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review 2017-06-10 16:50
Peasants are the real heroes...
Adam Bede - Hugh Osborne,George Eliot

That's the thing with free 'purchases' on the Kindle isn't it, one wonders 'why'? Is the offering so value-less? Even with the pedigree of George Eliot there is a temptation to look such a gift horse tentatively in the mouth. But, I needn't have worried.


Published in 1858, "Adam Bede" was the author's second novel and came more than a decade before "Middlemarch" (see previous review) and yet it turned out to be wonderfully self-assured. Set in Hayslope in Loamshire, which we learn is in the north midlands, the book focuses on a slice of nineteenth century pastoral life, but Eliot's examination of social divisions and connections across class, gender, generations, religion, wealth, etc has some powerful resonance with contemporary Britain. For example, preaching by Christian women (150 years later and still being debated!!); the moral conundrum of support for the poor; teenage pregnancy; gender inequality; and even the responsibility of powerful elites to wider society.


As the title of the book suggests, the central character is Adam Bede, who is a master carpenter and curiously in this homage to the humble working man/woman, Eliot offers a compelling antidote to the modern obsession with fame and celebrity. Indeed, the book deliberately lauds several characters of substance and I particularly liked Lisbeth Bede (Adam's doting mother), Dinah Morris (who might equally have been entitled to entitle the book, if you see what I mean) and Mrs Poyser (wife of a local farmer and a complete tartar). Each of them is made all the more praiseworthy in that they must make their respective ways without the advantages conferred by privileged upbringing. Moreover, the characters are buffeted by the twists and turns of life, but it is their capacity to 'do the right thing' in the context of their respective social codes that set them apart. What Eliot seems to be implying is that it can be very difficult to warrant the deceptively simple epithet of a 'good' man/woman and consequently they represent the best of us. Yet, they are "...reared here and there in every generation of our peasant artisans - with an inheritance of affections nurtured by a simple family life of common need and common industry, and an inheritance of of faculties trained in skilful courageous labour.....They have not had the art of getting rich, but they are men of trust, and when they die before the work is all out of them, it is as if some main screw had got loose in a machine; the master who employed them says, 'Where shall I find their like?' "

This shining of a perceptive light on the value of the industrious working class was rather more interesting to me than tiresome tales of the innately powerful and rightly elevates the author among her Victorian peers.


Curiously, at a couple of points in the book, Eliot affects a 'time-out' and proceeds to explain her approach to the story. "So I am content to tell my simple story, without trying to make things seem better than they were; dread nothing indeed but falsity.... Falsehood is so easy, truth so difficult."

This could be perceived as almost an apology for a tale steeped in realism, which might be deemed banal and yet, I found the book thoroughly absorbing. Rather, it was this signposting, explicitly leading the reader to understand an underlying theme and not trusting for it to be gleaned from the narrative that was interesting, but slightly odd.


Adam Bede is seen as quite eligible in his community and has set his cap towards local beauty Hetty Sorrel, but she in turn has come to the attention of the heir of the local squire, Captain Arthur Donnithorne. Indeed, the story deftly describes two successive love triangles, with Adam featuring in both, but these are hardly mainstays of the book. Instead, it is the strength of the 'supporting cast' that truly sets this book apart and the meshing of the various cogs in the community machine that mesmerize the reader as smoothly as the engine in a Rolls Royce Phantom. Certainly that compelling desire to know what happens, not only to Adam, but to half a dozen characters, is the hallmark of a great read. And 'love' in its many guises - romantic, familial, communal - triumphs, not in some mushy sentimental way, but as the warm oil that soothes the heat and grinding of components.


For me, the only grit in the Eliot machine was the language, which, true to form, was also kept 'real'. That is, the Loamshire dialect was written as pronounced,and slowed my reading until I got the hang of the rhythm. But, even that faint criticism had faded by the end and on reflection was absolutely right for the rural inhabitants and further separated the workers from their (not so much) 'betters'. I don't give out five stars lightly, but then my favourite shelf is fairly sparse too and yet I have placed Adam Bede there with little hesitation. 

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review 2015-12-03 00:00
Pastoral Care for Post-Traumatic Stress Disorder: Healing the Shattered Soul
Pastoral Care for Post-Traumatic Stress ... Pastoral Care for Post-Traumatic Stress Disorder: Healing the Shattered Soul - Dalene Fuller Rogers I do not like leaving negative comments, but I agree with the one other reviewer of this book who said "This book did not meet my expectations. Poorly written and fairly shallow. The one chapter I looked forward to the most, on preventing PTSD, turned out to be a silly treatise on all trauma being because of abusive males (gender issue). I understand that my focus was on military issues and the author had other things in mind, but it was still pretty weak. Not recommended."
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text 2015-04-13 03:55
Book buying spree
Being There - Dustin Hoffman,Jerzy Kosiński
Pastoral - Roger Davis,Nevil Shute
Just My Type: A Book About Fonts - Simon Garfield
Dorothy Parker Drank Here - Ellen Meister,Donna Postel

Between Daily Deals and other sales on Audible this week, I've gone on quite a shopping spree in the past few days. 

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review 2015-04-08 19:20
American Pastoral - Philip Roth

2.5 stars


I really enjoy Philip Roth short stories - and that's saying something, because overall, I generally don't like short stories. So when I got this book (thank you CZH), I was very excited to read one of his books, and a Pulitzer Prize winner, no less!


It took me weeks to get through the first few chapters. I almost gave up before the half way mark, but my rule is to get half way before I make a final decision on termination. Imagine my surprise when just before half way, perhaps 10 pages, the plot finally settles down into something I could hold onto and enjoy. Until it didn't.


This is Rabbit in an alternate universe, this time nicknamed "The Swede" with a different difficult family and troubled child(ren). I did spend a lot of time thinking about the Rabbit series and though sometimes tedious, at least it was linear and wrapped the story up.


In the future, I think I'll stick with Roth's short stories.

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review 2015-01-23 21:25
Sunset Song
Sunset Song (Canongate Classic) - Lewis Grassic Gibbon


REVISIT VIA BBC: Listen here

Description: Divided between her love of the land and the harshness of farming life, young Chris Guthrie finally decides to stay in the rural community of her childhood. Yet World War I and the changes that follow make her a widow and mock the efforts of her youth.

Episode 1/2 (1 hour): Chris is torn between the love of the land and her ambition to be a teacher.

Episode 2/2: After her father's death, Chris is determined to work the farm, alone if needs be.

watch a dramatised production. Not the best of quality but hey! who's going to be so picky at this stage. There is, allegedly, a new film in production as we speak.

PAPER READ: fireside, sipping scotch and toasting Rabbie Burns.

Edited with an introduction by Tom Crawford. Map of Kinraddie

Dedication: To Jean Baxter

Arbuthnott is the real Kinraddie

Opening - KINRADDIE lands had been won by a Norman childe, Cospatric de Gondeshil, in the days of William de Lyon, when gryphons and such-like beasts still roamed the Scots countryside and folk would waken in their beds to hear the children screaming, with a great wolf-beast, come through the hide window, tearing at their throats.

Dunnottar Castle.

I know there are many historical-fictionistas out there who dislike dialects and there is a further modernist warning:

Gibbon's style is one of the great achievements of the trilogy and should be seen in relation to Scottish forerunners like John Galt as well as in the context of modernist innovators such as James Joyce, Gertrude Stein and William Faulkner (Tom Crawford, Canongate Books)
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