Wrong email address or username
Wrong email address or username
Incorrect verification code
back to top
Search tags: Willing-Captive
Load new posts () and activity
Like Reblog Comment
url 2017-06-06 07:37
The Lord’s Captive by Cecelia Mecca
The Lord's Captive - Cecelia Mecca
TITLE: The Lord’s Captive
AUTHOR: Cecelia Mecca
He captured her for revenge. She stole his heart in return.
The Lord
Sir Bryce Waryn has dreamed for years about the day when he will finally liberate his home from the Scots who killed his parents and stole his brother’s birth right. Now that day is finally upon him, only his brother has abdicated the title of lord of Bristol Manor to him. Bryce should be celebrating, but something unexpected stands in his way—the sister of the Scot who held Bristol. In the chaos of the raid, Lady Catrina Kerr was injured and left behind. Bryce takes her captive, hoping to exact an even more satisfying revenge from his enemy. Except the fiery beauty is far more compelling than he would like…
The Captive
Raised by three elder brothers, Lady Catrina Kerr knows a thing or two about stubborn men. But Bryce is more strong-willed than all of her brothers combined. He’s also maddeningly handsome, brave, and kind—but no matter how compelling her captor, she’s intent on escaping him. Only then will she be able to protect her brothers. But as Bryce’s plan escalates and her feelings for him intensify, she finds herself facing an unthinkable choice between her family and the man who has captured her heart.
Northumbria, England, 1271      
Sir Bryce Waryn wanted to rejoice, but the sight of his childhood home in partial ruins overshadowed his victory. The stench of battle hung in the air.
“What ails you, brother?”
Geoffrey, two years his senior, often treated him like a child.
Not today.
“This.” He gestured to the carnage in front of them. “I fear it will never end.”
They watched as a body was removed from the hall of Pele Tower, the center of activity at Bristol Manor.
“I wish I could disagree. Are you sure you want to inherit this mess?”
Bryce ignored Geoffrey’s question. “Come with me.” He had no destination in mind—only the urgent need to escape the smell. His brother nodded, and together they walked through the aftermath of a raid five years in the making.
The battle had started as the sun rose and ended before mid-morn. Thanks to his brother’s men, they’d overwhelmed the usurpers quickly, and they’d spent the better part of the day assessing the damages. Their losses could have been much worse.
Yes, he wanted to inherit Bristol Manor. Its proximity to the Scottish border guaranteed turmoil for years to come. But it was their home, and home meant something.
Although it should have been his brother’s inheritance. As a feudal barony, the title was tied to the land. Now that Bristol was theirs once again, the title was his brother’s by rights. But Geoffrey had already bequeathed the manor to him.
“I do,” he said to Geoffrey. “Though it’s an honor I don’t deserve.”
Geoffrey rolled his eyes. “We’ve been through this, Bryce. My home is with Sara, in Kenshire. Besides, I’m not doing you any favors here,” he added, gesturing to the brutality all around them.
New grass attempted to peek through the dirty brown snow of the courtyard. It was a small bit of pleasantness, that bright green. Still, he could not deny the manor was very different from his memories.
“You do know we won the battle?” Sir Hugh Blakeslee, their uncle, walked toward them with purpose. His black hair was sprinkled with grey, but though he was past his prime, Hugh still towered over most of the other men scurrying around the courtyard to dispose of the dead.
Bryce let his more talkative brother answer.
“We wonder how soon the counterattack will come. You know as well as I do, peace is unlikely at Bristol.”
Bryce handed his broadsword to his brother’s squire, a young boy who had begged to take part in the battle. The squire doted on his brother, much as Bryce himself had done when they were children. Neither of the brothers had wished to see the boy hurt, but they’d reluctantly agreed to his request, and Reginald had held his own in the battle. They were both proud of the lad.
He turned his attention to Hugh. “Much needs to be done here. Uncle, I’ve no right to ask you this. You’re newly wed. But—”
“My wife understands I’m needed at Bristol until it is fortified once again.”
“I’ll send word to Faye that you’ll be staying with us,” Geoffrey said.
“No,” Bryce said. “Not us.”
Both men turned looked at him. Bryce’s eyes narrowed.
“I promised your wife you’d return, unharmed, and by God, you’ll do just that,” he told his brother. “I’ve no wish to incur the wrath of Lady Sara. If not for your knights of Kenshire and the men Lord William sent, we would never have seen this day.” For years they had lacked the manpower to take back Bristol. Now they had enough men to secure both the manor and the surrounding area.
“You’ll need help to secure and restore Bristol,” Geoffrey insisted.
“Aye, and I have help. Hugh will stay, and I plan to ask Thomas to take a permanent position here. You’re needed at Kenshire.” Bryce looked back and forth between two sets of eyes that matched his own, startling blue and unflinching. His brother had the uncanny and singular ability to make him break eye contact.
Yet he would not back down, both for the reasons he had given Geoffrey and for others he didn’t wish to share.
“If you wish.” Geoffrey gripped his arm. “I’m proud of you.”
His chest constricted, but the feeling did not have time to take root. Geoffrey had already turned away to say something to their uncle.
