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review 2018-03-19 20:35
Unputdownable! – In The Dark by Chris Patchell @chris_patchell
In the Dark - Chris Patchell


In the Dark

Amazon Audible  /  Goodreads





In The Dark by Chris Patchell starts out with terror and a sense of wrongness from the opening pages, but I was hooked by the fabulous cover. I love stories that are filled with suspense and the pacing of In The Dark kept me racing through the pages. Unputdownable!


The story is familiar and I love that Chris Patchell is not afraid of killing off characters right and left, making me wonder who will be left standing. The killer is exposed early, but that did nothing to prepare me for the twists and turns, the horrific story of a villain running AMOK, driven, haunted by his past.


Even knowing the shit is coming and to say it’s going to hit the fan doesn’t lessen the gut punch, shock and horror of the evil men do to one another.


Warning:  Begin early in the morning to avoid the dark shadows and give yourself time to finish. I feel once you get into the gritty, you won’t be able to quit!


I won In The Dark by Chris Patchell and the rest is history. She is on my radar and has become a must read author for me.

Animated Animals. Pictures, Images and Photos 5 Stars




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Source: www.fundinmental.com/unputdownable-in-the-dark-by-chris-patchell-chris_patchell
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review 2018-03-18 20:25
The Man in the Iron Mask
The Man in the Iron Mask - Alexandre Dumas



Wow. This book is nothing like the movie, at least the one I watched with Leonardo DiCaprio and Jeremy Irons. The end was so tragic and the actual prisoner in the iron mask was such a small part of the story. Seems to me it was the complete opposite in the movie. Huh. Go figure.


I'm glad I finally read this.

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review 2018-03-08 14:42
Brief biographies of fascinating women, ideal to dip in and be inspired to learn more.
Bad Girls from History: Wicked or Misunderstood? - Dee Gordon

Thanks to Alex and the whole team at Pen & Sword for providing me a paperback copy of this book that I freely chose to review.

Although totally unplanned, I find myself writing this review on the International Women’s Day 2018. One can’t help but wonder about the title of the book, not so much the wicked or misunderstood part (some definitely seem to fall into one of the two categories, while many share characteristics of both, although that depends on the point of view), but the Bad Girls. In my opinion, it makes perfect sense for the argument of the book, as the expression bad woman has a certain meaning and connotations attached to it (very moralistic and misogynistic), while perhaps bad girl allows for a more playful and varied reading. And it has nothing to do with age (the catalogue of historical figures examined by the author includes a large number of women who died quite young, but there are others who lived to ripe old ages as well). It is, ultimately, a matter of self-definition. But I digress.

This book shares a collection of brief biographies (the vast majority are under a couple of pages long), of women, organised in a number of chapters that group women in several categories (although some overlap and the author has to make a choice as to which group a particular figure belongs to). These chapters are: 1) Courtesans and Mistresses; 2) Madams, Prostitutes, and Adulterers; 3) Serial Killers; 4) ‘One-Off’ Killers; 5) Gangsters, Thieves and Con-Artists; 6) The Rebel Collection – Pirates, Witches, Megalomaniacs, Exhibitionists. The book also contains a brief bibliography (I guess otherwise a second volume would have been necessary just to include all the sources), and there are pictures of the women (portraits, photographs, illustrations), and also documents, newspaper cuttings, letters…

Although I was familiar with quite a few of the women featured (in the case of Mata Hari, for example, I had read a book about her not long ago, although in many others I still discovered things I didn’t know) there were also quite a number that I had heard the names of but didn’t know much about, and others that were completely new to me. I have no doubt that most people reading this book will think about other women they would have added to the collection, but I would say all of the women included deserve to be there. This is not a judgment of character though, as that is not what this book is about. The author’s style is engaging and, despite the briefness of the vignettes, she manages to make these women compelling (and horrifying in some cases), and she is at pains to try and paint as balanced a picture as possible, rather than just present them according to the prevalent morality of their time. Reality and legend are sometimes difficult to tell apart, but the author, tries (and at times acknowledges defeat and provides the most interesting versions of a woman’s story available).  

