Vanessa Mazur knows she's doing the right thing. She shouldn't feel bad for quitting. Being an assistant/housekeeper/fairy godmother to the top defensive end in the National Football Organization was always supposed to be temporary. She has plans and none of them include washing extra-large underwear longer than necessary.
But when Aiden Graves shows up at her door wanting her to come back, she's beyond shocked.
For two years, the man known as The Wall of Winnipeg couldn't find it in him to tell her good morning or congratulate her on her birthday. Now? He's asking for the unthinkable.
What do you say to the man who is used to getting everything he wants?
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Disclaimers: I'm reviewing an uncorrected proof ebook version acquired via NetGalley, I'm choosing to leave an unbiased review, and I'm not qualified to comment in-depth on aboriginal representation.
More disclaimers: Um, so I just want to note for the record that I already named characters Cole and Ash in BLIND THE EYES before I read this book. No plagiarism. I guess Canadian authors just think alike? lol.
I loved this WAY more than I expected to. To get a few critiques out of the way, the cover looks a little off to me (more indie or MG maybe?), so I wasn't expecting a lot of polish. The first few pages are also a little disorienting, because the author launches with a different perspective from the main POV, incorporates supernatural elements immediately without explanation, and references past events without backstory at first. All of which turns out to be great in the scope of the story, but it feels like jumping in the deep end.
This is the story of a 17yo Cree First Nations teen who left his rural home community in elementary school and is attending high school in Winnipeg at the time the story opens. A supernatural being is trying to lure him back to his hometown. His aunt and grandmother don't want him to return for reasons that aren't explained at first, but we discover that there's past trauma and bullying to contend with. Cole also has some superior abilities that may be more than natural. There's a lot going on in the plot:
-trickster spirits, ghosts, unexplained supernatural/paranormal phenomena
-murder mystery/thriller
-romance? maybe?
-bullying, trauma & clinical anxiety (incl. struggles with medication)
-rural vs. city enmities/tension
-First Nations/aboriginal experience (on/off reserve, resourcing, discrimination)
As a Canadian, and as someone who actually lived in Winnipeg during her childhood, there was a lot that felt familiar in this, including issues raised that I'm not sure if a foreign reader would pick up on or not. The author (based on his Goodreads bio) does live in Winnipeg and is a member of a Cree First Nation, so this is an #ownvoices book with (to the best of my knowledge) good representation.
I liked how the struggles that First Nations people experience within Canadian society were included within the scope of the story, but that the focus was on the characters and their experiences. It can be hard to write good fiction that represents real-world issues without breaking character or bogging down/diverting the plot (see: preachy dystopias for one), so I thought Robertson did an excellent job of including accurate world-building in service of the story. For instance, there are medical emergencies in the scope of the story, and it's referenced a few times how help is requested but the government takes a long time to respond, ignores the pleas, or doesn't send the help needed in a timely manner. Remote communities struggle for resources and lose people to the cities where there's more opportunity, jobs etc.
Some Cree words are used (and translated in place), some ritual and beliefs are incorporated, but the narrative doesn't suffer at all from the exoticisation of aboriginal culture. (Though maybe American readers will feel like it's "exotic" Canadian culture?) If anything, the hockey-playing, tiny-remote-community, one-restaurant-in-town setting felt so recognizable to me that it would have been boring if not for the strong character writing and murdery-plot.
Cole and his friends are relatable as teenagers struggling with a variety of issues: tragic pasts, tension with childhood friendships left behind, current identity and past identity, sexual identity and relationships, trust issues with adults who're keeping secrets . . . Also, the writing of "Choch" the trickster-spirit was hilarious. That's probably what tipped this story from a good read to "when's the sequel coming out?" for me. His clowning felt instantly recognizable and, at times, laugh-out-loud hilarious. It was a great counterpoint to the dark thriller plot that could have headed into way more emo territory without him.
I'm totally down for reading a sequel/series about a Canadian First Nations teen with superpowers and his trickster spirit sidekick/tormenter/guide/whatever.
I so liked Vanessa.
She was tough, smart and capable. She got shit done. And she was very reasonable.
I could relate so much.
And the Wall of Winnipeg? So so good as the male protag. I liked very much that he wasn't smooth, overly charming or even especially witty.
I loved the slow burn and the pace, the dialogue and the hotness.
What I especially appreciated: this romance was centered clearly around the female protagonist.