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text 2016-10-05 07:00
October TBR
Diamonds and Pearl - K'wan
The Rancher Returns - Brenda Jackson
The Underground Railroad (Oprah's Book Club): A Novel - Colson Whitehead
The Tea Planter's Wife - Dinah Jefferies
The Orphan Mother: A Novel - Robert Hicks
Les Parisiennes: How the Women of Paris Lived, Loved, and Died Under Nazi Occupation - Anne Sebba
Hag-Seed - Margaret Atwood

I finished one book in September and that was The Summer That Melted Everything by Tiffany McDaniel. That book didn't live up to my expectations at all. After about 30% I lost interest in the plot and characters and forced myself to finish. I made some progress in Underground Airlines by Ben H. Winters, but quickly put it down after I just didn't care what was to come. It was taking way too long to get there. I may pick this book up this month or next, but I'm unsure at this time. I also attempted to read The Underground Railroad by Colson Whitehead. This book captured me from the very beginning, but due to it's visually detailed content I couldn't and can't read it all the way through without breaks. I'm really hoping to plow through it this month without being so emotional.

 

September was a difficult month. I had a death in my family and plenty of not-so-good health news. I was knocked off my feet a bit to say the least. But as we adults know that is life.... Expect the unexpected and know tomorrow can be a better day!

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text 2016-10-05 06:35
Exciting October Releases
The Rancher Returns - Brenda Jackson
A Terrible Beauty - Tasha Alexander
Hag-Seed - Margaret Atwood
Diamonds and Pearl - K'wan
Les Parisiennes: How the Women of Paris Lived, Loved, and Died Under Nazi Occupation - Anne Sebba
The Other Einstein: A Novel - Marie Benedict

This month I'm excited about black romance, historical romance, urban fiction and always anything to do with Paris. However, Les Parisiennes is the story of the women who lived during the Nazi occupation. Not a light read, but one I'm sure to find informative. Hag-Seed is the retelling of William Shakespeare's The Tempest. I don't believe I've read that play so, this will be intriguing. The Other Einstein tells the story of Einstein's wife Mitza who was a physicist.

 

 

 

October 4

 

The Rancher Returns by Brenda Jackson

 

October 11

 

A Terrible Beauty by Tasha Alexander

 

Hag-Seed by Margaret Atwood 

 

Diamonds and Pearl by K'wan

 

October 18

 

Les Parisiennes by Anne Seba

 

The Other Einstein by Marie Benedict

 

 

 

Have you heard, read or are excited for any of these October Releases?

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review 2016-08-15 21:02
18 Oct 2016
Les Parisiennes: How the Women of Paris Lived, Loved, and Died Under Nazi Occupation - Anne Sebba

Disclaimer: ARC via Netgalley in exchange for an honest review.

Do we really need yet another book about Paris during the Second World War?

I don’t know the answer to that question. We do need this book, however.

In the past few years, it seems that the role of women in war is getting more attention and study, at least in popular culture. Hopefully, Hollywood will catch up and instead of the fictional Charlotte Grey we will have a lavish movie about the real Marie-Madeleine Fourcade, who also went by the name Hedgehog. Maybe instead of a one hour program on PBS Noor Khan will finally get her own Hollywood movie. Maybe in additional to Band of Brothers and The Pacific, HBO will finally have a series about women resistance fighters – and not the by now tried and tired cliché of the woman falling in love with the German officer she is suppose to be spying on. Don’t give me that. Give me Virginia Hall and Cuthbert. Please, please, someone do that.

For those of you that don’t know, Cuthbert is a wooden leg.

That’s not to say that such romances between German officers and French women didn’t happen. Sebba’s book does detail some of those relationships, though how many of them occurred between a woman resistance member and the man she was spying on, Sebba doesn’t say. (I do wonder why it is always that pairing in fiction at least).

Les Parisiennes chronicles the lives of French women, in particular those women of Paris, during the Second World War. Despite the book’s title, some of the women mention therein is not in Paris, usually because of the War. Sebba counts for this quite nicely by counting Parisenne as a style or sense instead just a living situation. And she really isn’t wrong when you think about it.

