In this dark fantasy, Janneke is the last child in a family of daughters and has been groomed to be the ‘male heir’, having been taught to hunt, track, and fight. When her village was burned to the ground she was the only survivor and was taken captive by the malicious goblin Lydian, who scars her for life, and who then sends her to work for his nephew Soren.
She then has to serve this monster who she is bonded to in the Permafrost. A brutal hunt begins for the beautiful white stag as Lydian and Soren compete for the throne of the next Goblin King. Janneke's humanity comes at the cost of becoming more attached and loyal to the goblin Soren, and as she has to learn to survive in the world she has been made to live in, learning truths about the past and about who she really is.
This is the first novel from a talented new author, Kara Barbieri, who brought it to life on WattPad; she has imagined a world called the Permafrost, heavily influenced by Nordic mythology, laden with dangerous monsters alongside the goblins, living in an unforgiving frozen landscape. Set to be the start of a series, ‘White Stag’ is both frightening and captivating.
*Frightening because of the amount of sheer brutality in the novel: there are plenty of references to rape, torture, mutilation, and abuse, as well as all the combat/fighting leading to bloodshed and descriptions of injuries and more. Janneke has been victim to unspeakable acts at the hands of Lydian, and we gradually learn about his true capabilities as the story goes on, making him just about the vilest character you can possibly ever read about. Soren, who she is bound to, is the unlikely antidote to this goblin villain, and ironically becomes the one to bring romance and emotion to her world, despite the ‘humanity’ leaving her life.
*That's your trigger warning, folks!
What I found most appealing about the book, is the journey that Janneke goes on, both physically and emotionally, which kept me captivated throughout; the hunt and the battles are relentless and test her constantly, and the relationship with Soren gradually changes. I've read some criticism of the relationship between her and Soren (I made the mistake of reading others' reviews, which I don't normally do), and I disagree that it would be unlikely that she would become attached to him, given that she is his charge and bound to him. I wasn't sure whether to attribute her feelings towards Soren to a sort of Stockholm syndrome or because she genuinely developed feelings for him because he seemed to care for her (he became more human as she lost her humanity). The dichotomy here is fascinating. They've been attached for some hundred years or so, and the intensity would undoubtedly bring some connection; why now though is more the question, but it makes for great reading.
Barbieri has set the stage for a series in a world that may trigger many readers but evokes images, not unlike the Game of Thrones and is for anyone who loves Viking or Nordic-inspired tales and mythology. I appreciated her sense of humor throughout the novel, and I know there is so much more to come from this bright light that is Kara Barbieri.
I'm not a fan of Neil Gaiman, but a coworker recommended this one and I needed something like it to complete my summer reading bingo card.
Sometimes it seems like Gaiman is going for a myth-y, grand stately feeling with his writing. Other times the writing is very casual. In the long run I didn't mind these swings because the stories are good (and often very funny), and I learned a lot about Norse mythology.
I’ve always been an avid reader; a quiet moment to me means a chance to get a chapter or two in. Back in the 80s while I was in the Marine Corps we had lots of down time on weekends, and thankfully a lot of Marines were into AD&D, so there was that. Heck- once we even brought our books with us on a week-long field deployment so we could finish a module featuring a vampire named Strahd von Zarovich. Good times.
I always wonder how much this one would be worth without all my notes marking it up...[/caption]
One slow Saturday I went to the PX to find something to read. I’m a longtime fantasy fan (who isn’t these days, but I’m old so I can stake my claim!) who loves a good hack-n-slash featuring a female protagonist. Back in the 80s that type of novel was in woefully short supply. That day I came across two titles that seemed to fit the bill: The Deed of Paksenarrion by Elizabeth Moon (also a former Marine- Semper Fi!) & Werebeasts of Hel by Asa Drake (aka C. Dean Andersson- a former Airman, but I won’t hold that against him).
Now, as much as I tried to like Moon’s book, I couldn’t. The titular character was female practically in name only- she was asexual to the point of almost becoming her defining trait and the story plodded along like a broke down mule in knee deep mud. Even back then I understood the issues with female leads in SF/F and making her a fully-fleshed person with loves, hates, needs & desires would’ve been tricky at best, but it didn’t even seem like there was an effort made there.
