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review 2017-09-24 07:23
Ode to momentous summers
Dandelion Wine - Ray Bradbury

*pleased sigh* So gorgeous.

 

Dandelion Wine is a beautiful, whimsical love letter to those memories of summer that are so vivid, so powerful, we can feel the baking sun, the weight and smell of the air, the joy and lassitude when we recall them.

 

It goes from one episode to the next fluidly and with little warning, connecting and weaving them. Add in Bradbury's style and the result is a bit like dreams, a bit like memories, introspective, nostalgic and at points philosophical.

 

There were episodes to pull every shade of emotion, and I loved so many of them I'd have serious trouble picking a favorite. Grandma's cooking made me so hungry and also miss my grandfather very much. Colonel's Freeleigh's bits and John's departure made me tear a bit. I laughed out loud with the witch debacle. Lavinia's had me switch between cheering on and wanting to thump her, and scared me quite a bit. And the lime-vanilla ice-cream one! So many tangled feels!

 

It was an excellent read to savor, and one I'll revisit.

 

 

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text 2017-09-22 07:56
Using sales to segregate good writers from bad - and save the e-book industry

According to Michael Kozlowski, Editor in Chief of Good e-Reader, the leading news website devoted to digital publishing, e-books, and e-reader news I'm a bad writer.

 

How does he come to that conclusion? In his own words, "You are only considered a real author if you can make your living solely from the book sales. If you can’t, you are merely a writer... the industry needs to define the good writers from the bad. The primary way we can do this is by sales figures; if authors make their living from publishing, they are often considered good writers.  Once we can define a good writer from a bad, we can start to segregate them."

 

Which brings us to another of his suggestions, segregating self-published books according to sales.

 

"My suggestion is for all major online bookstores that take submitted indie content to create their own sections for self-published writers. These titles should not be listed side by side with the traditional press.  Indie titles should have their own dedicated sections until such time as they reach a certain threshold in sales. Once they can attain an arbitrary sales milestone, they are drafted to the big leagues and listed in the main bookstore."

 

Why, you ask, does Kozlowski think this is necessary?

 

"There are a copious number of online self-publishing companies that promise aspiring authors the opportunity to distribute their e-book all over the world. Millions of authors publish with Amazon Kindle Direct Publishing, Draft2Digital, Kobo Writing Life, Nook Press and Smashwords. Most “authors” who self-publish an e-book never sell more than a handful and over seventy-five percent of all authors never earn a living through their writing."

 

And the result of this plethora of self-published dreck (my word) is that "We live in a world full of terrible e-book titles that ruin e-book discovery and make it difficult to find a good book. It is no small wonder why e-book sales have plummeted in recent years."

 

The comments on Kozlowski's blog https://goodereader.com/blog/author/michael-kozlowski on this topic are mostly specious in that they don't respond to the problem he's addressing. They range from outright denial to dismissing his ideas because there's a typo in his text.

 

As one who actually reads and reviews the work of unknown, randomly selected indie authors I'd have to agree with his assessment and his solution.

 

When I decided to write fiction about ten years ago I had about forty years of journalism as a formative base. But even though I'd written hundreds of thousands of words up to that point it, fiction was a different style of writing. To learn how to write fiction I attended writer's groups, joined online critique sites and read dozens of books and I continue to do so.

 

Writing fiction is a craft and it can be learned and mastered, to some degree, by learning the fundamentals and then practicing - a lot. It's evident that the vast majority of the indie authors I've read haven't even bothered to learn the basics and have spent no where near enough time practicing.

 

As Kozlowski says "Indie titles have no quality and control, often they are merely submitting a Word document to Amazon and clicking publish."

 

Kozlowski's not suggesting all self-published books are crap and all traditionally published books are classics, just that "there is some expectation of quality" in reading a traditionally published book", and that's definitely not the case with reading a self-published work.

 

From the beginning of my venture into writing and publishing fiction it became apparent to me the only way to measure success was with book sales. This is an industry of illusion and delusion and the majority those involved are, as Kozlowski suggested, subject to the Dunning-Kruger Effect.

 

“Unskilled individuals that suffer from illusory superiority, mistakenly rating their ability much higher than is accurate. This bias is attributed to a metacognitive inability of the unskilled to recognize their ineptitude.”

 

I have come to accept that I am "inept" until my book sales prove otherwise.