In many ways, Sebba’s book is important because it balances the women on the sidelines stories that seem to be so much of popular and easily accessible World War II history. It’s true that there are several books about the role of women in the British SOE, but it wasn’t until this year that WW II woman pilots (WASPS) could legally be buried at Arlington. Usually, there are a few general statements, books about women rescuers of Jewish civilians, and information about nurses. You really have to look to find books about women, and finding books in English about French resistance woman fighters is especially hard in some cases. So we do need books about this.

In another way, Sebba’s book is important because it is not just resistance members that she focuses on. She looks at what drove women to take the steps they did. She also looks at the lives of women who resisted passively or just lived. It isn’t just one type of woman that makes up the story, but many. In some cases, Sebba offers what could be seen as a corrective. This is particularly true of Rose Valland, who kept track of art that the Nazis stole. Nothing against Cate Blanchett, but the character based on her in Monuments Men was just insulting –and it is difficult to find information about Valland in English. Sebba gives you some. She also mentions other quasi well known women, such as Vera Atkins, Noor Khan, and other SOE agents. She details Colette and Chanel as well. In the case of Chanel, one does want a bit more detail about the collaboration she might have/did does with the Nazis. The focus is women of all sort and types – Jewish, communist, mothers, fighters, you name it.

In fact, if there is a weak point in the book, it is about the collaborators. In many cases, there seems too little about women who collaborators. This is not to say that she does not deal with it. Quite frankly, I would be willing to forgive the book more grievous sins simply for the section that deals with the head shaving of women upon liberation of Paris. Sebba looks at what drove people, mostly men, to do it as well as the reactions of those in Paris who saw it. It is a very detailed and compelling section.

Sebba divides the book up into sections based upon time; therefore for each year of the war as well as the years of liberation and rebuilding. She follows some women throughout the timeline (and not everyone survives). At times, she travels far from Paris, for instance to Ravensbruck where many Parisian women were sent. At other times, she seems to reach a bit too far – the presence of Jacqueline Bouvier while showing how close to returning to normal Paris was feels a bit too forced. Yet, the timeline does allow her to show the use of culture – some fashion houses stayed home for instance – as well as the need to find food. She traces how women involved in some political movements, such as Communist groups, rose to lead protests about food shortages. She shows how women rising to take care of family during the absence of men, pushed society forward despite what both the Germans and Vichy government tried to do.

Sebba’s book is the type of a book we need about war. It isn’t about the armies or the rescuers (or at least just the rescuers), it is about a group that during many wars is simply seen as something to possess.

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text 2014-02-02 20:28
Ego
Królowa. Nieznana historia Elżbiety Bowes-Lyon - Colin Campbell

Wstyd będzie się przyznać, że dopiero po lekturze tej wybitnie nużącej książki dotarła do mnie przerażająca prawda: sięgnęłam po nią ponieważ okładka wyglądało interesująco :) I chyba okładka to najbardziej interesujący punkt lektury ponieważ ani bohaterka ani narracja nie pozwalają cieszyć się czasem spędzonym nad książką. Autorką tej biografii jest lady Colin Campbell, kobieta, która wiele w życiu robiła a teraz zarabia głównie na produkowaniu historii z życia Windsorów. Po wyguglowaniu nazwiska pisarki ukazuje nam się postać, która swoim gustem w niczym nie ustępuje brytyjskim bohaterom z wyższych sfer.

 

W tym momencie ujawniam mój niemroczny sekret - nie przepadam za brytyjską rodziną panującą i tzw society. Nie dlatego, że wyrządzili mi krzywdę ale dlatego, iż należą do kategorii celebrytów (których nie toleruję) i zajmują się nicnierobieniem, ewentualnie rozsyłaniem uśmiechów na lewo i prawo. Są po prostu bezproduktywni. Niewdzięcznie tak mówić o władcach drugiej ojczyzny ale kochać ich nie przysięgałam ;)

 

