart says in the introduction to this re-issue that she suddenly found herself in a market that had no interest in women writing murder mysteries, and after 9 years of rejection, found that she could sell her books if she made them romances.  This bow to contemporary demands is apparent in the romance: it's insta-love at it's most glaring, and more than a little bit naive and awkward.  

 

Sandwiched in between in the awkward romance is, unfortunately, only a slightly less awkward mystery, but knowing what I know about Hart's real mysteries, I have no problem believing it's because she had to cram it in along the edges.  It's a good mystery; just not one that was allowed the space to unfold naturally.

 

It's definitely nowhere close to Hart's normal standards of writing, but hints of what will come in her future Death on Demand series are evident: haunting atmosphere and fully fleshed out characters that are capable of passionate acts of love and cruelty.  

 

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text 2018-12-30 00:21
Gothic all the way to my New Year 2019!
The Dark Descent of Elizabeth Frankenstein - Kiersten White

 

     “I, however, was perfectly aware of my beauty. I considered it a skill, alongside speaking French, English, Italian and German. It was a language of its own, in a way. One that translated well in different circumstances.”

 

     This day is a totally freaking Sunday (but I want also to mention, that I am so blessed) because I am so excited to read a new book, though I can't wait for the new year bell rings and explosion of firecrackers but basically to start a new and fresh ideas, adventures, and story yet to be unfolded. 

 

     The book that you can see floating before your screen is my first TBR book this 2019. I don't really know why I got so flaunted and fond in the odds and beauty of a gothic novel. Yeah, given that I really can create mental pictures and images vividly on my mind, but the structure of story telling of one's persona in a dark setting gives me a complete sense of peace and relaxation. It sounds ironic, but dark images can also wrap me into his mantle of care.

 

     This book also MUST provide me a complete sensation of well-being. 

 

     One of the books that I bought during Christmas holidays, as a matter of factly, is this as my present to my self. So it's 8:09 AM now, December 30, 2019, the weather is perfect - Raining, the sky is dark, cold like a dew brewing itself in the grass, and a cup of tea! 

 

     So give me 3 days to finish this book, and I'll give you my clap and review! See yah!

 

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review SPOILER ALERT! 2018-12-29 20:58
Window on the Square -- Don't look too closely. There are too many holes
Window on the Square - Phyllis A. Whitney

I started out rating this 2.5 stars, then dropped it back to 2.0.  As a book to while away a few hours, it's fine.  It's a good page-turner, with multiple entwined mysteries, and I didn't see any obvious give-aways in terms of the ultimate revelation.

 

The ultimate revelation itself, however, is a bit of a let-down.  While not unexpected, it doesn't really mesh with the characters as they're presented.  So the following is going to be filled with spoilers.  If you want to pick this up, the Open Road Media edition for Kindle is currently $2.99, and there's a 3-book set with Thunder Heights and The Golden Unicorn for $3.99.

 

The rest of this very long review is pretty much spoilers, so consider yourself warned!

 

It's important to have a detailed summary of the action in order to see how all the tropes work as well as how the ending is set up.

 

Setting is 1870s New York City, Washington Square to be precise.  There's a bit of local description and a few bits and pieces of contemporary history, but not much.  Certainly not enough to make anyone running to Google to check out the accuracy.

 

Young Megan Kincaid has recently lost her mother and younger brother in an accident.  Her father, a professor at Princeton in New Jersey, was killed in the Civil War,  Her brother Richard was apparently developmentally disabled.  The book was published in 1962, so there isn't a whole lot of emphasis placed on Richard's condition.

 

Megan is the classic impoverished, innocent, idealistic young woman, the archetypal gothic heroine.

 

Megan's mother was a successful seamstress, and now Megan proposes to make her own living the same way, though she's not nearly as skilled.  She receives a summons to the home of Brandon and Leslie Reid, ostensibly to sew a frock for Leslie's daughter Selina.  But her other job, and the real reason she was hired, is to care for Selina's brother, Jeremy.  They are respectively eight and nine -- or seven and eight -- years of age.  I forget precisely how old they are.

 

Jeremy is withdrawn and moody, the result of having accidentally killed his father, Daniel Reid, two years before.  Selina is boisterous and spoiled.  Jeremy is blamed for everything; Selina gets away with everything.

 

Jeremy and Selina are the classic vulnerable orphans, for whom the heroine will sacrifice anything and everything, including her reputation and her life, if necessary.

 

Leslie Reid is the gorgeous widow who married her late husband's older brother within a year of Daniel's death.  She is fragile, often in poor health, but always beautiful.  She dotes on Selina, but seems to have no feeling for Jeremy at all.  She appears, however, to be devoted to the memory of her late husband.  Daniel was some kind of crusader in the days of political corruption.

 

Leslie is the archetype of the beautiful "other woman" who stands between the innocent heroine and at least one of the men put forward as her Happy Ever After.

 

Brandon Reid is Leslie's second husband, older brother of her first.  He is dark, handsome, worldly, powerful.  He explains to Megan that she is not just a seamstress; she is a kind of supra-governess, who will be living in the Reid home to try to bring Jeremy out of his emotional lockdown.

