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review SPOILER ALERT! 2018-06-23 20:50
NOS4R2 by Joe Hill
NOS4R2 by Joe Hill (6-Nov-2014) Paperback - Joe Hill

NOS4R2 by Joe Hill
My rating: 5 of 5 stars

Victoria McQueen discovers her mind can do something very special - it can summon a bridge that can transport her anywhere she wants to go. One day, in a fit of dangerous thinking, she finds herself within the vicinity of a very unstable child abductor; Charlie Manx. Escaping Manx was a turning point in her life, and now, years later, she has a son of her own, and Manx seeks revenge on the one that got away.

(WARNING: This review contains minor spoilers.)

Imaginative would be one word I’d use to describe this; crazy would be another. Not only does it implement so many different things, it does it exceptionally well. If I were to list off the elements that Hill includes, I’m sure you would (if you haven’t already read it) raise an eyebrow or two - I certainly did at first. I had no idea just what I was getting myself into, until it was too late and I was swept up into the mind blowing and twisted biography of Victoria McQueen. It started when she was just eight years old; a child that had a mind filled with fantasy, seeking some semblance of freedom upon her Raleigh Tuff Burner. I do favour tales than span a character’s life, from a young to adult age, as it truly highlights development and progression. The journey of Victoria was a rollercoaster of tragedy, and at times I deeply felt for her. This isn’t to say I particularly liked her throughout the entire book, because there were moments she was depicted as a very selfish individual, but over time, I came to love and accept her. Due to her trauma, life shaped her into a broken soul, and none of it was fair.

As for the numerous other characters, there were an interesting mix of personalities. Lou was a hero in his own right, and seriously a lovely person, whilst Bing was quite the opposite. He was the primary source of sexual violence, even if it was mostly glossed over rather quickly. Child molestation in fact didn't play a part at all in this book, thank goodness, so when I mention sexual violence, it relates purely to the abuse of adults. I just wanted to get that out of the way.

Moving on to Manx himself, he wasn’t my most favourite antagonist. I prefer the charming, deceptive sort of bad guy, instead of the Joker-esque insanity, however he was most assuredly entertaining. The version of his inscape, “Christmasland”, had an undeniable, nightmarish vibe to it, and every time more and more of it was revealed, I became increasingly more fascinated. He truly had lost his mind, and I often wondered about his origins and how he came to be. I'm going to come outright and state that he wasn't a vampire, but the play on the title was pretty much summed up in the book itself. Needless to say, I'm sure there's a significant amount of history pertaining to Manx, that Hill could delve into, if he ever wanted to.

Despite Christmas being a prominent theme, it in no way diminished the bleakness that radiated off every page. I found there to be a particular beauty in the dark atmosphere coupled with Charlie Manx’s eternally joyful outlook. I even appreciated the occasional sprinkle of humour, as Manx and his partner in crime truly weren’t the most coordinated of villains. The plot itself was padded out with unnecessary information, yet it’s something I’ve come to associate with works similar to King - and of course the son would be inspired by the father. Sometimes I don’t really mind the veering off; it’s dependant upon the overall story, and if I feel the distractions are worth the outcome. With NOS4R2, it was definitely worth it.

I expected nothing less from the bittersweet ending. I got an idea of what would transpire, and I can't say my prediction was wrong.

In conclusion: A masterpiece of weird. Vic "The Brat" McQueen was a star, in all her tattooed glory. I can't say just how much I loved it, and since it was my first experience with Hill's storytelling, I can't wait for more.

Notable Quote:

She had said she could bring her bridge into this world but that in some way it also existed only in her mind. It sounded like delusion until you remembered that people made the imaginary real all the time: taking the music they heard in their head and recording it, seeing a house in their imagination and building it. Fantasy was always only a reality waiting to be switched on.

© Red Lace 2018


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Source: redlace.reviews/2018/06/23/nos4r2-by-joe-hill
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review SPOILER ALERT! 2018-06-16 22:04
The Moor by Sam Haysom
The Moor - Sam Haysom

The Moor by Sam Haysom
My rating: 4 of 5 stars

Taking part in a school trip, five teenagers and their teacher set out on a long walk across Rutmoor, thinking it to be a fun experience with friends. What they don’t expect is odd noises in the dead of night, and dead animals placed outside their tents. When tensions and tempers arise, the group soon begins to fall apart, until a dramatic turn leads them to fear for their very lives.

