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text 2017-08-19 23:30
Halloween Bingo 2017: My Reading Pool / Shortlist -- and My Bingo Marker!

 

Aaaargh ... decisions, decisions.  Ask a Libra to make a snap decision, and you'll be waiting 'till doomsday.

 

So, in true Libra style, I haven't managed to narrow my list down to a single book for most of my card's squares yet -- but I've at least come up with a pool from which to pick my reads, with several books that would qualify for more than one square and a resulting short list with a certain preference per square. Which still doesn't mean I won't end up reading something completely different for one or more squares eventually, of course, judging by how things went last year. -- My 2017 pool / shortlist list includes mostly books I have not yet read, though augmented by a few audio versions of books that I've read before, but where I'm really, really interested in the audio version, which I'm not yet familiar with.

 

Anyway, this is the plan for now:

 

Most likely: Donna Andrews: Lord of the Wings

Alternatively:

* Diane Mott Davidson: Catering to Nobody
* One or more stories from Martin Greenberg's and Ed Gorman's (eds.) Cat Crimes
* ... or something by Lilian Jackson Braun




Most likely: Emily Brontë: Wuthering Heights
(audio return visit courtesy of either Michael Kitchen or Prunella Scales and Samuel West)

Alternatively:

* Wilkie Collins: The Woman In White
(audio version read by Nigel Anthony and Susan Jameson)

* Jane Austen: Northanger Abbey
(audio return visit courtesy of Anna Massey)
* Isak Dinesen: Seven Gothic Tales
* Carol Goodman: The Lake of Dead Languages
* ... or something by Daphne du Maurier




Candace Robb: The Apothecary Rose




Most likely: Simon Brett: A book from a four-novel omibus edition including An Amateur Corpse, Star Trap, So Much Blood, and Cast, in Order of Disappearance

Alternatively:

* Georgette Heyer: Why Shoot a Butler?
* Margery Allingham: The Crime at Black Dudley
(audio version read by David Thorpe)
* Carol Goodman: The Lake of Dead Languages
* Minette Walters: The Shape of Snakes




Most likely: Something from James D. Doss's Charlie Moon series (one of my great discoveries from last year's bingo)

Or one of Walter Mosley's Easy Rawlins mysteries

Alternatively:

Sherman Alexie: Indian Killer




Terry Pratchett: Carpe Jugulum




One or more stories from Martin Edwards's (ed.) and the British Library's Miraculous Mysteries: Locked-Room Murders and Impossible Crimes




Most likely: Agatha Christie: Mrs. McGinty's Dead
(audio return visit courtesy of Hugh Fraser)
Or one or more stories from Martin Edwards's (ed.) and the British Library's Serpents in Eden: Countryside Crimes

Alternatively:

* Carol Goodman: The Lake of Dead Languages
* Josephine Tey: Brat Farrar, To Love and Be Wise, or The Singing Sands
* Georgette Heyer: Why Shoot a Butler?
* Peter May: The Lewis Man
* S.D. Sykes: Plague Land
* Arthur Conan Doyle: The Mystery of Cloomber
* Michael Jecks: The Devil's Acolyte
* Stephen Booth: Dancing with the Virgins
* Karen Maitland: The Owl Killers
* Martha Grimes: The End of the Pier
* Minette Walters: The Breaker




One of two "Joker" Squares:

 

To be filled in as my whimsy takes me (with apologies to Dorothy L. Sayers), either with one of the other mystery squares' alternate books, or with a murder mystery that doesn't meet any of the more specific squares' requirements.  In going through my shelves, I found to my shame that I own several bingo cards' worth of books that would fill this square alone, some of them bought years ago ... clearly something needs to be done about that, even if it's one book at a time!




Isabel Allende: Cuentos de Eva Luna (The Stories of Eva Luna) or
Gabriel García Márquez: Crónica de una muerte anunciada (Chronicle of a Death Foretold)




Most likely: One or more stories from Charles Dickens: Complete Ghost Stories or
Sharyn McCrumb: She Walks These Hills

Alternatively:

* Wilkie Collins: Mrs. Zant and the Ghost
(Gillian Anderson audio)

* Stephen King: Bag of Bones




Terry Pratchett: Men at Arms




Obviously and as per definition in the rules, the second "Joker" Square.

 

Equally as per definition, the possibles for this square also include my alternate reads for the non-mystery squares.