Five years they’d sought their revenge. The Scots who’d invaded their home and killed their parents were finally defeated. Driven out. But now that the day of reckoning had arrived, Bryce felt unexpectedly devoid of emotion. He stared at the building in front of them, an old tower at the center of the manor. From the outside, it looked the same.
He’d balled his fists in anger when they went inside earlier. The manor’s decorative features were now distinctly Scottish. He would rectify that immediately.
“Excuse me, Uncle. Brother.”
Walking through the courtyard, Bryce surveyed his land as he looked for his steward. Or the man he hoped would be his steward.
Built on river basin two days’ ride from the border, Bristol Manor had started as nothing more than a single defense tower and an attached hall. Though it was still no grand castle like the one Geoffrey now occupied, it was a handsome stone structure that had been improved enough throughout the years to make it worth capturing. Surrounded by a curtain wall, an addition courtesy of Bryce’s father, it was large enough to house the men who’d fought for them that day, but not many more. Bryce’s father had also added the buildings he now passed, including the solar block, storerooms, and stable.
Finding his right-hand man in the courtyard was easy, for Thomas’s long brown hair and beard made him appear as wild as the bears they had hunted as boys. Bryce, on the other hand, shaved nearly every day. It was a habit from his days as a squire, one of the many quirks he acquired at Huntington.
Although they had height in common, their resemblance stopped there.
Thomas clapped him on the shoulder in greeting. “So grim for such a great victory. We lost just one man and Bristol is yours again.”
“We’ll celebrate once we’ve secured the area and stripped it of the Kerr stench. The hall reeks of Scots.”
“We can be sure it’s not you.” Thomas leaned in as if to smell him. “I’ve yet to meet a maid that bathes as much.”       
Thomas didn’t have a serious thought in his head. Bryce gave him a look that said as much.
“Very well.” Thomas abruptly stopped smiling, drew his bushy eyebrows together, and gave him such a deliberately serious look it almost made him laugh.
“Any news?” Before the raid ended that morning, he’d charged Thomas with scouting the area beyond Bristol in every direction.
“Aye,” Thomas said, finally offering some useful information. “Most of the men have returned save those who were sent north. The village is secure, and there are no signs of Clan Kerr to the east or west.
Bryce frowned, and he watched Thomas’s easygoing grin transformed into a scowl that matched his own. He knew without asking that they were entertaining the same thought. In all likelihood, the usurpers had fled north, toward the holes from which they’d crawled in the first place. Which meant some ill fate might have befallen their men.
“The scouts should have returned by now,” said Bryce.
“Most of that group are from Kenshire,” Thomas offered. “Perhaps they’re unused to the terrain?”
Both men looked in the direction the scouting party would have traveled. The lush, flat land where they stood gave way to rolling hills. From this distance, with spring finally upon them, the rising slopes appeared green and smooth. The terrain appeared ideally suited for an afternoon ride, but Bryce knew the reality of those mountains from experience. Only borderers could appreciate the stark contrast that was Northern England. One day’s ride could offer wide-open fields, roaring rivers, and treacherous inclines which taxed all but the heartiest of steeds bred for such terrain.
“Thomas.” Bryce put aside the thought of potential trouble to the north for a moment. Steeling himself for the possibility his friend would deny him, he said, “Will you stay on at Bristol Manor as its steward? I can offer continued raids, battles with our Scottish neighbors, and very likely retribution from Clan Kerr.” He wished he were exaggerating.
The large knight gestured to the mostly muddy courtyard of the manor they had fought to reclaim.
“So tempting.” His trademark grin returned. “It would be my honor. Mayhap I can even coax a smile from the Slayer as Bristol’s new steward.”
Thomas knew he despised that nickname, which was exactly why he’d used it. Unfortunately, it was not a comment on Bryce’s battle prowess, as it sounded, but on his effect on women.
“Maybe not,” Thomas said.
“When you’re done joking, can you alert Geoffrey and Hugh? I’m going to find the search party.” He sensed Thomas’s displeasure but knew his new steward wouldn’t attempt to dissuade him.
“You’ll take men with you?” Thomas asked.
It appeared they may have started celebrating too soon.
Purchase Link
About the Author
Cecelia Mecca is the author of medieval romance.
A former English teacher, Cecelia combines two of her passions, romance novels and the middle ages, in debut novel The Thief’s Countess. Combining alpha male types and strong female heroines, Cecelia transports readers to an admittedly romanticized time of knights and castles.
After reading Johanna Lindsey and Judith McNaught, she started a manuscript twenty years ago when medieval romance was at its height of mainstream popularity. Picking it back up in 2015 when vampires and highlanders reigned supreme, Cecelia stuck to the genre she loved and brought medieval England back to life.
She lives in Northeast, Pennsylvania with her husband and two young children where she can be found either planning a Disney trip, watching period dramas or convincing her children to watch Star Wars. She is firmly House Stark and Gryffindor.

