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text 2019-11-07 06:10
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text 2019-06-04 13:14
Hugo: Best Graphic Story
Abbott - Saladin Ahmed,Sami Kivela,Jason Wordie
Black Panther: Long Live the King - Nnedi Okorafor
Monstress, No. 3 - Sana Takeda,Marjorie M. Liu
Paper Girls Volume 4 - Brian K Vaughan
Saga Volume 9 - Fiona Staples,Brian K. Vaughan

So I started reading them yesterday and I'm mostly done.  On a sunbeam is a web comic (I can't link from work) and I'm making my way through it, I've read the first few episodes and find it interesting.

 

Again it was hard to choose within an interesting bunch, my favourite was Abbott, ranking the rest was hard.  

Eventually I just decided an order but it was work.

 

Abbott features a female investigative journalist who can see more than she wants to at scenes and a series of grotesque murders.  Stands alone and leaves room for sequels.

 

Black Panther: Long Live the King - Black Panther at home in Wakanda fighting a creature that is destabilising the country.

 

Monstress: Volume 3: Haven - this is so pretty, the artwork is very special and the story winds around and keeps me reading.  You need to have read the previous two books before this.

 

On a Sunbeam is a story of some people travelling around in a spaceship exploring buildings along with some exploration of the past of some of the characters.   Unusual and interesting.

 

Paper Girls - Volume 4 - this one really needed that I read the rest before embarking on it, lost doesn't quite describe it enough.

 

Saga - Volume 9 - I've read the previous stories, the artwork is lush and the story interesting, now I want to know what's going to happen next.

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review 2019-04-28 21:06
Internment
Internment - Samira Ahmed

[I received a copy of this book through NetGalley, in exchange for an honest review.]

The theme of this book was definitely scary, in that it’s not something that can never happen—it has happened in the past already, and anyone who’s studied history a little, and/or gotten interested in studying extremist movements, will know very well that even an apparently “balanced” society can give way to extreme rules, to persecuting people, and to turning your average citizen into an “I was just doing my job” person.

The story echoes the internment of many Japanese-descent American citizens during World War II, often considered as “enemies of the nation” and interned as “potential dangers”. There is no World War here, “only” the aftermath of 9/11 and growing fears of terrorism, with people being so afraid of a fringe of Muslim people that they lump all Muslims in the same basket, starting with a religion census, then moving to curfews and the burning of books. Also, the parallels drawn with early 21st century US politics are obvious (although this is not limited to the USA)... perhaps a little too much. Which leads me to what was my main beef with the book: it makes everything too obvious.

Don’t mistake me: the message IS really important, and there’s no way any decent society should let something like this happen (again). However, I often found that it was hammered through and through, and that overall, more subtlety, and a more mature treatment of it all, would’ve been welcome. It’s a little as if too much repetition, too much obviousness, weakened the message by making it tiresome, in a way. (I’m not sure if I’m explaining myself very well here. It was difficult to properly put my finger on what had been nagging me throughout my reading.)

A few other things annoyed me, too. The writing itself was fairly simplistic, with Layla’s thoughts often circling around the same things (like her boyfriend), and in general, there wasn’t really any explanation about how things came to be. I could fill in some blanks because I know my history, but more background details about the escalation of Islamophobia leading to the internment camps would’ve been great (and would’ve helped to strengthen the message)—just like it would’ve been good to see more chemistry when relationships were involved. For instance, Layla and David: we don’t get to see them together enough in the beginning to get a feeling for their relationship, and this makes it hard to really empathise with their obsession to see each other (even though doing so endangers pretty much everyone: David, Layla, his family, her family, the people who help them…).

The same goes for those people who are on the Muslims’ side: with everyone at the camp cut from the outside world, with no real news, no phones, no internet allowed, whatever happens outside is learnt through third parties. We don’t really -see- those reactions, we don’t get to read the texts that Layla manages to smuggle outside and that inspire people, etc. And most characters’ motivations are never really explored. Why is the Director such a cartoonish villain? What motivates the guards who try to help? What motivates (or threatens) the minders turned traitors to their people?

The ending, too, was… conveniently simple. And got rid of one specific plot point that otherwise would’ve needed more explanation. That was very predictable… and very frustrating.

Conclusion: I definitely agree with the message here, but as a novel, it didn’t really work for me.

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review 2019-03-21 20:52
So I'm gonna share a person story on why I'm not crazy about this...
Miles Morales: Spider-Man (2018-) #1 - Saladin Ahmed,Javier Garron,Brian Stelfreeze

Before Black Bolt, the author, worried by something political that got an artists fired, said his comics wouldn't be political.   Sweet!   Especially since Christians and Jews were targeted by an artist, particularly Jews. 

 

The author is also palestinian.   Which makes me nervous because the standard lefty views - and yes, the immigration politics in this are lefty - is that Jews should not be allowed to raise their hands in self-defense, especially against palestinians.   Ignore everything, especially the open calls to murder all Jews, from the palestinian leaders, ignore the many murders commited by palestinian terrorists, don't defend yourself. And so I have no safe place: lefty politics in my comics may mean this subtle antisemitism creeping in, and so I refuse to continue with this series if it insists on being political.   I refuse to give money to someone who complains when Jews defend themselves, ignoring the violence against them by his own people. 

 

I found the storyline decent other than the anxiety provoking aspect of worrying about lefty palestinian politics creeping into Spider-Man, and the art was meh for me, so thus the low rating.  I got this for free as a Marvel Insider - you get points for things, and can get free digital comics with your points - otherwise I wouldn't have read this at all. 

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review 2018-12-17 10:37
Hemingwayesque Style: "Frankenstein in Baghdad" by Ahmed Saadawi
Frankenstein in Baghdad: A Novel - Ahmed Saadawi



Finished Ahmed Saadawi's "Frankenstein in Baghdad." It’s worth contrasting with Shelley's Frankenstein. Shelley writes about Frankenstein's misuse of Science, i.e., galvanism, in creating an ultimately vengeful Creature, existing primarily in a Romantic world of wild nature, the background of which is the setting for the novel. Saadawi's Frankenstein in Baghdad, OTOH, is set in an urban hell of murders, car bombings, massacres and various varieties of sectarian warfare.

 

 

If you're into stuff like this, you can read the full review.

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