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review 2017-09-18 22:16
Lightning Men
Lightning Men: A Novel - Thomas Mullen

Darktown #2

By:  Thomas Mullen 

ISBN: 9781501138799

Publisher: Atria 

Publication Date: 9/12/2017

Format: Hardcover 

My Rating: 5 Stars + 

 

From the acclaimed author, Thomas Mullen who introduced readers to the hit, Darktown landing on my Top Books of 2016 —racial integration of Atlanta’s police department in 1948 — with an explosive multi-layered complex follow-up: LIGHTNING MEN. 

Racial violence and corruption continue in 1950’s Atlanta, with African-American police officers, Boggs and Smith. 

As they say in the South, these two find themselves in a "heap of trouble.” (Among others). 

“Hot Atlanta” is not just sizzling. It is blistering. Fiery. Tensions and emotions run high. Loyalties are tested between family and law. Color lines are threatened. Moral lines are blurred. 

The second in the Darktown series, Mullen uses his hard-boiled crime, cop procedural, to explore post-WWII racism in the South. 

The highly anticipated character-driven LIGHTNING MEN is much more than just a crime-fictional thriller. It is infused with critical historical details and timely controversial subjects we face today.

“Any candid observer of American racial history must acknowledge that racism is highly adaptable.” – Michelle Alexander, The New Jim Crow 

Highly-charged, Mullen turns up the intensity with characters facing moral, family, social issues and compromises. 

Tensions rise. From racial prejudice, moonshining, drugs, greed, conspiracy, Klansmen, fascist Columbians, white supremacist, corruption, bigotry, violence, Jim Crow laws, preachers, shootouts, paybacks, fear, power, and segregated neighborhoods.

In Darktown, we met rookies: Officer Lucius Boggs and his partner, Tommy Smith. 

From different backgrounds, their office was housed in the basement of the Negro YMCA, a makeshift precinct. They were not even allowed to arrest white men, nor allowed to drive a squad car. They could not patrol outside of the Negro neighborhoods that constituted their beat. No respect and little support. 

Only ten black officers patrolled those thousands of souls. A third of Atlanta were black, yet they were crowded into only a fifth of the land. 

Boggs and Smith had not taken bribes; however, with two years on the force, it appeared half of the white officers took bribes, so how long would the Negro officers resist? 

They were tiring of their powerlessness. The son of a preacher, Boggs was all too familiar with the fallibility of men, even men with power. 

Denny Rakestraw (white) is distrusted by his fellow officers for his suspected role in the disappearance of his former partner, Lionel Dunlow. 

Rakestraw is not a racist but finds it difficult to fit in with his fellow white cops and work with the ten black cops. Neither side, fully trusts him. 

Denny’s problems increase when his Klansman brother-in-law, Dale Simpkins, gets involved in a plot to stop the influx of African-Americans into his neighborhood, Hanford Park. 

Some cops are part of the Klan. Will they accuse one of the richest men in Atlanta of selling moonshine and marijuana?

Boggs had come to respect McInnis over the last two years. He had stuck up for his charges during a few disputes with white officers. How far can he go to protect them? 

Boggs (preacher’s son) is dating Julie with a young son, Sage. Soon to be married. His family opposes the relationship since she is not of their social status. She has a secret past. She is intimidated by their prestigious family. 

When a black man, Jeremiah is released from prison after five years, things get personal. Boggs life gets complicated when he learns the connection. 

Two years earlier, Boggs came close to resigning his position and had second thoughts after a near-death experience. Now, he is unsure again.

Too many mistakes that weighed heavily on his soul. He is sure there would be more guilt and an awkward relationship with his partner. Can he remain as a cop? 

Events will lead each character to major soul-searching. Smith had crossed another line as well. He was afraid. 


. . . The Armor. The façade victims’ families typically wore when they needed to protect themselves or the memory of their loved ones. Folks who wore The Armor sometimes had secrets to hide. 

The Armor was firmly in place as they parried the officer’s attempts to learn more about the deceased. They wore The Armor to keep the cops from learning things. The secrets. . . 

The Armor was worn by the innocent, who had nothing to hide but their dignity, and they were so deeply offended to be questioned by these employees of the corrupt City of Atlanta, these paid enforcers of Jim Crow, that they refused to play along. They may be innocent, hurt, or protective. 

. . . “And lines are only ideas people dream up, to govern what should be possible, to keep you from moving toward the forbidden.”