Cecelia Mecca On Social Media: 

Border Series
The Ward’s Bride: Prequel Novella, February 27, 2017
The Thief’s Countess: Book 1, March 3, 2017
The Lord’s Captive, Book 2, June 6, 2017
Border Series Book 3, Fall 2017


Source: www.amazon.com/Lords-Captive-Border-Book/dp/1946510041/ref=sr_1_1?ie=UTF8&qid=1495994359&sr=8-1&keywords=The+Lord%27s+Captive++by+Cecelia+Mecca
Like Reblog Comment
show activity (+)
review 2016-08-29 23:09
The Captive Heart
The Captive Heart - Michelle Griep


Title: The Captive Heart
Author: Michelle Griep
Publisher: Barbour Publishing
Reviewed By: Arlena Dean
Rating: Five

"The Captive Heart" by Michelle Griep

My Thoughts.....

What a interesting and captivating frontier read with its setting in 1770's South Carolina colonies before the Revolutionary War where the settlers had to 'honor the crown or be punished.' This author really knows how to keep the readers attention with there being so much going on in this well written story from the very first chapter to the end presenting never a dull moment. The reader can see that there was a lots of research done in this read as we learn a lots about the 'Cherokee culture.' Be ready for a little bit of it all from 'much sorrow, redemption to love.' This heroine Eleanor really had to learn to adapt to it all...even from having a 'marriage of convenience' after she had to flee from England. Truly what she had to go through was simply horrible and to now have to marry someone she knew nothing about due to survival. Now, the hero Samuel was a 'backwoodsman, a trapper, half Native American' and I found it so interesting how this author brings this all out to the heroine who had no idea who he was other than being told that he was a murderer. Now, what was up with all of that? I won't give it away other than to say you will have to pick up the good read and see how well this author will present it all to the reader. It is one amazing plot that I did enjoy reading. If I had any thing I didn't care for was that the heroine at times got on my last nerve because she didn't care to take instruction especially from her husband which did make life somewhat hard at the time. I found the characters were well developed, well portrayed and believable giving the reader a good story with heartache, emotions, even some romantic tension and less not leave out all the danger that seemed to be all around every corner. I did also enjoy how this author presented the christian aspect that was presented with the many prayers that went up by the heroine and hero. After all the misunderstands that will do on will these two finally get their HEA? Well, you will have to pick up this read to see.

So, if you are looking for a good historical fiction read with lots of adventure then I would definitely recommend "The Captive Heart' to you as a good read.

I received the novel from NetGallery in return for my honest opinion.

Like Reblog Comment
show activity (+)
url 2016-03-31 03:04
5 Fantasy Authors I Fangirl Over

 I’ve talked on and on before about how fantasy is my favorite genre. I’m more likely to be drawn into reading a fantasy novel than any other, and some fantasy novels have inspired me as a writer too. Yes, I like to write. I’m a writer and a reader and a blogger. For the five authors I fangirl over, some of the commonalities include: a.) character-oriented fantasy; b.) mostly third-person narratives; c.) plots that go beyond the ‘lost prince trying to reclaim throne’ type; d.) complicated characters, plots, everything. And of course, the fact that I feel like my mind is getting bigger while reading their books.