Most likely: Cornell Woolrich: The Bride Wore Black

Alternatively:

* Raymond Chandler: Farewell My Lovely or The Long Goodbye

* James M. Cain: Mildred Pierce
* Horace McCoy: They Shoot Horses, Don't They?
* David Goodis: Shoot the Piano Player or Dark Passage
* ... or something else by Cornell Woolrich, e.g., Phantom Lady or I Married a Dead Man




Most likely: Ruth Rendell: Not in the Flesh or The Babes in the Wood (audio versions read by Christopher Ravenscroft, aka Inspector Burden in the TV series)

Alternatively:

* Carol Goodman: The Lake of Dead Languages
* Sharyn McCrumb: She Walks These Hills




Most likely: Peter May: Coffin Road

Alternatively:

* Stephen King: Bag of Bones or Hearts in Atlantis
* Denise Mina: Field of Blood
* Carol Goodman: The Lake of Dead Languages
* Minette Walters: The Breaker
* Jonathan Kellerman: When The Bough Breaks, Time Bomb, Blood Test, or Billy Straight

* Greg Iles: 24 Hours




Most likely: Sharyn McCrumb: She Walks These Hills

Alternatively:

* Karen Maitland: The Owl Killers
* Greg Iles: Sleep No More




Most likely: Margery Allingham: The Crime at Black Dudley
(audio version read by David Thorpe)

Alternatively:

* One or more stories from Martin Edwards's (ed.) and the British Library's Murder at the Manor: Country House Mysteries
* Georgette Heyer: They Found Him Dead
* Ellis Peters: Black is the Colour of My True-Love's Heart




Most likely: Something from Terry Pratchett's Discworld / Witches subseries -- either Equal Rites or Maskerade

Alternatively:

* Karen Maitland: The Owl Killers

* Shirley Jackson: The Witchcraft of Salem Village




Most likely: Antonia Hodgson: The Devil in the Marshalsea

Alternatively:

* Rory Clements: Martyr
* Philip Gooden: Sleep of Death 
* Minette Walters: The Shape of Snakes
* Ngaio Marsh: Death in Ecstasy

* One or more stories from Martin Edwards's (ed.) and the British Library's Capital Crimes: London Mysteries




Most likely: Robert Louis Stevenson: The Strange Case of Dr. Jekyll and Mr. Hyde
(audio return visit courtesy of Sir Christopher Lee)

Alternatively:

* H.G. Wells: The Island of Dr. Moreau 

* ... or something by Edgar Allan Poe




Most likely: Something from Ovid's Metamorphoses

Alternatively:

* Robert Louis Stevenson: The Bottle Imp
* Christina Rossetti: Goblin Market
* H.G. Wells: The Island of Dr. Moreau




Most likely: Jo Nesbø: The Snowman

Alternatively:

* Val McDermid: The Retribution
* Denise Mina: Sanctum 
* Mo Hayder: Birdman
* Caleb Carr: The Alienist
* Jonathan Kellerman: The Butcher's Theater
* Greg Iles: Mortal Fear




Most likely: The Medieval Murderers: House of Shadows
or Hill of Bones

Alternatively:

* Sharyn McCrumb: She Walks These Hills
* Shirley Jackson: The Haunting of Hill House
* Stephen King: Bag of Bones
* Carol Goodman: The Lake of Dead Languages
* Michael Jecks: The Devil's Acolyte




Ooohhh, you know -- something by Shirley Jackson ... if I don't wimp out in the end; otherwise something by Daphne du Maurier.




 Now, as for my 2017 bingo marker ... it's rather an obvious choice this year; I mean, how could I possibly not?!

 

 

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text 2017-08-18 18:29
Halloween Bingo: For Those Looking to Fill Mystery Squares ...
Miraculous Mysteries: Locked-Room Murders and Impossible Crimes (British Library Crime Classics) - Martin Edwards,Various Authors
Capital Crimes: London Mysteries (British Library Crime Classics) - Martin Edwards,Various Authors
Serpents in Eden (British Library Crime Classics) - Martin Edwards
Murder at the Manor (British Library Crime Classics) - Martin Edwards

... without necessarily going the whole hog of a novel, or who are looking for a taste of several different things:

 

The British Library recently published several Golden Age mystery short story anthologies, all edited by Martin Edwards, four of which exactly match the bingo squares created by Moonlight Reader and Obsidian Blue.  They are:

 

Miraculous Mysteries: Locked-room murders and other impossible crimes

Capital Crimes: London mysteries

Murder at the Manor: Country house mysteries

Serpents in Eden: Rural / village / small town crimes -- for the "Terror in a Small Town" square.