Three policemen struggle. Each has an agenda and react in different ways to protect. Loyalties are tested. Family versus law. 

Can they continue to work with one hand tied behind their packs without the proper support to do their jobs? Will the latest emotional events, their actions, and tensions make them second guess their current careers? Will they continue to serve and make Atlanta a better city, or is it a useless effort? 

After violence and a shootout, will Hanford Park be transformed? Will the lines between white and black be blurred after the postwar crowding, pushing blacks into areas formerly considered whites-only (without violence)? 

From racial politics and struggles of history, Mullen does not miss a beat! 

The complex emotions of each character are portrayed in depth, making the characters jump off the page. Others threaten lives. Others protect. Struggles both interior and exterior. 

Complications. Affairs interrupted. Old scores settled. Blood feuds magnified. Pride. Costs were high. Greed. 

Hard-boiled. Explosive. Riveting. Timely! 

Love this enthralling series and looking forward to seeing what is in store next for Smith and Boggs. 

When reading of Boggs at his dad’s house for dinner with Julie, reminds me strongly of Greenleaf (a favorite show) and their preacher/family dinners. Heaven forbid, their children do not follow their well-laid controlled plans. 

Movie-worthy! For those who enjoy good crime fiction, and historical fiction as Mullen meticulously traces the civil rights movement through his well-written crime stories and cop procedurals, that involve "real" characters you come to care about. 

Fans of TV mini-series: Underground, Greenleaf and Queen Sugar will enjoy this intense series as well as Michael Connley’s Harry Bosch and Greg Iles' Penn Cage series. 

In addition to the early digital reading copy (thank you) provided by NetGalley and Atria, I also purchased the audiobook, narrated by Yahya Abdul-Mateen II – for an award-winning performance. Just finished. 

Move this series to the top of your list. If you reside in the South, this is a “must read.” Especially for those of us who found (find) Atlanta our home for many years. Another Southern winner! 

JDCMustReadBooks

****
Due to post-Irma, residing in South Florida with water damages, power outage, cell towers, and loss of internet for nine consecutive days; no gas, grocery, or mail service – late posting my review on pub day. Let's hope Maria does not pay us a visit. 

Yay! Today we have internet restored, power, cell towers, and mail service! Back in business. Ordered the hardcover copies of both DARKTOWN and LIGHTNING MEN for my personal library. So excited, they are out for delivery today, from Amazon! (Love the covers) Looking forward to receiving my copies. (Now, I have to figure out how to get the author to autograph) my copies. 

Busy catching up with posting reviews and my blog. Thanks everyone for your patience.
 
 
 

City on the verge of a race riot in ‘Darktown’ sequel


Thomas Mullen’s new novel examines brotherly hate  

By Tray Butler - For the AJC

 
 
 
 
Source: www.judithdcollinsconsulting.com/single-post/2017/04/19/Lightning-Men
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review 2017-08-14 18:47
"A People's History of the United States" by Howard Zinn
A People's History of the United States: 1492 to Present - Howard Zinn

One late night, having been sucked into a dead end conversation with a drunk old man, it came out that I had studied history in college and that I had focused on Irish history. 

 

"Irish history!?," he shouted. "Why there wouldn't be any Irish history without the English!"

 

The "great man" theory of history had never been laid so nakedly to me before. The idea that the decisions of British monarchs were not just a major force on Irish history, but the only thing that mattered was so obviously wrong I was flabbergasted. 

 

Between the time when that old man's education and my own, the rote memorization of kings, presidents, and dates, while not completely out of style, had been supplemented by the stories of the people who lived in those times. Ethnic, social, and other groups that rose up in the 60s and 70s awoke people in and out of academia to an interest in what it was actually like to live at different times and places. They started to look not only at how Andrew Jackson dealt with Native American tribes, but in the tribes themselves, their histories, motives, home lives, and what happened after big events like the Trail of Tears. 

 

Howard Zinn's A People's History of the United States was among the first and most well-known books to come out of this new school of history. It's a survey of the entirety of European presence in the United States of America, from the landing of Columbus to — in my edition —  the bombing of Afghanistan after 9/11. Zinn tries to do this by collecting the stories of people who lived outside of the government: farmers, factory workers, Native Americans, African-Americans, women, domestic workers, miners, and so on.