 

Brandon Reid is the classic gothic "hero."

 

Thora Garth was Leslie's childhood nurse, and is now governess to Selina and Jeremy.  She is devoted to Leslie and, by extension to Selina, but she hates Jeremy, considers him evil and wicked.  She makes no attempt to hide her hatred and calls him out frequently.

 

But Thora has another side.  Fairly early on, Megan discovers that Garth (as she is most often called) has a habit of sneaking into Leslie's room when the mistress of the house is out.  Garth dons Leslie's gowns, bathes herself in Leslie's perfumes, and gazes with deep longing at the miniature portraits of both Daniel and Brandon Reid.  Garth quickly develops an open animosity toward Megan.

 

Thora Garth is the classic nurse/governess protector of the delicate "other woman," who manifests symptoms of irrationality and/or insanity as a threat to the innocent heroine.

 

Andrew Beach is the children's tutor.  He comes to the house in the mornings to teach Selina and Jeremy.  He is also something of an artist, who sketches portraits of important people,which are then published in the newspapers.  Leslie Reid has noticed his talent and has asked him to paint a portrait of her with Selina. 

 

As a relatively well-educated, working-class man, Andrew is the classic counter to the wealthy Brandon Reid and a challenger for Megan's affections.

 

Kate, Henry, and Fuller are three of the Reid family servants, respectively the maid, butler, and coachman.  Kate quickly befriends Megan, though Henry remains aloof.

 

More important than the servants, however, are a couple of inanimate objects that are introduced early in the book with that kind of ominous foreshadowing of dark events to come.

 

One is a music box carrousel -- Whitney's misspelling drove me nuts through the whole book -- that Megan had given to her brother Richard as a gift.  This is her Most Precious Possession, given much more emotional value even than the few pieces of nice jewelry she has inherited from her mother.

 

The second is a carved head of the Egyptian god Osiris which occupies a place of some honor in Brandon Reid's library.  Prior to his brother Daniel's death Brandon was an (amateur?) archaeologist in Egypt.

 

Slowly, Megan works her way into Jeremy's affections and begins to break through his shell.  At first she is told he accidentally shot his father, but then she's told he did it deliberately.  But Jeremy doesn't completely remember what happened.  He insists there was another gun involved, that he did indeed have a gun, but it was unloaded and it disappeared after the shooting, to be replaced by the one that actually killed his father.

 

She also becomes more and more friendly with Andrew Beach, who warns her to get away from the Reid family.  This is the classic gothic romance trope of the kind, attractive, but slightly less desirable potential love interest.  Megan even goes on a "date" with him, to a cute little Italian restaurant.

 

She also goes on a "date" with Brandon Reid, taking the children to a theatre matinee.  It ends badly, because Brandon is moody and can't seem to control his emotions.

 

Later, they have another "date," of sorts, taking the children skating.  Now the relationship between Megan and Brandon is becoming more romantic, more threatening.

 

A series of events around the Christmas holidays starts to bring issues to a head.  Jeremy begins to make an elaborate gift for his uncle/stepfather, a beaded collar in an Egyptian style to decorate the Osiris head in Brandon's library.  Megan provides the beads; Andrew Beach obtains some fine wire for stringing the beads.

 

This co-operative effort strengthens the connection between Megan and Andrew over the issue of Jeremy, and reinforces the rivalry between Brandon Reid and Andrew for Megan's affections.

 

Leslie, Selina, and Garth takea trip up the Hudson River to visit Leslie's parents for several days.  While they are gone, Megan and Jeremy have a "date" of their own, a dinner party at the Reid house jsut for the two of them.  They dress up, have all the servants participate in preparing the dinner, and it's all going to be fun.  Then Brandon comes home, and things get messy.  There's now a sort of declaration of love, and then threats are made.

 

Megan must leave.  Leslie fires her, Garth threatens her, but Brandon insists she stay.  Her affection for Jeremy, and her sense of responsibility toward him, now override her better judgment.  She agrees to stay.

 

Christmas arrives, and Brandon gives Megan an Egyptian scarab brooch as a token of his affection.  Their romance is doomed, of course.  Megan gives Jeremy the precious carrousel music box, which is also doomed, of course.  Jeremy gives Brandon the beaded collar for the Osiris statue, and Brandon is delighted with it.  This means the Osiris is also doomed.

 

While all this is going on, Selina keeps chirping up with declarations of having a secret that she's not going to share with anyone.

 

But then there's a confrontation between Jeremy and Brandon over the music box, and Brandon in a fit of temper sweeps the toy aside and breaks it.  Jeremy is heartbroken, but also blames himself.  Surprisingly, though, Megan doesn't seem to be terribly affected by the damage.  And that's where things really began to fall apart for me.

 

A few days later, a gunshot in the house sort of wakens everyone.  But no one is hurt; the victim is the Osiris statue.  So another Precious Possession is destroyed.