 

Accordingly, I'm prepared to have all my books segregated in "dedicated sections until such time as they reach a certain threshold in sales. Once they can attain an arbitrary sales milestone, they are drafted to the big leagues and listed in the main bookstore."

 

I'm sure there will be very good books that never attain that threshold (mine?) and I'm just as sure there will be those who, rather than hone their craft to the point they can write a good book, will find ways of attaining that threshold fraudulently.

 

However, this is a solution I am prepared to considered in hopes "the cream might rise to the top".

 

If Kozlowski's is right that by 2020, fifty percent of all digital books will be written by indie authors and that will account for 25,000 new titles a month being submitted to online bookstores than something, indeed, has to be done.

 

  1. And just how many books would you need to sell to meet the threshold and advance to "the majors"?

Amazon has author and sales ranking graphs that are updated hourly. On Sept. 5, 2017, someone purchased one (1) e-book edition of my novel Saving Spirit Bear. That single sale boosted the novel's ranking from 8,787,432 to 201,692 an increase of 8,585,740 points. My author ranking subsequently increased 582,673 points from 825,278 to 242,605.

What do these numbers mean? I'd say a few sales a month and an indie author would be among the top 100,000 selling authors on Amazon. Would that get you into "the majors"?

Who cares, you'd still be making peanuts.

 

 

Stay calm, be brave, watch for the signs.

30

 

 

Find reviews, blurbs and buy links to my eight novels and two plays at

https://www.amazon.com/-/e/B003DS6LEU

 

Facebook for writing news, my experience as a writer as well as promotions, contests, and discounts regarding my books

https://www.facebook.com/profile.php?id=100013287676486&fref=comp

 

Video book reviews of self-published authors now at

Not Your Family, Not Your Friend Video Book Reviews: https://www.youtube.com/channel/UCH45n8K4BVmT248LBTpfARQ

 

Cover Art of books by self-published authors at

https://www.pinterest.com/rod_raglin/rod-raglins-reviews-cover-art/

 

More of my original photographs can be viewed, purchased, and shipped to you as GREETING CARDS; matted, laminated, mounted, framed, or canvas PRINTS; and POSTERS. Go to: http://www.redbubble.com/people/rodraglin

 

View my flickr photostream at https://www.flickr.com/photos/78791029@N04/

 

Or, My YouTube channel if you prefer photo videos accompanied by classical music

https://www.youtube.com/channel/UCsQVBxJZ7eXkvZmxCm2wRYA

 

 

 

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review 2017-09-17 00:42
In the Woods
In the Woods - Tana French

This book was really long and left me feeling cheated. It is difficult to explain why without spoilers and I don´t want to do that. I was really drawn in by the initial story about the three kids that went into the woods and only one was ever found. I was intrigued by the potential for the new case to be related to the old one. I found myself wondering how anyone, especially a murder detective, could be so dumb, moody, and odd. I stayed up all night to finish the book only to be annoyed with the ending.  Will I read more in the series?  I´m still on the fence about that.  Maybe I´ll try one more, after I´ve forgiven the author......if I do.

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review 2017-09-15 05:19
Wholeness, duality, I and Thou
The Left Hand of Darkness - Ursula K. Le Guin

I did not want this to end. I feel a bit bereft, and very emotional, and somewhat fragile (even if Rokkanon's World had prepared me for the possibility). And in awe. Dazzled in awe of how Le Guin can weave this beautiful settings to address concepts, limitations, canons of society, give them new perspectives and lead into discussions well before their time.

 

She did warn in a way, in that introduction. Because, it might be that I had late access to the Internet, and so was somewhat cut out from the world-dialogue, but it looks to me that talk of gradients and varieties of sex and sexuality (beyond the ever polemical homosexual, bisexual or trans-gender, and those as isolated phenomenons at that), is pretty recent. Yet here it is, served as a "fait acompli" in the form of a world where gender has always been a fluid thing, when it's even a thing, and the protagonist just has to deal, get over and past it, once and for all. Let me tell you, I had some fun mocking the MC over his inability to accept, because at some point, it annoyed me. Which is exactly the point of the book, I think.

 

Tied to that, all the issues of friendship, love, miss/understanding, acceptance, and what have you, in an epic sprinkled with back-ground myths and wrapped up in a sci-fi package. And by all the literary muses, I loved it.

 

 

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