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review 2018-12-24 18:33
Recommended to readers and professionals interested in PTSD and to those considering therapy
Trauma Recovery - Sessions With Dr. Matt: Narratives of Hope and Resilience for Victims with PTSD - Beth Fehlbaum,Matt E Jaremko

I thank the authors and the publisher for providing me an ARC copy of this non-fiction book that I freely chose to review.

As some of you might know, I’m a psychiatrist, and although I am not working as a psychiatrist at the moment and have mostly worked in Forensic Psychiatry, there is no specialty of psychiatry where we don’t come across Post-Traumatic Stress Disorder, unfortunately. As researchers and practitioners have discovered in recent years, trauma is more widespread than people think, and it can have a bearing even in some of the classic psychiatric diagnosis, like schizophrenia and bipolar disorder.

You have probably come across many books written by survivors of a variety of traumatic experiences, and this is a very useful trend, as one of the things that people who have experienced trauma share in common is the feeling that they are alone and nobody understands or shares the way they feel. Reading other people’s accounts and sharing in their hope can be a very useful first-step towards seeking specialised help and starting the journey towards recovery.

This book manages to combine two aspects contained in books on the topic that are difficult to get right. On the one hand, there is a solid and clear explanation of the main therapeutic technique he uses and some adjunctive therapies, and the background to the approaches that Dr Jaremko has used in his everyday clinical practice for many years. On the other, and to illustrate the theory, there is a fictionalised account of a series of sessions of group therapy that seven patients engage in throughout the book. These patients, males and females, from different backgrounds, ethnic and social origins, and who had suffered a variety of traumas, meet regularly for a whole year and learn together, through their interactions within the group, how to apply the lessons learned through the therapy, while supporting each other and modelling their behaviours upon those of the others in the group who might be further away in their journey. Some of the patients, like Ashley and Darren, had been attending the group for a long time, while others, like Patty and Felicia, are newcomers. Beth Fehlbaum, the co-author of the book, has her personal experience as a trauma survivor to bring to the book and her years as an author too, and the fictionalised part of the book works very well. The characters are individualised, fully-fledged, and we get to know them, not only through their group sessions, but through some fragments of chapters when we share in what they think and how they feel from their own perspective. There are highs and lows for all the characters, and not a single one of them is always right and well (life is not without its bumps), even those who have come the farthest through the process. Because it is a process and there are no magic bullets, but there is help out there, and that is what the book excels at: giving hope to those who experience PTSD but have never tried therapy, or have tried therapy but it has not worked for them.

As I read the book, I kept wondering about its format. At first, especially as somebody who has read a bit about the subject (although I have never worked exclusively as a therapist, run group therapy, or used Cognitive Processing Therapy, the approach recommended by the book and also by many experts working in PTSD), I found that there was a fair amount of repetition of some of the key elements and theoretical concepts, that would make sense if the book was read more slowly by people interested in becoming familiar with many of the basic therapeutic aspects, perhaps chapter by chapter. Although I felt readers would probably connect more easily with the fictionalized characters and their difficulties and experiences, than with the purely theoretical parts, I realised that the process is somewhat similar to that the characters go through. They have much to learn and to become familiar with at first (you cannot enjoy stories if you don’t know the alphabet and understand the mechanics of reading), but slowly they gain in confidence, start applying what they have learned and can offer insights to others that they might have missed. The book, towards the end, becomes more dynamic and we can follow more directly the group sessions and the events in the characters’ lives, with the therapeutic aspects more seamlessly incorporated.

Dr Matt, the fictionalised version of Dr Jaremko, also shines through the book, and we get to know him, not only as a professional, but also, although less, as a person with his own plans and interests outside of his practice. Although he is well-liked by the patients, there is no hero-worship at play, and the book clearly explains that finding a therapist with whom one can work is not easy, no matter how good a professional the therapist is or how highly recommended s/he comes. The book emphasises the importance of finding a therapist or a mentor expert in the condition and there is never any suggestion that the book itself can cure anybody, but it is meant as a way to explain and exemplify what the therapeutic process might look like, and to offer hope and encouragement to those who have been stuck suffering, unable to decide what to do, or firmly believing there is no solution.