(WARNING: This review contains minor spoilers.)

I never thought as I started reading this one, that I’d get so much enjoyment out of it. It took me by surprise; one of those moments that make this hobby so worth it. It all began with clippings from newspapers, written in a way that suggested they were merely pieces of a puzzle. Indeed, that set my mind ablaze with theories that wouldn’t subside throughout the entire book. I loved how it gave me a new perspective over the characters, how they interacted with each other, and in general how they were presented. Haysom was clever enough to give enough of a tease that pulled me in, made me want to know more, and I very much appreciated it. As I believe it, this is a debut novel, yet I wouldn’t have guessed. Many of the pitfalls new authors fall into - such as a lack of sufficient editing and typical horror tropes that are almost painfully overused at this point - were largely absent, giving an almost fresh take.

The atmosphere of Rutmoor, of how utterly miserable and arduous the travel became, it created vivid imagery in my head, and induced a very strong aversion to hiking. I can now say it's not something I want to do ever, in my lifetime. Honestly, the dynamic of the hiking group was a highlight; it had that pinch of realism to it. Each individual offered something unique with their personality, and like any real life circle, they all differed and even clashed together. Sometimes it was ugly, other times sweet, but most of all, their friendships were authentic. My favourite had to be Tom; undoubtedly the most sensible of the lot, followed by Matt and James. Even despite the young age of each, I was still able to relate. Yes, there was some immaturity - pretty much what you'd expect from teens, but it wasn't to the extreme.

The format of the plot struck me as quite different, in that rather than waiting until the end to reveal the big twist, it was just after fifty percent that it came into play. I can’t say it was unexpected - in fact, I had my suspicions much earlier, but I adored it regardless. You see, I much prefer when the direction of the story changes so drastically from my initial assumptions. If it’s done well, like it so wonderfully was in this case, then I feel like I’m kept on my toes, like I don’t have time to even look away. The question of survival played a significant part, as due to the parallel running chapters of present day (2015 to be precise), those that endured the horrors of the moor were made known, thus it was not the matter of who’s going to survive, but how do they survive.

The only thing that I found quite awkward, was the continual switch of past / present tense in the style of writing, however I understand it was used as a tool - to obviously convey the period of time, and perhaps even to alleviate confusion. Nevertheless, it was a bit of a challenge to get used to it.

In conclusion: I considered it a great story, and to be completely truthful, it soared above my expectations. With a slow beginning of character and atmosphere building, the story exploded into a creepfest that kept my attention. My applause goes to Haysom, and his impressive debut novel.

Notable Scene:

The rabbit's body was a mangled pulp of flesh, bone and hair. Its eyeless, earless face stared up at him from the grass. Patches of drying blood lay on the grass around it.
From somewhere behind Gary, a tree branch snapped.


© Red Lace 2018


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Source: redlace.reviews/2018/06/16/the-moor-by-sam-haysom
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review SPOILER ALERT! 2018-06-15 19:16
Wrath of the Ancients by Catherine Cavendish
Wrath of the Ancients - Catherine Cavendish

Wrath of the Ancients by Catherine Cavendish
My rating: 3 of 5 stars

The year is 1913 and Adeline Ogilvy makes her way to Vienna, after accepting a career opportunity to transcribe the memoirs of the late Emeryk Quintillus. Rather than being able to settle down and do her work however, strange occurrences draw Adeline's attention, and soon she finds herself caught in a wicked scheme that involves the wrath of a God.

(WARNING: This review contains MAJOR spoilers.)

I purchased this one after I noticed the monthly Horror Aficionados group read, and even though it's not the latest installment of this series, what’s better than starting at the beginning? I’ve always found Egyptian history interesting; it seems to be depicted as glamorous, mystical, but also somewhat scary, what with all that mummifying shenanigans. It’s a perfect setup for horror, obviously, yet before I delved into Cavendish’s cleverly researched work, I hadn’t seen much of the theme. Perhaps it’s not as sought after as the more typical haunted houses and zombies, yet either way, I was ready for some Cleopatra goodness. What followed was a relatively light read that rhythmically drew me in and pushed me away.