Then I read Werebeasts of Hel.
Even though it was the third book of the trilogy, there was enough backstory involved so it wasn’t hard to follow. Most importantly, I was now dying to read the first two.
Built from Norse mythology & history and billed as the “Heavy Metal of Fantasy” by Publisher’s Weekly, all three books even featured cover art by Boris Vallejo! In the 80s that was pretty much the Seal of Approval!
Starting with Warrior Witch of Hel, the story arc centers upon a woman named Freyadis whose village was raided by the evil sorcerer, King Nidhug, who served Hel, Goddess of Death. With her husband and infant son killed & her daughter Guthrun taken captive, Freyadis was subjected to various abuses, bound to a tree and left to die, her infant son’s corpse tied to her breast. Never passing up an opportunity, Hel offered Freyadis a chance to return as an undead Hel warrior if she would pray to her as she died.
Nidhug, of course, has betrayed Hel by stealing a relic of her power called the War Skull for his own ends. After enduring even more of Nidhug’s depravities- including in gladiatorial combat- and finding her daughter in Helheim, Freyadis- now known as Bloodsong from her arena fights- is tasked by Hel to recover the War Skull and bring Nidhug down in exchange for freedom. Must’ve been a Tuesday.
Along the way Bloodsong finds allies like Huld- an elf-blooded witch in service to Freya, Jalna- a slave unfortunate enough to catch Nidhug’s attention & Tyrulf- the warrior in Nidhug’s army who’s attracted to Jalna. Bloodsong also has a very nasty surprise waiting for her when she reaches Nidhug’s fortress.
The second book, Death Riders of Hel, picks up a few years later: Guthrun is discovered to be a witch and studies with Huld while Bloodsong and her friends have forged a life in the aftermath. A new threat arises from Thokk- a Hel-witch determined to both finish what Nidhug started and convert Guthrun to the dark side. Thanks to her mistress, Thokk has a way of striking at Bloodsong where it’ll hurt her the most. Bloodsong forms an alliance with a tribe of shapeshifting berserkers and is willing to pay any price to save Guthrun from becoming a Hel-witch. But will the lure of darkness be too great for Gudrun to overcome, especially when being lured by a familiar presence?
Werebeasts of Hel takes place years later, but unfolds much the same way. Years of peace after defeating Hel, life goes on, friends & lovers… then, BOOM! Third time’s the charm, eh? An old adversary returns to lead Hel's armies- one who knows Bloodsong's weaknesses and she's hard pressed to stand against him alone. This time Odin himself provides a little divine assistance and Bloodsong has to forge an alliance with an altogether new breed of creatures to help stop Hel from conquering them all.
The best thing about these books is they are what they are. Nothing fancy or elaborate- it's all straightforward, fast-paced, in-your-face adventure: here's the situation, now let's do something about it! It’s a gloriously grim & gory Nordic hack-n-slash with good doses of horror and a few splashes of romance tossed in for variety. This is a bleak, icy world teetering on the edge of apocalypse. Death lurks around every turn, defeat is all but certain, friends are lost, sacrifices appear pointless and at times it takes all the heroes have just to keep putting one foot in front of the other.
It’s fucking great!!! My copies of these are lovingly well-worn for good reason. I’m glad I found ebook copies to help save them even more wear and tear.
Now I’ll admit the omnibus edition doesn’t thrill me at all. Though the alterations fleshed a lot of things out it was also watered down and a lot of things were added that just flat out confused me. But it’ll probably do for you if you haven’t read the originals. If you can find the originals or individual ebooks, get ‘em! You won’t be sorry!
Prior to reading this, my experience with Gaiman’s work was limited to Good Omens, Stardust, and The Graveyard Book, so I had no idea what to expect when it came to his take on Norse mythology. It turns out his take is pretty straightforward myth retelling with some of his humor thrown in here and there. Great for bedtime stories, if murder, kidnapping, dismemberment, disembowelment, creative use of discarded body parts/bodily fluid, and occasional scatological humor make you sleepy. I personally wasn’t impressed with the potty jokes, but if Gaiman saw fit to do another volume of Norse myths, I’d still be all over it.
I read this for the Halloween Bingo 2018 Relics and Curiosities square.