Among the many women in the book, I was particularly intrigued by Jane Digby (1807-1881), a lover of travel and an adventurer who also had a talent for choosing interesting men, Enriqueta Martí (1868-1913), who lived in Barcelona and who, according to recent research might not have been guilty of the horrific crimes she was accused of (I won’t talk about it in detail, but let’s say that, if it was true, she was not called The Vampire of Barcelona for nothing), Princess Caraboo (aka Mary Baker: 1791-1864), who knew how to come up with a good story, or Georgia Tann (1891-1950), that I felt intrigued by when I read that Joan Crawford (who has featured in one of my recent reads) had been one of her clients. But there are many others, and of course, this is a book that will inspire readers to do further research and look into the lives of some of these women (or even write about them).

The women in each chapter are organised in alphabetical order, and that means we jump from historical period to historical period, backward and forward, but there is enough information to allow us to get a sense of how society saw these women and how class, patronage, social status, money… influenced the way they were treated. There are personal comments by the author, but she is non-judgemental and it is impossible to read this book, especially some of the chapters, without thinking about the lot of women, about how times have changed (but not as much as we would like to think, as evidenced by recent developments and campaigns), and about how behaviours that from a modern perspective might show strength of character, intelligence, and independence, at the time could condemn a woman in the eyes of society, ruining her reputation and/or destroying her life.

A book to dip in to learn about social history and the role of women, and also one that will inspire readers to read more about some of these women (and others) that, for better or worse, have left a mark. A great starting point for further research into the topic, and a book that will make us reflect about the role of women then and now.


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review 2018-03-06 16:57
A book that will enthrall fans of Mary Shelley, Frankenstein, and people interested in XIX century true crime.
The Face of a Monster: America's Frankenstein - Patricia Earnest Suter

I was provided an ARC copy of this book that I freely chose to review.

Most of us have wondered more than once about the nature of fiction and the, sometimes, thin line separating reality from fiction. Although we assume that, on most occasions, fiction imitates reality, sometimes fiction can inspire reality (for better or for worse) and sometimes reality seems to imitate fiction (even if it is just a matter of perception). And although Slavoj Žižek and postmodernism might come to mind, none of those matters are new.

Suter’s non-fiction book combines three topics that are worthy of entire books (and some have been written about at length): Mary Shelley’s Frankenstein, Mary’s own life, and Anton Probst’s life and the murders he committed. Each chapter of the book alternates between the chronological (up to a point) stories of Shelley and Probst, and comparisons of the developments and events in the “life” (fictional, but nonetheless important) of Frankenstein’s creature. The author uses quotes and close- text-analysis of Frankenstein, and also interprets the text based on the biography of Shelley, to explain how the creature ended up becoming a monster. Although the novel is an early example of science-fiction/horror, many of the subjects it touched belong in literature at large. Nature versus nurture (is the creature bad because of the parts used to make him, or because nobody shows him care and affection?), science versus morality and religion (can knowledge be its own justification, or should there be something of a higher order limiting experiments), prejudice, mob mentality, revenge, loneliness and isolation…

Shelley’s life, marked by tragedy from the very beginning (her mother, Mary Wollstonecraft, died when Mary was only eleven days old) was dominated by men who never returned her affection and who were happy to blame her for any disasters that happened. She was part of a fascinating group, but, being a woman, she was never acknowledged and did not truly belong in the same circle, and it seems an example of poetic justice that her book has survived, and even overtaken in fame, the works of those men that seemed so important at the time (Lord Byron, Percy B. Shelley…).