I think that one of the most interesting things about Kristin Cashore’s Seven Kingdoms series is that they’re all so different in terms of plot, though they’re all high-concept works that go waaaaay beyond their simple description (“a young queen must help her country heal after the destructive reign of her psychotic father” could describe Bitterblue but doesn’t get at any of the novel’s complexities). Probably the simplest, most typical coming-of-age of her books is Graceling, but that was her debut novel, and I think that ever since then, she’s been working on adding more and more complexity into her works. For me, she was the first author I’d read in YA fantasy who was also very much writing character-oriented fantasy. After reading her work, I feel like I can’t go back. I can’t read much plot-based fantasy—they’ll never be my favorites compared to the ones that put character first. The ones where the questions and themes and symbols of the series are embedded into the characters—and yeah, plot-based fantasies can do this, but comparatively, it’s a lot harder to add in the same level of complexity into the characters compared to the actual events of the plot. Kristin Cashore is the YA fantasy author who also gets mentioned in almost every YA fantasy comparison (“Graceling meets XYZ”; “For fans of Kristin Cashore”), and that’s for good reason.


I’ve basically already fangirled hard over The Queen’s Thief series by Megan Whalen Turner. If you follow that link, you’ll get the full sphiel on why I loooooove that series and fangirl over MWT in full, but for now… If I learned how to write high-concept character-oriented high fantasy from Kristin Cashore, I would learn how to write a high fantasy centered on a character that’s like a living legend from Megan Whalen Turner. (If this sounds familiar, that’s because Sarah J. Maas, among many others, was inspired by the Queen’s Thief series). I also think that of all the authors here, MWT probably has the *most* layered into each scene of her books, particularly as you go further into the series. The most in the sense that no scene will ever be just what it is on the surface; you might have a scene where a guard is confronting his peer, but there’s a lot more meaning embedded into the narrative and particularly how that scene contributes to making the main character, Eugenides, even more of a living legend. Yet, for all that the series shows his change in fortune, it never once fails to humanize him. Many fantasies alternative PoVs within a book so that you can relate to different characters; the Queen’s Thief series shows that you don’t need to do that to give a character complexity, but the choice of PoV and what that perspective adds are definitely questions to ask. We don’t always get the main character’s point of view, and he’s not always the main character of the book in question, but there’s no doubt that each book is adding to his character arc and that is the major one tied to the series arc.


C.S. Pacat is not a YA fantasy author as of this moment. The Captive Prince trilogy is very much meant for mature readers (but I listened to an interview with her and it sounds like she might be writing a YA fantasy right now—so maybe we’ll hear more from her in the future). I first learned about the Captive Prince trilogy from Emily May at the Book Geek; I was intrigued, but I wasn’t sure if I should add onto my TBR—especially given its heavy sexual violence. Then Sarah J. Maas recommended the books, and my feed was full of the books again. So I decided to read the beginning, and I got hooked by the promise of the characters. As this article on the Female Gaze explains, one of the crucial elements in her books is this shifting of the default to homonormative. In her world, people shudder so much at the idea of bastard children that most relationships are with the same sex. And it got me thinking about how most fantasy novels, and novels in general, fail “to realistically portray sexual dynamics that do not exist in response and relation to traditional heterosexual relationships.” (The article goes over much more than that). C.S. Pacat has written novels where the default has shifted and made me consider—well, hey, why don’t more novels do this? This is something to always keep in mind while world-building. Plus, she’s ALSO amazing at adding in many layers to each scene and creating complex, multi-layered characters; they have a certain vitality, to the point where despite not knowing what Laurent would plan next or what other comradery scenes would come next for the army, I can picture the characters.


Maggie is the most different of the authors on this list because I wouldn’t technically call her work high fantasy (though if The Scorpio Races is on a fictional island and the society is different from ours with its water horses, why can't it be called high fantasy? finally high fantasy that doesn't equate to medieval patriarchal times...). Regardless, if C.S. Pacat has taught me about the defaults in world-building and characterization, Kristin Cashore about high-concept character-oriented high fantasy, and Megan Whalen Turner about layered plotting centered around a living legend, Maggie taught me the importance of atmosphere, of mood and feeling within a scene, and how those can work to achieve characterization in conjunction with the other elements I've mentioned. Maggie has talked about how she likes to think about her writing as 'moving stuff around in a reader's brain',' which creates a specific effect for each scene (and also each image for her characters). And reading the Raven Cycle, I feel that magic is real. I feel like I'm with her characters, experiencing the wonder of the forest, the creepy delight of trees speaking in Latin. That's a rare gift to find in a lot of fantasies, which prize political intrigue over readers being in the moment with the character.