 

They've all been out just about long enough to hopefully be available via library loan (or ILL) -- though I've been able to snatch used copies online at very reasonable prices, too.

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review 2017-08-17 15:43
Knitting Needles, Brains, and Burglary (by Proxy)
Grey Mask - Patricia Wentworth

This book marks Miss Silver's entrance into the annals of Golden Age crime fiction, and it's certainly an enjoyable one.

 

I'd read other Miss Silver mysteries before: This doesn't strike me as a series one absolutely has to read strictly in order; even though it is worthwhile noting that Wentworth also created several other fictional detectives, who even when appearing without Miss Silver clearly operate in the same fictional universe, and they do repeatedly show up in her cases as well.  Most, if not all of these other detectives are former pupils of Miss Silver, who once upon a time used to be a governess, and wherever they do appear alongside her, the ultimate honors of solving the case invariably go to her in the end.  So I guess the one aspect to be aware of is which one (if any) of her fellow sleuths is featured in a given book, and where in the sequence of their collaboration with Miss Silver the book in question is placed. -- For those interested, I've found a very neat overview on this on a blog called The Passing Tramp.

 

Anyway, having read other books featuring Miss Silver, I was interested to see how she had initially been introduced, so when there was talk of a Grey Mask buddy read, I jumped at the idea.  And I'm glad I did! 

 

We get to see more of Miss Silver's (on occasion quite formidable) ex-governess side in the later books, but even in this first venture -- where none of the aforementioned other detectives appears -- we see her treating a recalcitrant client essentially like the ten-year-olds she used to tutor, and most of her trademark features are already in place: the "gentle cough" that invariably precedes any statement of import; her knitting needles (not the only feature she shares with Agatha Christie's Miss Marple -- both ladies also have a certain penchant for primness, even if both of them are equally capable of taking it with a certain pinch of salt), her neat and capacious handbag, and most importantly, her razor-sharp brain, which easily puts her on a level with Sherlock Holmes, Hercule Poirot ... and, again, Miss Marple, about whom none less than (ex-)CID Chief Sir Henry Clithering says in The Body in the Library, and not without reason, that she is "better at [solving crimes] than I am at it":

 

"Downstairs in the lounge ... there sits an old lady with a sweet, placid spinsterish face, and a mind that has plumbed the depths of human iniquity and taken it as all in the day's work." 

 

The same thing might just as well be said about Miss Silver -- who however, like Sherlock Holmes and Hercule Poirot, leaves the reader (and the other party to the conversation) in no doubt as to the size of her brains and her capacity of logical thought, whereas Miss Marple outwardly is all flutter and modesty, while nevertheless surreptitiously manipulating others into doing just what she needs them to do ... while Miss Silver can be downright facetiously open about it:

 

"Miss Silver tapped with her pencil.

'Are you suggesting that we should apply for a search warrant?'

'No, I'm not.  I'm suggestin' doin' a little job of breakin' and enterin'.  Look here, Miss Silver, are you game? [...]'

'I've my reputation to consider,' said Miss Silver. She coughed. 'If I were walking along [that particular] Street and were to ring [that house's] bell --' she paused and gazed at him mildly.  'If you opened the door to me, it really would not be any business of mine how you got in.'"

 

And a while later:

 

"Miss Silver turned her torch down, picked up a metal bar, and put it into [his] hand.

'What is it?'

'Well,' said Miss Silver -- she gave a slight cough -- 'I believe it is called a jemmy -- an instrument in use amongst burglars.  I, of course, have my reputation to consider. But if you --' She coughed again. 'It really seems quite providential -- doesn't it?'

'Heaven helps those who help themselves, in fact,' [he] responded.

Miss Silver proceeded to give him expert advice as to lock-breaking."

 

I'm not sure that we'd ever see quite that sort of scene with Miss Marple (Holmes and Poirot are, of course, a different matter; they've both been known to burgle the odd building in the interests of higher justice), though Miss Marple would almost certainly have, amid a great deal of flutter, pinpointed the exact location to look for inside the house in question in advance, to within a few inches at most; probably after having gotten the vicar's wife to unearth for her precisely the same (published) source that had inspired the present owner of the house to make use of that very location in the first place.