 

Someone is out to get Brandon and Megan, and possibly Jeremy, too.  Garth insists the boy be put away, blaming him for shooting the statue, even though he remembers nothing of it.  Brandon believes, too, that Jeremy can no longer be allowed in the house, and though he intends to find a better place for the boy, he agrees that makinghim an inmate of some asylum is the only option.

 

Megan, with no evidence to the contrary, believes something else is going on.  She alone has faith in Jeremy.

 

The exact order of events leading up to the conclusion isn't entirely important, but it reveals the weakness in how Whitney resolves all the little mysteries.

 

Selina reveals her secret: She knows where the other gun from her father's killing is, the gun her brother insisted he had checked to make sure it wasn't loaded and therefore he couldn't have killed his father.  I just didn't buy that Selina, at age seven or eight, would think this was a fun secret to tease everyone with.  Though very different in temperament, she and Jeremy did have a close relationship.  And the fact that this gun was hidden meant something nefarious was going on.

 

The gun is hidden in a heavy candlestick belonging to Leslie,  That Selina, who was very close to her mother, would have bragged about knowing this also didn't seem to make sense.

 

And then Leslie is murdered, beaten to death with the aforementioned candlestick.  Evidence emerges implicating Brandon, even though he is out of the house at the time of the murder.

 

SPOILER WITHIN SPOILER

 

Well, of course, Brandon didn't kill her.  Neither did the children.  Neither did Thora Garth.  Neither did the servants.  Neither did Megan.  Neither did Andrew Beach.

 

As Andrew reveals to the police, Leslie killed herself.

 

NO WAY. 

 

Not only did I not buy Leslie's suicide-by-overdose-of-laudanum, but I didn't buy the rest of her scenario.  Yes, it's somewhat similar to the conclusion of DuMaurier's Rebecca, but the character of Rebecca de Winter was entirely different.

 

According to Andrew Beach's version, Leslie took the overdose and then told him what to do so her death would be blamed on Brandon.  After she died, Andrew proceeded to bludgeon her corpse with the candlestick, while wearing one of Brandon's shirts so there would be blood on it.  Then he was to wash in Brandon's basin, to make sure there were traces of blood there, too.

 

Andrew did all this because he was in love with Leslie.  Somehow or other I just couldn't see him bludgeoning the dead body of the woman he loved in order to frame someone else.  Andrew didn't come across as that kind of person.  He may have been jealous of Brandon for having been Lesllie's husband, and for having won Megan's heart as well, but Andrew was never portrayed as being a bad person.

 

But why would Leslie kill herself anyway?  Well, apparently it was because she was going to be found out to be her first husband's real killer.  Jeremy hadn't been believed at the time of the killing that there was another weapon, bu now Selina had found it and Jeremy's version would be believed.

 

At which point in the telling, Jeremy remembers -- I think he remembers -- that the person who fired the gun that killed Daniel Reid was in fact Jeremy's mother.  I'm not sure why Jeremy didn't remember this at the time, or why no one believed him, or how the other gun got removed from the scene.

 

Why did all this go down?  Oh, because Lesllie's parents were in financial trouble so she married wealthy Daniel even though she was already really in love with Brandon.  But then Daniel got mixed up in dirty politics and she didn't want to see her posh future destroyed, so she killed him. 

 

And Brandon married her to keep her quiet about the political scandal to save his family's reputation.  I didn't buy that, either.  He was an archaeologist, for crying out loud.  He would have been obsessed with the truth.  He would have wanted to know, at all costs, not just hush it up and forget about it.

 

Plus, he was willing to let Jeremy take the blame.

 

At the beginning of the book, I had some sympathy for Brandon, but it didn't last long.  He gave in to his lust for Megan even though he had married Leslie to save the family reputation.  That kind of man wouldn't easily set aside his scruples.  Nor would he, as the book went on, contemplate ending the marriage dishonorably.  His mood swings weren't suitable for heroism either.

 

At the end, when it's all been sorted out, Megan and Brandon are going to go to Egypt, and leave the children with their maternal grandparents. No.  No way.  After all the children have been through after all that Megan has been through fighting for Jeremy, there is no way I can accept Megan and Brandon abandoning them to the parents of the woman who killed their father and his brother.

 

Besides, how did Leslie's parents recoup their supposed financial losses?  How are they going to be able to take care of two small children?  Selina liked her grandparents, but I'm not sure about Jeremy. 

 

Overall, I thought it was a really crappy ending, partly for just being crappy but also for not being particularly believable.  Andrew Beach wouldn't have done that to Leslie and to Brandon, and by extension to Megan.  Andrew wasn't a bad guy.  But I also didn't see Leslie as the kind to take the suicide route and beg to be mutilated after death.  Just didn't make sense.

 

The worst, though, was Megan walking off to Egypt and abandoning the boy she had worked so hard to save.  That alone made Window on the Square just a tiny bit shy of wallbanger status.

 

The writing was fine, and most of what led up to the ending was fine but that ending pretty much ruined it all.  Not as bad as The Thorn Birds, but bad.  Down to 1.5 stars.

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