 

Most of us by this time recognize the spark notes: disease and massacres against the Native Americans, slavery and stolen rights for black people, insult and deportation for Latinx, hard labor and exclusion for Chinese immigrants, and women of all ethnicities resigned to domestic servitude. These high level facts are enough to be upsetting but Zinn brings us closer in, using contemporary documents to illustrate how these played out on an individual level. What did it mean to be an enslaved black woman or a Native American family marched from their homes in Georgia to an unknown expanse in Oklahoma. These stories are even more devastating than you remember or could have imagined.

 

In a book that covers a great breadth of human experiences, going into detail requires that he move through subjects quickly. If you want a comprehensive dive into the civil rights movement or women's suffrage you will have to find more pointed books on those topics. Zinn acknowledges this weakness in the afterword, pointing out that he didn't go far enough into LGBTQ issues and the Latinx labor movements in California, for example, and he recommends some books for further reading on those issues, if you are interested. But by taking the time to explore these stories past the statistics, A People's History carries a punch that numbers and charts alone could not achieve.

 

Because of all the good that is in this book, my critiques feel minor, but there were aspects that I feel distracted from the good of the book and made it harder to finish and embrace. 

 

My first issue actually cuts both ways. Zinn doesn't bother to retread the traditional history of many subjects. He assumes you know what is taught in favor of different wars and our westward expansion or maybe he doesn't care to make other people's arguments for them. In a way, this is clarifying. How we act as a nation, or even personally, shouldn't be subject to how others act against us. In more specific terms, if an enemy targets civilians our responsibility, if we are the force for good we insist we are, to not respond in kind. Usually we might try to soften criticism against our actions by listing off the ways others have done wrong, but Zinn offers no such quarter. This does serve as a challenge because there are almost certainly causes in American history you supported and will feel slighted by when Zinn points out the cruel American actions, say in World War II, without bothering with the disclaimer that "the other guys were worse."

 

I also found that A People's History works best in the parts where the name is treated literally — as a history focused on people — rather than euphemistically — see: the People's Republic of ______. As the book starts covering the rise of populism and socialism in the early 20th century, Zinn allows himself to get pulled from the stories of people living under government decisions and in a harsh, dangerous industrial economy to the political efforts he would side with. In his defense, mass demonstrations, general strikes, and calls for government control of industries have been pushed to the margins in many books, but Zinn presents a certain kind of movement as the most legitimate. As we push into the Nixon and Reagan eras his argument really gets strained. He raises up mass demonstrations as the voice of the people, but then has to get it to jibe with the electoral victories of angry, pro-capital men like Nixon, Reagan and Bush in moments that seem to be defined by activism. He looks at elections with skepticism, noting that over half the electorate stays home. This means even the landslide electoral victories represent the votes of just over a quarter of the electorate — a fair point. He attributes this to disillusionment then says the elected act undemocratically when they take positions that go against what the people believe according to polls. It's at worst a convenient belief, at best an optimistic one.

 

Some Democrats are now playing with the idea that a true economic populist would swing working-class voters back to their party, but Zinn seems to believe that such a platform would rewire the whole system, break down the cultural and political lines that divide natural allies in the poor, working and middle classes. I think he has to believe this. Addressing many of the systemic problems would require a huge electoral mandate ... or a turning away from democracy as we know it. 

 

 

Part of his turn toward demonstrations, he acknowledges, is to offer some hope. This is a devastating book that highlights how the government has done many truly indefensible things that we now have to live with. America's is a devastating and moving history. It's also very long, and in Zinn's hands, sometimes tedious. I had to put it down for a few months — after the election — partly because it was a lot to handle and because I hit a wall.

 

For those who have been frightened by the openly antagonistic role of the current administration to immigrants, the poor, people of color, the LGBTQ community, and so on, this is great place to start reminding yourself that America has never been good to these groups and how easily it can slip from bad to worse. There are constant efforts to bury the sins of our past, by removing it from our schools, by decrying these facts as unpatriotic, but knowledge is the first step in making real change to address these deep-rooted problems. 

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review 2017-06-23 18:32
Go Set a Watchman: A Novel - Lee Harper

The book was handed to me as a follow up from a quick discussion with a colleague. I decided to read it straightaway as I don’t like borrowing books from someone and keeping them for a long time. I honestly didn’t know what to expect: the title is ambiguous and the hype around the time of its release was quite substantial. All I knew is that it was by Harper Lee, the author of the famous To Kill A Mockingbird. I didn’t even read the blurb for the book. So, for some reason I was expecting another court room drama based on racial tensions of the American South. My advice: read the blurb.