The first part of the story revolved solely around Adeline, whereupon she temporarily relocated to Vienna for work. This is where I found myself impressed with the writing, and how quickly I was pulled into the mystery surrounding the Quintillus household. As Adeline explored the darkest recesses of the manor, I was thrilled to join her in each new, chilling discovery. I thus believed that this had set the scene for the entire book, but was heavily disappointed when that wasn’t actually the case. The much enjoyed “one character against the world” was turned upside down when another was introduced, that being Professor Jakob Mayer. I have no issue in admitting that I thought he possessed an ulterior motive throughout, as he didn’t seem quite right - he’s the one that offered all the answers, that had Adeline follow him around as he took charge with an unusually calm demeanour. Upon progressing through the story, I came to the conclusion that there was nothing nefarious about him, and that somehow felt wrong to me, as if he was merely shoehorned in to move along the plot at a much quicker pace. There’s no question that I would have remained invested had Adeline been left to figure it all out on her own, without being guided so obnoxiously.

When part one (by far the longest section) ended and I was thrust into the lives of strangers, I lost interest to a certain degree. It was jarring, to say the least, that I had to leave behind the woman I became so fond of, but I understand the intention of the plot was to span decades. It’s always a risk, to implement such long jumps of time and have a flawless transition, and in this case it just didn’t work for me. I felt disconnected, and, suffice it to say, I was glad when Adeline eventually reappeared.

The supernatural aspect, that was more to do with the effects of a curse than anything else, proved to be entertaining, but certainly nothing even remotely scary. Let me explain when a horror becomes less and less impactful for me personally - it's the matter of showing too much, to the point where I'm desensitised. I experienced no sense of dread and not a modicum of tension after that green light surfaced for the tenth time; sometimes less is more, and I firmly believe a lot of books would benefit had the author kept this in mind. There's also the issue that danger wasn't sufficiently conveyed - sure, there were a few deaths, but at no time did I worry for the well-being of the main character.

In conclusion: I really thought I was going to love this one, but the story went in a direction that failed to maintain my interest. To put in bluntly, I would have preferred the focus remaining upon Adeline, of whom I liked very much. Straying away from her, and bringing in a character that overshadowed her, just didn't appeal. That said, it wasn't all bad, hence the average rating I decided upon. Will I pick up the next one though? I'm really not sure.

Notable Scene:

Adeline forced herself to admit something she had suppressed for over fifty years. Those terrifying weeks in Vienna had left an indelible impression on her. For weeks, months, even years afterward, she would wake screaming in the night. She would see Emeryk Quintillus's mummified skin and eyeless face.

© Red Lace 2018

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Source: redlace.reviews/2018/06/15/wrath-of-the-ancients-by-catherine-cavendish
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review SPOILER ALERT! 2018-06-11 20:59
Star Trek: Tales of the Dominion War by var.
Tales of the Dominion War - Keith R.A. DeCandido

Another anthology - this time the common factor is the Dominion War... and what practically every crew ever shown in TV or TrekLit was up to in that time.

 

Michael Jan Friedman's What Dreams May Come focuses on Gilaad Ben Zoma, Picard's former first officer on the Stargazer... rather unmemorable, maybe because it's been so very long since I've read the Stargazer books.

 

Night of the Vulture by Greg Cox follows up on the entity which thrived on dissent and conflict, first shown in TOS' Day of the Dove. Nice idea, but ultimately also not exactly memorable.

 

Keith R. A. DeCandido's The Ceremony of Innocence is Drowned is set on Betazed right at the moment of the Dominion invasion. Usually I'm not really a fan of Lwaxana, but this story rang true, all the emotions, the terror, the incredulity that the Dominion would take such a daring step (and the Federation's being caught ill-prepared)... It also fits in with "The Battle of Betazed", a novel about the occupation and liberation of Betazed. Well done.

 

Blood Sacrifice by Josepha Sherman & Susan Shwartz shows Spock on Romulus during In the Pale Moonlight...a Romulus that still contemplates an alliance with the Dominion until the Emperor suddenly dies. A fine glimpse back into the worldbuilding the 2 authors did with their "Vulcan's (noun)"-series.

 

Mirror Eyes by Heather Jarman & Jeffrey Lang is about the outbreak of a disease on Bajor... and only a nurse, presumed Vulcan but actually a Romulan sleeper, can provide the cure. Not exactly exciting.

 

Twilight's Wrath by David Mack highlights Shinzon, turning a suicide mission into success. Actually very good - Mack-like bloody and violent, but also an intriguing tale of oppression, hatred and revenge.

 

Eleven Hours Out by Dave Galanter focuses on Picard and Troi during the Breen attack on Earth... immemorable.