The book also offers great resources, to both professionals and patients. There is a bibliography at the end that includes books, articles that can be downloaded, and websites to check for more information. The appendixes include relaxation techniques, worksheets, advice on how to choose a therapist (and although some aspects of this are very USA based, the general principles would apply anywhere), and one of my favourite aspects of the book was that each chapter contains a playlist including songs and movies relevant to the aspects of trauma and therapy discussed there, and there is much emphasis placed on the importance of reading and of books that inspire the journey to recovery. In the same way that no patient would be cured just by reading this book, but they might feel inspired to seek help, no psychologist or therapist would become an expert on how to treat PTSD just by reading this book, but they might discover new approaches that they might want to explore further and learn more about. Although the book talks about PTSD, as I read it I could not help but think that many of its lessons and the examples of behaviours and erroneous beliefs highlighted through the theory and especially the sessions (there are some individual sessions also illustrated in the book, although they always result from questions or aspects of a patient’s experience that has been discussed in one of the group sessions) would have practical application in many other conditions. Cognitive errors (or “stinking thinking”, as it is known in the sessions) are common in many psychiatric conditions, and we all get stuck with them at some point or other. Much of the advice about how to change behaviour (CPT has its roots in CBT, cognitive behavioural therapy) could be applied to aspects of our lives that we wish to change, and that is one of the beauties of this method and the book, that it feels common-sensical once we get used to analysing the way we think in those terms.

As a writer, I also thought this book would be a great resource to other writers who are interested in understanding their characters’ motivations better, in particular to those who write about characters with a diagnosis of PTSD or severe trauma.

This is not a book for everybody, but it is a book that I am sure will provide useful information to people interested in the subject, and you do not need to be an expert to follow the theoretical basis behind the therapy. It is also very well written, and you will get to care and feel for all the characters in the group, and that is something that as an avid reader I know is not always easy to find, even in fiction. As you can imagine, the book contains descriptions of the traumas that the characters have suffered, as that is necessary to understand the therapy and the way the patients react to it. Those go from sexual and physical abuse to war trauma, natural disasters, hate crimes, and road traffic accidents. So, plenty of trigger warnings. On the other hand, if the book can inspire readers suffering from the condition to seek a therapist and start in the way to recovery, it is well worth a read.

Note that both authors are happy to provide copies of the book to people who cannot afford it but feel might benefit from it.

A great resource for professionals and others interested in the topic, with characters that feel real and we get to understand and care about. Highly recommended.

 

 

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review 2016-07-18 01:26
Every Heart a Doorway by Seanan McGuire
Every Heart a Doorway - Seanan McGuire

Eleanor West's Home for Wayward Children is a special place, one of several worldwide, for children and teens who briefly traveled to magical other worlds. Their parents could no longer understand them or deal with them. Maybe they'd never been able to. They thought their children had been kidnapped, or had run away, that they were now suffering from some kind of trauma or delusion. Eleanor promised she'd help them try to get better, when what she really intended to do was give them a place where they could be themselves and meet others like them.

Nancy is the newest arrival. She longs for the world she visited, the Halls of the Dead, and she's sure she'll find her way back one day. In the meantime, Eleanor's boarding school seems like a better alternative than living with her parents, who keep trying to dress her in rainbow colors. Unfortunately, she's not even completely settled in before someone ends up murdered.

I've been wanting to read this since well before it was published, when I first heard that the main character was asexual. I got even more excited when I learned that all the characters were all essentially former “portal fantasy” protagonists. I love “transported to another world” stories, and I figured I'd enjoy reading something starring characters who'd all been through that.

I'll start with the good. Like I said, I loved the setup. The descriptions of the various worlds the characters had been to were wonderful, and I really wished I could have seen them in those worlds. I'd happily read prequel books/stories in which Kade was back in Prism, or Sumi was back in Confection, or Christopher was meeting the Skeleton Girl for the first time. There were some great lines here and there, too. The description of Eleanor's boarding school, and what she wanted it to accomplish, made me feel a bit weepy.