 

Despite not reading the blurb, I was able to immerse into the book quickly enough. If you haven’t read To Kill A Mockingbird it won’t play to your disadvantage as this novel can stand alone on its own feet. The writing is not complex, but intelligent enough to engage the reader. The theme of the book is politically charged – I can understand why it would not be printed back in the 1950s. It is set in the 1950s and feels more autobiographical, personal rather just another novel about the history of segregation in the South. The novel is threaded with Jean Louise’s reminiscence about her childhood. These memories where everything for her as a child was black and white, right and wrong serve as juxtaposition to the her adult world where nothing is black and white and some things may seem wrong, but motives might be right. 

 

A quick overview: Jean Louise ‘Scout’ Finch is now twenty six years old and live in New York City. She returns home to Maycomb, Alabama on her usual annual visit, but this time something is off. She secretly follows her father and her friend to a Citizens’ Council where one of the guests is permitted to give a racist speech. Shaken up that her father did not do anything to stop this man, Jean Louise is devastated. As she looks around her, she begins to notice increased sympathy with these kind of sentiments. She finds herself on the road of self-discovery and making a hard decision: to either stick to what she believes and leave her family or stay with her family and submit to the growing feeling of the place.

 

The novel does not answer any questions, but presents the day-to-day tensions and decisions that many American citizens had to live with in the 1950s. I would say that it is even relevant now. I found that the author’s call in this book is to reason. That reason will prevail above all. For me the book was summarised on page 270, “But the white supremacists fear reason, because they know cold reason beats them. Prejudice, a dirty word, and faith, a clean one, have something in common: they both begin where reason ends.”

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review 2017-05-30 01:34
Reading progress update: I've read 480 out of 480 pages.
Lies Across America: What Our Historic Sites Get Wrong - James W. Loewen

The honest historical marker:

 

On this site in 1897, nothing happened.  (p. 442).

 

This is the kind of book that needs rereading and reflection over an extended period of time.  There is so much to absorb, so much to analyze, that it can't be digested in one sitting or one review.

 

As inaccurate as most of the monuments Loewen cites are, he does mention that there are some that get it right.  And I wonder, given his particular focus on the sanitizing of Confederate history, how many of the accurate ones are really out there.  Has he given historical markers an unfairly bad rap?  Hmm, I don't know.  But certainly the ones he has cited deserve it!

 

Highly recommended, especially for its insights into how we got to where we are.  I would love to read The Confederate and Neo-Confederate Reader, but my library doesn't have it and I'm just not up to springing for the Kindle edition . . . . yet.

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text 2017-05-30 00:05
Reading progress update: I've read 399 out of 480 pages.
Lies Across America: What Our Historic Sites Get Wrong - James W. Loewen

pp. 398-399

 

The defeat was hardly novel.  From the Civil War to the end of the [nineteenth] century not a single Democrat in Congress, North or South, ever voted for a single piece of civil rights legislation. . . .

 

Northern and Southern whites now reunited under the banner of white supremacy.  In the 1890s, Memorial Day celebrations organized by Union League members no longer stressed the need for vigilance against Southern attempts to overthrow the Union victory.  Often they invited Southerners to speak, who admitted they had been wrong to secede but right to oppose "Negro domination."  In 1891 [Henry Cabot] Lodge suggested that the U.S. should keep out "Slovacks" from Eastern Europe because they represented "races most alien to the body of the American people," and he did not mean African American people. . . . The Republican Party lost what little authority it still had to improve the lot of minority races.

 

These were not the Democratic and Republican parties as we know them today; they flipped almost completely in the latter part of the twentieth century.  The party of Lincoln is now today as racist and reactionary as were the Democrats of the South, of Reconstruction, and of the era of legal segregation -- roughly 1880-1950.

 

What's important to note, I think, is that despite the Union victory on the battlefields, there was insufficient backbone to impose the underlying terms of that victory on the defeated Confederacy.  When those chickens came home to roost after the second world war and the modern (?) civil rights era was launched, there was still not enough spine to make the laws stick.

 

In certain aspects, especially in and through popular culture, a more permanent victory was achieved.  But we still have a very, very, very long way to go, and the road is not getting any easier.

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