 

Safe Harbors by Howard Weinstein takes place at the same time when Scotty and McCoy are stuck on a semi-hostile planet, reluctant to help with repairs, with a damaged ship when contact to Earth breaks up. Better... but a bit contrived. Or is it really believable that these 2 are on the same ship just at that moment?

 

Field Expediency by Dayton Ward & Kevin Dilmore has SCE's Duffy and Stevens on a planet to retrieve some Dominion gadget from a downed ship when the Jem'Hadar attack. Good read, but still not too different from the early SCE... in short, doesn't tell us anything new about the characters.

 

Haven' read Robert Greenberger's A Song Well Sung - if not absolutely necessary, I won't voluntarily read about Klingons.

 

Zak Kebron tells his son the "heroics" of the Excalibur during the Dominion War in Peter David's Stone Cold Truths... nice tale, definitely one of the highlights, and a nice ring back to a time when I still liked TNF (i.e. up to Dark Alles).

 

Michael A Martin & Andy Mangels' Requital focuses on one of the soldiers in AR-558 who can't just forgive and forget, and is recruited by an equally disillusioned Cardassian to assassinate the Founder after the war's end. Interesting and quite disturbing - especially the apparent lack of psychological aid.

 

Overall, a couple of highlights, the rest mediocre, unfortunately. Still, it was nice to read stories of authors that I haven't seen in modern TrekLit for a decade or so. So much has changed in the production line since the early 2000s when this anthology was published...

 

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review SPOILER ALERT! 2018-06-08 02:07
The Sadist's Bible by Nicole Cushing
The Sadist's Bible - Nicole Cushing

The Sadist's Bible by Nicole Cushing
My rating: 4 of 5 stars

Lori and Ellie have never met, but they both yearn for the touch of a woman and the sweet release of death. Eager to take their online correspondence to the next level, they strike an agreement and plan a getaway to a remote hotel. Their intentions? To succumb to their desires and finish with a deadly climax.

(WARNING: This review contains minor spoilers.)

There’s nothing like discovering a well-hidden gem, and that’s exactly what happened when I originally spied a review from Morgan K Tanner's blog. The book in question seemed intriguing; a mix of suicidal intentions and grim religion - right up my street. What followed was a quick read, yet despite its short length, its execution was no less impactful. Cushing was able to portray two very mentally ill individuals; their helplessness apparent when they decide the best course of action is a joint suicide. Amongst the fantasies of death, is a very prominent emphasis on homosexuality, whereupon the women visualise their passing as a deeply erotic affair, and thus a statement to society. Certainly morbid, but in that darkly fascinating sort of way that I can appreciate if done well. Of course this wouldn't be everyone's cup of tea, especially when it comes to Christianity, as the He is painted in a very harsh light - which isn't as far-fetched as one might believe. If anything, I'd consider Him more alike his Old Testament representation, but that’s neither here nor there.

One thing that occurred to me early on was that, whilst Lori’s situation was significantly more dour, Ellie’s was a lot more closer to reality. Unable to express her true self, Ellie was ruled by fear, and to some extent, shame. It was a very genuine example of what a lot of people go through every day of their lives, and I felt that the coupling of real life issues and celestial intervention worked well together. Honestly though, I didn't find these two characters entirely likeable on a personal level, however my sympathy lay more with Lori, as I believed her to be a victim of the most horrendous acts possible. The connection between these two women could've been explored further, although it was easy enough to discern their relationship formed out of desperation.

The plot itself was able to keep up a decent pace, probably because it didn’t have time to add any unnecessary fluff. The last half of the book is where things took a turn, and I guess I didn’t expect things to get so crazy, but they did. The running theme of sex and violence only magnified, and it was unquestionably shoved to the forefront throughout the end. Vivid, graphic scenes delved into totortuous acts of depravity, where Cushing had no qualms about detailing the sadistic pleasures of a heavenly orgy. I use the term "heavenly" very loosely, as those creatures more resembled beings of nightmare.

That's the thing here - this is a bleak story, where a saviour, in the typical sense of the word, doesn't exist.

In conclusion: Torture intermingles with sex in this novella, and those of a religious nature would be likely best to avoid this one altogether. I considered it a very entertaining read, and it certainly put Cushing on my radar.

Notable Quote:

The arc of the universe is long, but bends towards degeneracy.

© Red Lace 2018

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Source: redlace.reviews/2018/06/08/the-sadists-bible-by-nicole-cushing
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