Królowa jest biografią Elżbiety Bowes Lyon, Królowej Matki, istoty uwielbianej przez naród. I to chyba wszystko co ewentualny czytelnik musi wiedzieć. Jako ostrzeżenie można potraktować kilka przytoczonych przeze mnie uwag. Autorka ewidentnie za Elżbietą nie przepadała. Momentami trudno nie zgodzić się z biografką: Elżbieta nie uważała, że wykształcenie czy tez ogólnie wiedza mogą okazać się przydatne w karierze dobrze urodzonej panny. Była nieznoszącą sprzeciwu, egoistyczną snobką, nieustannie flirtującą z przedstawicielami płci przeciwnej. Nie interesowała się fizyczną stroną związku ale potrafiła bezbłędnie grać sztucznymi uśmiechami oraz trującą słodyczą. Doprawdy uroczy, rozjeżdżający przeciwników taran.

I tutaj następuje uwaga pierwsza: przy tak "barwnej" bohaterce, czytelnik nie odczuwa potrzeby dokształcania mało znaczącymi wstawkami w stylu Mariusza Mixa Kolanko - że zacytuje: "[...] dzięki romansowi łączącemu go z lady Leslie, z domu Leonie Jerome, siostrą pięknej matki Winstona Churchilla lady Randolphowej Churchill, która z kolei stała się bliską przyjaciółką króla Edwarda VII, gdy ten był jeszcze księciem Walii." To jeden z licznych kwiatków.

 

Innym irytującym elementem tej mało profesjonalnej biografii są szczegóły życia płciowego Edwarda VIII - to, że ponoć miał małego penisa i cierpiał na przedwczesny wytrysk było jednak kwestią intymną i w żaden sposób nie wpłynęło na życie Królowej Matki. Warto nadmienić, że wszystkie te arcyciekawe informacje Colin Campbell czerpie z plotek rozsiewanych przez otoczenie króla. Przydałoby się również by autorka zanim zabrała się za pisanie biografii, zasięgnęła porady w zakresie wiedzy historycznej. Pisanie, że Polska zdecydowała się "przywrócić monarchię" jest cokolwiek niepoważne ponieważ monarchistyczne rojenia miała wyłącznie garstka lizusów ze stajni Sikorskiego a nie cała elita polityczna, o narodzie nie wspominając. Lady Campbell wyraża również nadzieję, że gdyby Edward VIII utrzymał się na tronie, Imperium Brytyjskie nie upadłoby, mogłoby jedynie się "przeobrazić", Pisarka jednocześnie informuje świat o atucie Elżbiety w postaci pośladków rozmiarów Kanału La Manche. Wisienką na torcie okazuje się być stwierdzenie, że II Wojna Światowa okaże się być największym triumfem Elżbiety i Anglii.

Ta książka jest straszna, nudna i pisana chyba dla ludzi, którzy rozkochani w arystokratycznych wyliczankach, nie zwracają uwagi na fakty polityczne i ekonomiczne. Miałam niedawno w rękach książkę Anne Sebba Ta Kobieta. Wallis Simpson - biografię wroga numer jeden Elżbiety. Tyle tylko, że Wallis była równie barwną postacią ówczesnej Anglii a autorka potrafiła tę feerię barw umiejętnie zaprezentować. Sięgająć po Królową miałam nadzieję na niejakie uzupelnie tej palety kolorystycznej. Niestety poza kilkoma powszechnie znanymi faktami oraz tymi, które czytelnik ma w głęboki poważaniu, pani Campbell nie zaoferowała mi niczego ciekawego.

 

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review 2012-03-14 00:00
That Woman - Anne Sebba
Very readable bio of Wallis Simpson and the first written by a woman. Whilst sympathetic, it's pretty much a warts and all look at the woman, her life and the impossible situation she found herself in.

The one thing that did strike me while reading this was how much hasn't changed over the years. The public's' general attitude and response to the women royal men choose as consorts either out of love or duty has remained pretty much the same. Earl's daughters are good (especially if they produce a couple of cute kids) while the others are seen as vulgar & common ("no more royal than we are") or grasping & scheming or spend thrifts & lazy or adulterers who have some unnatural hold over the men. Or in some cases, all of the above! Saddest of all, it's still the women who are mainly vilified not the men who often create the impossible situations the women find themselves in.

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