Finally, Marie Rutkoksi is a mastermind when it comes to introducing symbols within each scene. In The Winner's Curse, Kestrel agrees to something her father says, and he pats her cheek with his dirty hand. That dirty handprint is a wonderful symbol -- for the characters and modern associations. We might think of a "devil's bargain" caked onto Kestrel's face. Her father working with dirt, with his weathered hands; Kestrel wandering around the house, so focused on finding Arin that she doesn't look to see if there's dirt on her face -- so much to be said about the characters. It's just such a strong image! It stayed with me for a long time. And feeling like you're trapped in, marked so strongly by something you agreed to -- I as a reader can really relate to that feeling. In The Winner's Crime, Kestrel is eating desert with a sugar spoon during her dinner with a certain character (maybe the first chapter?). A sugar spoon, specially made, speaks to the luxury of her dining companion and his staff, the amusement and terrible waste of making a spoon that you can only ever use *once*. It also brings to mind the modern phrase of 'eating out of a silver spoon' -- except that this token of privilege is made of sugar. Still, it characterizes Kestrel well, and sets a dark foreboding tone for the rest of novel, given its place at the beginning. The spoon tastes sweet at the beginning but then by the end of the meal, it has dissolved into nothing (which, btw, matches really well with what Kestrel says at the end, no?). And note: those were only 2 images! One for each book! There are so, so many more in The Winner's trilogy.

All of these authors do amazing things with their novels. If you're a writer, especially a fantasy writer, I'd suggest reading their works for yourself to see how they've manipulated these different elements. If you're a reader who doesn't like to write, well, I'd still suggest reading these authors's works because they're brilliant. Are any of these authors among your favorites? Who do you fangirl over, and whose work makes for good lesson material for writers?

Like Reblog Comment
show activity (+)
review 2014-10-27 22:07
Destiny's Captive
Destiny's Captive - Beverly Jenkins


Title: Destiny's Captive
Author: Beverly Jenkins
Publisher: Avon Books
Reviewed By: Arlena Dean
Rating: 4.5

"Destiny's Captive" by Beverly Jenkins...

Book Description....

"In national bestselling author Beverly Jenkins' Destiny series, the Yates men play hard and live hard. And when they find that special woman, they fall hard . . .

Noah Yates fully believes in the joys of a happy family and a good wife. But that's not the life for him. No, he would much rather sail the wild seas in search of adventure, not tied down. But then the unthinkable happens . . . he finds himself literally tied down. To a bed. By a woman.

And Pilar isn't just an ordinary woman. She's descended from pirates. And after giving him one of the worst nights of his life, she steals his ship! Now Noah is on the hunt, and he'll stop at nothing to find this extraordinary woman . . . and make her his."

What I liked about this novel....

I thought "Destiny's Captive" was a very interesting historical romance and is a series # 3. This was definitely one read that will keep your attention because there will be a lots going on as this author gives the reader a wonderful well written read. If you are into adventure and pirates...a good romance you have come to the right place for a interesting read all the way to the end. Be prepare for a read of sweet romance that will be encased with some real interesting secrets in 1870's in this setting from ventures in Cuba, Florida and California.

This story had a very interesting plot where I did find it somewhat confusing to me through some of the reads but from some of the twist and turns with few secrets that did came to light did kept me reading. I was glad I did continue to read because after a while I did start to enjoy the flow of the read.

What I especially liked about the novel....

The heroine Pilar was a very interesting character being well developed...so likable and being strong showing her doubting kindness, however she wasn't just any women..."she steals a ship". Then there was the hero Noah who had a real dark side but when it came to Pilar he was so taken with her.

Truly these two were perfect for each other with some real hot steamy scenes. Now, to get the whole story of how these two hooked up I would say to pickup "Destiny's Captive" to see how it is presented to the reader. Would I recommend...Yes, however it may be a good idea to read the first two series because I think there will be a good connection to the read in doing so.

Here is a little summary of The Destiny Series:

"This new three book series set in 1880s California, introduces ranch owner Alanza Yates and her three sons: Logan, Andrew and Noah. Destiny’s Embrace is the story of Logan and his housekeeper Mariah. The second book Destiny’s Surrender, also scheduled for a 2013 publication centers on middle brother Andrew and his very non-traditional heroine Whilemina (Billie) Wells. [...] The third in the series - Noah’s book will follow in 2014" which is the novel review above: "Destiny's Captive."
Like Reblog Comment
show activity (+)
url 2014-03-30 05:28
Captive Prince vs Nalini Singh

This is the tough one. Nalini Singh is VERY popular. And het. So that's a bigger genre for sure. But if we win, Freece has promised us a portrait of Laurent done by the artists of Teahouse!


You can vote until midday CST.




You can vote on all your wireless devices.

More posts
Your Dashboard view:
Need help?