This book is intended for some people but I do not think I am one of them. I love regency historical romances so that is not the issue. The issue is in the worldbuilding and plenty of plot holes and loose ends that just leave me feeling slightly disappointed. If you can look past those issues then there is a good enough story there to at least finish the book.

I am not going to dwell too much upon this book because it didn't make me happy and it didn't make me angry, it was that middle mediocre feeling with which you know you are not going to remember this book for long and you really won't have any feelings about it few days later when it just evaporates from your mind.


The beginning is promising, there is a mystery there with the lady training some street girls to give them a chance at a better life, there is an assassination which then leads to a private investigation by the dead person's brother, there is an intrigue surrounding the household of the main female character and there is definitely enough to build the story upon. Those are all great points but from there onwards it somehow drags in certain places like the main male character's silly training in household chores and then it goes too fast skipping important details that we then just have to imagine have been explained like how her father was discovered because there was never an indication that that might happen, it happened just to propel the plot forwards and not because logic and reason were behind the event.

The writing is capable, the story is at least interesting enough for me to read to the end, the characters are just fine, nothing great but also nothing too bad. Everything feels like that honestly, everything is just fine enough to be read through but nothing stands out to make it memorable or entertaining enough to recommend to someone.

I have many issues with the plot and the missing pieces and the overall conspiracy is just too silly to be believable, also if the main villain was that easily triggered as we see in the end then there is no way he could have masterminded that ridiculous conspiracy. The characters also not fully developed. Main female lead starts off as different than other ladies because she cares about the common folk and helps the girls out but then that just disappears when it served the plot of getting the main male lead into the household in that way. There is no mention of the girls after that, it doesn't serve anything, it doesn't come back later... it's just there to give entrance to the main male lead. Speaking of him, it is also unreasonable that he as the new earl wouldn't have more people to help him with his investigation, that he would have that much time to spend playing house with the lady whilst all of his obligations are on hold and that no other woman would be interested in him and come to play as a misunderstanding or an obstacle at some point. Things seem to happen to serve the plot and are totally forgotten.

All of what I have mentioned just left me feeling meh, like shrugging my shoulders and saying ah, it was okayish enough to not consider it a waste of time. Which is not a compliment but also not the worst thing ever.

If you have the time and you just want to read a simple regency romance story then this can kill some time, but don't think too hard about the plot and the conspiracy and the female lead's father and his circumstances because the story will immediately crumble and you won't be able to immerse yourself into this world anymore.

It's good if you just don't think about it.

I like Barbara Bard, I really do but this book is as dry as the Sahara desert, definitely one of her worst that I have read.

There is nothing to connect to and no characters to really care about, motives make no sense and people change just because the plot needs them to, without any growth or logic behind it.

(*examples given below might be SPOILERS*)

The storyline. If I just write it in a few short points, nothing looks amiss but then you read the book and you see nothing actually connects the plot threads and there is no logic behind things happening and everything happens just to connect one point to another disregarding any common sense known to humans.
Example: So this kidnapped woman who was taken deep into Scotland allegedly writes home to telltale about the weakness in the defence of this estate and her father receives the letter and rides of to see the king to get support and gets back home with it and manages to go rescue his daughter in the span of three days and he somehow manages this great feat and since the highlanders were surprised and unprepared they weren't really defending and instead of the English (remember, the King's troops are also there) invading and fully defeating them after their Laird has been beaten to a bloody pulp in front of everyone (and they don't kill him for some reason), no, they just get this insignificant woman and leave. Ah, yes, makes sense (notice the irony).

The characters. What a bunch of dry stale cookie cutter characters. They are not believable, they are not like real humans, we do not connect to them, they are just cardboard printouts to stand there as the so called plot happens around them. I have no idea how this good author have managed to spit out such bland idiotic pieces of s... *coughs... let's be civil here. How she managed to produce these, these ehm... characters in name only. There is nothing about them that makes them believable, it's horrible. They are awful people and only act a certain way when the plot needs them to.
Example 1: Gabby, the main female character, is supposed to be some kind of a progressive thinker in the area where she lives but then people tell her that Highlanders drink blood and eat human flesh and she believes it fully without a second thought. Or she is supposed to be a strong woman who was kidnapped and forced into marriage but then resists and all we see how upset she is that the husband doesn't immediately boink her right there and then.
Example 2: Callum, the main male character, is supposed to be this scarred wounded Highlander whose love died some years back and his world crushed then and he was left a shell of a man and then we see he immediately boinked the dead woman's best friend and kept on boinking her until this English woman disrupted his life somewhat. Such an upstanding good man that is. Totally don't want him to die a horrible death, nope, totally not.
Example 3: Callum's father needs his son to marry so he will secure his future Laird position and it has to be done immediately for some inexplicable reason and so instead of him trying to find him a Highlander woman and takes a bit more time, he just raids an English estate and kidnaps a woman there and thinks that is a good idea. How is that logical to begin with? When bunch of things just make no sense to begin with, how am I supposed to care about any of it?