I was familiar with Frankenstein and with the life of Mary Shelley and her mother (although I am not an expert) but had not heard about Probst. The author has done extensive research on the subject and provides detailed information about the life of the murderer, and, perhaps more interesting still, his trial and what happened after. That part of the book is invaluable to anybody interested in the development of crime detection in late XIX century America (his crimes took place in Philadelphia, although he was born in Germany), the nature of trials at the time, the history of the prison service, executions, the role of the press and the nature of true crime publications, and also in the state of medical science in that era and the popular experiments and demonstrations that abounded (anatomical dissections, phrenology, galvanism were all the rage, and using the bodies of those who had been punished with the death penalty for experiments was quite common). Human curiosity has always been spurred by the macabre, and then, as much as now, the spectacle of a being that seemed to have gone beyond the bounds of normal behaviour enthralled the public. People stole mementos from the scene of the crime, queued to see the bodies of the victims, and later to see parts of the murderer that were being exhibited. Some things seem to change little.

Each part of the book is well researched and well written (some of the events are mentioned more than once to elaborate a point but justifiably so) and its overall argument is a compelling one, although perhaps not one that will attract all readers. There are indeed parallels and curious similarities in the cases, although for some this might be due to the skill of the writer and might not be evident to somebody looking at Probst’s case in isolation. Even then, this does not diminish from the expertise of the author or from the engrossing topics she has chosen. This is a book that makes its readers think about fame, literature, creativity, family, imaginary and true monsters, crime, victims, and the way we talk and write about crime and criminals. Then and now.

I’d recommend this book to readers interested in Frankenstein and Mary Shelley’s work and life, also to people interested in true crime, in particular, XIX century crime in the US. As a writer, I thought this book would be of great interest to writers researching crime enforcement and serial killers in XIX century America, emigration, and also the social history of the time. And if we feel complacent when we read about the behaviour of the experts and the common people when confronted with Probst and his murders, remember to look around you and you’ll see things haven’t changed that much.

The author also provides extensive notes at the end of the book, where she cites all her sources.


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review 2018-02-28 19:23
Jeffrey Dahmer: The Early Years
My Friend Dahmer - Derf Backderf

My Friend Dahmer by Derf Backderf is a graphic novel which was used as the basis for the documentary film of the same name which came out in 2017. This is the account of Jeffrey "Jeff" Dahmer during his adolescence in Ohio from the point-of-view of his friend, Derf. [A/N: I would say "friend" is pushing it as it was frequently noted throughout the book that while a group of boys dubbed themselves The Dahmer Fan Club and imitated him/quoted him on multiple occasions Jeff was rarely (if ever) asked to hang out with them.] Derf talks about Jeff's home life which was as you'd expect: turbulent and troubling. His parents had an argumentative, unhealthy relationship and his mother in particular monopolized much of the attention in the home making it possible for Jeff's habits to remain under the radar. Jeff was an alcoholic from a very early age and somehow this went  unnoticed by the adults in his life including his teachers. However, Derf says that it was common knowledge among the kids at school that he was often drunk in class and looking back it was most likely a coping mechanism against his darker impulses. Besides his unhappy home life, he was struggling with his sexuality as a gay man and his sexual fantasies which revolved around having total (i.e. sexual) control over male corpses. He managed to keep this urge in check by murdering animals, skinning them, and keeping their bones in a shed behind his house. And yet no one had any idea this was happening. Hindsight is 20/20 and Derf seems to employ this readily when explaining that he and the other boys in the Dahmer Fan Club "knew" something wasn't right with Jeff which is why they often didn't invite him to be a part of their group activities. His parents were too caught up in their imploding marriage and his teachers seemed to have turned a blind eye even when he imitated people having epileptic fits to comic effect in their classrooms. (This bothered me a lot by the way.) 


I found the informative background knowledge on a serial killer that I knew little about quite interesting but the artwork (remember this is a graphic novel) was not my cup of tea. It was the faces which I really didn't like. Perhaps that was artistic license since Dahmer tended to dehumanize his victims. I just know that it brought me out of the narrative more often than not. I'll give it a 7/10 overall because it was almost too unbelievable to be true. If you enjoy true crime and find the evolution of serial killers to be fascinating then you'd be remiss not to check this one out.


The fits. [Source: American Book Center]


What's Up Next: Mine Own Executioner by Nigel Balchin


What I'm Currently Reading: From Here to Eternity: Traveling the World to Find the Good Death by Caitlin Doughty

Source: readingfortheheckofit.blogspot.com
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