Harm's Reach
by Alex Barclay
on Tour February 24th through March 31st, 2015
Partners In Crime Virtual Book Tours
Book Details:
Genre: Mystery, Thriller
Published by: HarperCollins
Publication Date: February 24th 2015
Number of Pages: 416
ISBN: 0007494513 (ISBN13: 9780007494514)
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Synopsis:
FBI Agent Ren Bryce finds herself entangled in two seemingly unrelated mysteries. But the past has a way of echoing down the years and finding its way into the present.
When Special Agent Ren Bryce discovers the body of a young woman in an abandoned car, solving the case becomes personal. But the more she uncovers about the victim’s last movements, the more questions are raised.
Why was Laura Flynn driving towards a ranch for troubled teens in the middle of Colorado when her employers thought she was hundreds of miles away? And what did she know about a case from fifty years ago, which her death dramatically reopens?
As Ren and cold case investigator Janine Hooks slowly weave the threads together, a picture emerges of a privileged family determined to hide some very dark secrets – whatever the cost.
Review:
FBI agent Ren Bryce and cold case investigator Janine Hooks works together trying to solve the death of a pregnant woman. It seems that this case has links to a case from fifty years ago...
I enjoyed this book immensely, much thank to two extraordinary women that are a fantastic duo. I have been trying to think of two women working together that I like as much as I like Ren and Janine, but I can't think of any. The dialog between them are snappy and wonderful, just as between two best friends. Also, one thing that makes this book a bit different that other crime novels is the fact that Ren is bipolar and she is on medicine, but that doesn't mean that she is cured so she has her moments in the book. Janine also seems to have some problems, I mean who spends time in the middle of the night laying a jigsaw? I haven't read the previous three books (yet) so I don't know her history. I only know that she is really anxious to lose her job and that is something that really troubled her in this book.
The case was also very interesting. I have a weakness for cold cases and it was interesting to see how all the pieces fell slowly into place and how things in the past came to influence the present time. Beside the case was it also interesting to see how Ren dealt with being bipolar. In the text you could see her answers, but in italics you could also see her thoughts and even though she is better you can tell that sometimes events make her very stingy. For instance her telling her boyfriend about being bipolar was a big thing for her.
This is a great book. I ordered the next book after only reading 30% of it and I usually at least wait until the book is finished before I do that. I actually have ordered book two also so I'm looking forward getting them and getting to know Ren and Janine from the beginning.
5 stars
Excerpt:
PROLOGUE
Ingrid Prince realized that the white walls in every Prince family home created a diorama effect. People watched from the outside, studying, deducing, then leaving, even after brief encounters, with lasting judgements. Ingrid Prince, the beautiful, radiant wife! Robert Prince, the handsome, wealthy husband, a man of fine stock!
Oh, what they see . . . and don’t see.
Ingrid closed her eyes.
I am safe. I am safe. I am safe.
‘Close those beautiful cat eyes, Ingrid, and say it three times. “It” is wherever you want to take us. I am Tahiti. I am Tahiti. I am Tahiti. Then – bam! – eyes open – bam! – I shoot!’
She could hear Sandro Cera’s voice in her head as he stalked around her all those years ago. Handsome, talented, orphan, immigrant Sandro Cera, the rags-to-riches-and-back fashion photographer; Ingrid Prince, at his feet, blonde, tanned, extended on the white floor of a freezing studio in Brooklyn, shivering by a faulty space heater.
Camera in hand, Sandro would rise up onto the balls of his feet, crouch down, close in, create distance, his body twisting and turning as if he was the one to be captured.
Ingrid did as he asked, closed her eyes, used his three-times trick.
No lips moving!’ Sandro said. No leeps. ‘These are thoughts I’m talking about. Three times, sweets, three times: I am silent, I am silent, I am silent!’
‘My teeth are chattering is why my lips are moving!’ said brave, bold, new-girl Ingrid, just turned seventeen. ‘I’m fucking hypothermic . . . times three.’
Click flash click flash click flash. And the photo that made them both famous was the one that was taken just afterwards, as Ingrid laughed, her head thrown back, then forward, the lens capturing a warm and beautiful smile with no Brooklyn ice, just St Tropez, St Tropez, St Tropez.
It was a different world. It was New York in the Nineties – when they partied below ground and cauterized their hearts’ wounds with the fire of quick fucks. Sandro Cera had been dead years – a gradual, then sudden junkie demise. In the live art installation of Ingrid’s life, Sandro Cera was the lightbulb in the corner, flickering ominously, bound to blow.
Yet his was the advice she was now hearing.
Three times.
I am safe. I am safe. I am safe.
Ingrid looked around the Colorado rental. Even the temporary homes she sought refuge in were white-walled, sparsely furnished, neutral. When their SoHo loft was shot for an interiors magazine, the stylist pared it back even more, took pieces away. Pieces: furniture, paintings, sculptures, reality. How suddenly the landscape can change when its elements are plucked away.
* * *
Ingrid heard a noise at the front door. Light on her feet, she walked out into the long polished hallway. Her suitcases were at the end by the door: a set of five, olive green, edged in brown leather with accents of gold.
Now, there was banging at the door, hammering. Ingrid froze. The door burst open. She felt a rush of adrenaline.
This is not how it ends. This is not how it ends. This is not how it ends.
She backed into the kitchen, then turned, set to run for the French doors, but she could make out two dark figures standing there. Ingrid was briefly blindsided by her reflection in the glass.
She knew what she looked like to others. She knew what her husband looked like.
A Swedish proverb came to mind: Alla känner apan, men apan känner ingen.
Everyone knows the monkey, but the monkey knows no one.
Author Bio:
Barclay studied journalism at university and worked for a period in fashion and beauty journalism as a copywriter in the RTÉ Guide. In 2003, she left the fashion industry to write Darkhouse, the first of two novels featuring NYPD detective Joe Lucchesi. Her second novel, The Caller, was released in 2007, and Last Call in 2008. She won the Ireland AM Crime Fiction Award at the Irish Book Awards for her fourth novel, Blood Runs Cold.
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