I appreciated that Nancy was asexual (specifically romantic asexual) and that Kade, who she felt a little drawn to, was trans (by the way, this is a bit of a spoiler, but I'm going to say it anyway: the hints of potential romance go nowhere). Kade had gone to his world as a princess and, while there, realized that he was really a prince. Unfortunately, he was cast out because too many others in the world couldn't accept that he was really a boy. Considering that the “other worlds” were presented as places that called to some part of a particular individual's heart, it seemed enormously cruel that Kade's “other world” couldn't accept him as he really was. He appeared to have come to terms with it since arriving at Eleanor's school, but still. Ouch.

I guess now's a good time to start talking about the things I didn't like. Most of it comes down to this: I felt that this story was trying to do too much. It was only 169 pages, and there was so much there that either should have been expanded upon or ruthlessly cut.

As far as the murder went, I guessed the killer's identity fairly quickly, just based on who'd have had the background necessary to do it, as well as the murder mystery rule that states that the person everyone accuses usually isn't the real killer. I was briefly distracted by one possible other suspect, but then the story came right back around to my original choice. I'm normally terrible at solving murder mysteries, so I'm going to conclude that this one wasn't very good.

All the people who were killed were characters that readers were familiar with to varying degrees – people Nancy had spoken to or been friendly with. And yet I felt almost nothing when their bodies were found, and I think it's because there just wasn't enough time for them to become solid, real-feeling people.

Even Nancy could have used...more. She'd think or talk about her time in the Halls of the Dead, or the skills she learned while she was there (being literally still as a statue), or her asexuality, and that was pretty much it. Speaking of her asexuality, it felt like McGuire couldn't quite decide how to write her. She was very open about her asexuality with Sumi, her new roommate, and even took the time to explain it. Okay. But then when she was alone with Kade, looking for Jill, she started to hope that he'd want to kiss her, and then worry that she'd have to explain that she wasn't interested in going beyond kissing. First, this was a really odd time to be thinking about kissing. There was still a killer on the loose, they couldn't find Jill, and they'd just spent some time dealing with a corpse (granted, Nancy was pretty used to death). Second, what, she'd felt okay blurting all that info out to Sumi but was worried about doing the same with Kade?

I brushed it off as being due to her feeling differently about Kade than she did about Sumi, meaning that there was more at stake. However, then there was a cozy little cocoa drinking party, during which Nancy told Kade and everyone else in the room that she was asexual. Zero evidence of worry or discomfort on her part. Also, the way she explained it was odd:

“That's not what I mean. I don't want to go on dates with girls, either. I don't want to go on dates with anyone. People are pretty, sure, and I like to look at pretty things, but I don't want to go on a date with a painting.” (132)

The asexual spectrum is extremely varied, so maybe I'm wrong, but this didn't seem to fit with what Nancy had said about herself earlier. As far as I could tell, she'd be perfectly fine with dating someone, just not with having sex with them. This part of the text seemed to be conflating dating and sex.

There were things in the story that were repetitive, or just...off. Eleanor was working with the authorities after the death of the first person, but those authorities never once entered the boarding school or talked to the teens there. That spoke of some serious connections on her part, but then the next deaths had her worrying about the fate of the school. There were repetitive bits of text, like Nancy thinking about how strong her muscles had to be in order to keep her so perfectly still and then Jack, later on, mentioning the exact same thing. And the ending... I felt like I'd gotten the wind knocked out of me. It came so soon after a paragraph that laid out a completely different path.

I could write more. I wondered about the characters' other worlds, and how much they affected vs. reflected their innermost selves. I had questions about what Eleanor really hoped to accomplish, and whether her school did some of its students more harm than good. I was uncomfortable with the way some of the things the characters had picked up from their other worlds were presented, like when Nancy insisted that her desire not to eat every day or to subsist entirely off of cottage cheese, grapes, and melon wasn't an eating disorder. Maybe not in the Halls of the Dead, but she wasn't there anymore and was presumably still human.

I don't know. I wanted to like this a lot more than I did. I've seen indications that it might end up being part of a series, and if McGuire ever writes a full-length related novel, I'd like to read it. However, Every Heart a Doorway, on its own, was kind of disappointing. Maybe I just got too excited and expected too much.

 

(Original review, including read-alikes, posted on A Library Girl's Familiar Diversions.)

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