I'm a little wary of multi-author narratives in print, which is a little goofy, considering that this is basically how all television is scripted. I love me some television, but, of course, it must be said that the strength of the singular vision -- the showrunner or creator -- is a huge factor in whether any given show is successful. (Successful to me, anyway; I'm not talking folding green. That's a whole other thing.) But I've been burned with uneven and unsatisfying multi-author novels before, so. I picked this is up because I've been slow-burning my way through Max Gladstone's Craft sequence. Maybe his name is top of the marquee because he's the best known of the writers, but I suspect not. This has his fingermarks on it, narratively speaking -- from the baroque murder mystery plotting to the strange other gods and devils.
But even if Gladstone wasn't the showrunner, if you will, whoever it was did an excellent job. I greatly enjoyed Bookburners, even despite my prejudice.. I felt like it overcame the lumpiness of multi-author novels I've read through what must have been good editorial control, which nevertheless allowed the individual writers to show off their specific style. Each section is episodic like television, with a mini-arc that has its own satisfaction. Sometimes the episodes were more mythology heavy, and that's fun too. The possibilities of the premise are no where near exhausted by the end, which is also a plus, given how many television shows / series / trilogies / whatever should be strangled after the first outing. How many Matrix movies are there, for example? Want to talk about season 2 of Heroes? or Lost?
Anyway, much fun was had by me.