Characters continuously do a 180 turn whenever the plot calls for it and it's painfully aggravating.
Example 1: Gabby's fiance whom she was supposed to marry (forcefully as well) was her childhood friend whom she saw as a brother. He wanted her and pushed himself on her much worse than the Highlander later on. He did not want to listen to one word she said, no objection or complaint. When Gabby is kidnapped and taken he told her she must be glad she is being kidnapped to get her adventure and laughs evilly. When she is mistakenly brought back, he pushes himself on her again and basically forces her to marry him, again. And then on the wedding day when she is already there somewhat willing, he does a 180 and just says that there are people outside who will escort her back to Scotland. What the actual f*ck? He did not develop as a character in the meantime and nothing happened to him to change his awful almost-rapey behaviour from before. He just becomes a saint so she can be delivered back to her husband.
Example 2: Callum does not give two s$its about Gabby when she is married to him, he even goes to be with his mistress (the dead fiancees best friend if you remember), and tells to Gabby that it is normal for men to have mistresses and he can do as he pleases, then he suddenly loves her a chapter later. Ah yes... love at a hundredth sight that must be.

I could go on and on like this for the whole night. Characters do things just because the plot needs them to. There is nothing to them, they are hollow, empty, non-existent.

There are so many plot points that lead to nothing and waste time that keep coming back to me as I write that I still don't understand how is this possible coming from the great Barbara Bard. Absolutely dumbfounding.

Skip if you can, if you must read it then be prepared to be extremely annoyed. I am not giving it a 1* because it is still written better than some other things I have read, looking more from a technical standpoint but there are really no good points I could now think of and point out. I am just so disappointed and... well... unhappy.

'The Bathwater Conspiracy' is a quietly subversive book that imagines a world without men.

I've read some very good pieces of speculative fiction recently that have confronted me with the things men do to women, from 'The Southern Book Club's Guide To Slaying Vampires' with the vampire embodying all that is worst about the patriarchy through 'Girls With Sharp Sticks' and 'The Grace Year' which set women up in life and death struggles against the men controlling them. 'The Bathwater Conspiracy' takes a different, gentler but ultimately much more damning approach. It just makes the men disappear and wonders if we would miss them. The answer that I came away with was, 'not so much.'

Set in a future where men have been extinct for generations and humanity has moved on, 'The Bathwater Conspiracy' follows the investigation of Detective Carson “Mac” MacHenry into the exceptionally violent murder of a young woman and the subsequent attempts of the Federal authorities to cover it up. It set Mac on a path that will reveal a secret that could change the world.

I was initially a little thrown by the gentle, low-key tone of this mystery. Then I came to see that the tone was part of the evocation of an all-woman world where even an experienced detective has difficulty imagining levels of violence and aggression that we would take for granted.

It's actually quite a profound change, like suddenly not having any traffic noise in a city. It affects everything.

I also enjoyed the humour in this book. When Mac is researching ancient history to see what men were like, she finds that many religions imposed restrictions on how women dressed or even prevented them going out lest the men who see them are thrown into a frenzy of lust that they can’t control. Here’s her reaction:

'If men were so unreliable as to go off the deep end whenever they saw a stray tress or two, wouldn’t it make more sense to lock them up and just let the women get on with their lives? Otherwise, it would be like having a dog that bites and insisting that the people on your street stay inside so they won’t get bitten.'

I now want more of Janet Kellough's writing so I'll be taking a look at her Thaddeus Lewis series of historical mysteries set in mid-nineteenth-century Canada.

I was initially a little thrown by the gentle, low-key tone of this mystery. Now I see that it is part of the evocation of an all-woman world where even an experienced detective has difficulty imagining levels of violence and aggression that we would take for granted.

It's actually quite a profound change, like suddenly not having any traffic noise in a city. It affects everything.

In an all-female future our detective is researching ancient history to see what men were like and finds that many religions imposed restrictions on how women dressed or even prevented them going out lest the men who see them are thrown into a frenzy of lust that they can’t control. Here’s the detective’s reaction:

'If men were so unreliable as to go off the deep end whenever they saw a stray tress or two, wouldn’t it make more sense to lock them up and just let the women get on with their lives? Otherwise, it would be like having a dog that bites and insisting that the people on your street stay inside so they won’t get bitten.'