 

Unlike Holmes and Poirot (and, for that matter, Miss Marple), who at least in the Final Reveal typically give a full account of their methods and thought processes, we are not given that sort of access here, and if anything, it is this that makes Miss Silver seem decidedly more ethereal than in the later books -- which, at least the ones I've read, do feature a traditional Final Reveal; warts and all: Not only does Miss Silver seem in this, her first venture, however, to appear out of nothing in her client's and the other protagonists' vista and vicinity on more than one occasion; she also has to do all her own research, since she does not have an assistant, which would have had to involve quite a substantial amount of interviews, visits to libraries, and other "legwork", all of which at times left me wondering how she could possibly have fitted all that activity into the time frame available ... while at the same time keeping exact tabs on her client's and his protegée's, as well as pretty much all the other major characters' whereabouts.

 

Patricia Wentworth had published several romance novels before turning to crime fiction, and this is not the only one of her books on which that writerly history has left an undelible mark.  (It's also not the only one of her books where the various emotional conflicts are "resolved" in rather a rushed way at the end.)  As for the book's major characters (besides Miss Silver), they fall nicely into the categories and types that had already been coined by other mystery authors at the time, and to a large extent made up the stock whose representatives would continue to populate the better part of Golden Age mysteries up to the eve of World War II and beyond.  Still, like the other Miss Silver mysteries I've read, this proved to be a quick, entertaining and deceptively lightly-written read, and I'll happily continue to sprinkle books from this series in among my reading pleasure.

 

*************

 

Previous status updates:

1/3 mark

2/3 mark

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text 2017-08-17 00:04
Look!! Isn't it pretty? Thank you so much, MR!!

 

Now, as for filling in all those beautiful squares ...

 

 

I think my brain will be going full tilt tonight!

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text 2017-08-16 12:24
Reading progress update: I've read 203 out of 332 pages.
Grey Mask - Patricia Wentworth

Two thirds of the way through, and even if I had had any doubt whether the guy on the cover of my edition is supposed to be Charles Moray (which I didn't), I now have confirmation straight from the mouth of the babe (our Teenage Ingenue, aka TSTL heiress-in-peril) -- except that whoever created this cover didn't get the memo about the grey eyes:

 

"Charles is an explorer, but he isn't exploring just now.  He is the handsomest.  He has grey eyes and a most frightfully romatic frown [...] Charles has a lot of black eyelashes and frightfully black eyebrows.  They go all twisty when he is cross.  I shouldn't like them to go all twisty at me."

"I think Charles must have a most awful temper really, because he glared in the most frightful way you ever saw.  I've never seen anyone glare like it before, except on the films when they're just going to murder somebody, or the girl has been carried away by Bad Pete or someone like that.  Of course Sheikhs glare nearly the whole time.  I think Charles is awfully like a Sheikh really."

 

Well, idiot child, it would be hard NOT to glare at you with eyebrows all in a twist when you've just given the whole show away, and I strongly suspect to the one person you should have been kept away from from the start!  Except that Charles is starting to behave almost as idiotically as you, and about Margaret, no less.  Oh well.  Here's hoping their inevitable reconciliation won't at least be a total rush, but I have a feeling this isn't the sort of book that allows for the gradual resolution that in real life would be the only way for them to recover a solid joint footing to build on for the future.

 

That being said, we've now also had the mandatory desks with secret drawers containing mysterious paper clues in the form of signatures and empty envelopes with meaning-laden inscriptions (two matching such mysterious desks, no less, embossed with almost identical initials); there are hints that the story's two damsels-more-or-less-in-distress (Margaret and Margot, who really is called Margaret as well and has been cover-named Greta) just might be half-sisters; and Archie -- like Lord Peter Wimsey in "Murder Must Advertise" -- is working in a publishing firm (though in Wimsey's case that was based on Dorothy L. Sayers's own experience ... still, it's another coincidence).  Oh, and Miss Silver has pulled a Sherlock in referring to "Grey Mask" as someone who she's come across again and again in recent years, not in person but as a secret intelligence pulling the strings behind the scenes of various daring criminal enterprises.  Moriarty, much?

 

Miss Silver is now clearly also exhibiting her ex-governess side, treating a silly recalcitrant client (read: Charles) essentially like she would have the ten-year-olds she used to tutor.  This may very well come across as condescending (especially since there has been no mention of this aspect of her past just yet ... unless I've missed it, which I wouldn't rule out at all of course); except I'm with her all the way on this one -- Charles is behaving like an idiot, and he'd better get over it soon or he'll lose my sympathy.  Especially since I very much suspect he now has all the knowledge he needs about Grey Mask's true identity, and his first priority should be on unmasking that person (and on protecting our hapless teenage ingenue ... even a brainless little minion like her doesn't deserve to be murdered, after all)!

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