This book is C-wA_A-a-Z-YY!
Feels like Times Square, honestly :D
The sheer amount of cultural references is mind-boggling.
Praetor Judy made it into this book :)
And I kept comparing Kol'daar to Cass (no actual mention of Supernatural, darn it!) - a bad-ass when he wants to be, but cute and adorable and kind and sometimes clueless.
Yes, Ozzy made it, too! And the Dove!
And, damn, talking about Mr. Crowley on that album!
Anyway, the story was heading for full 11 stars when things started going south around the last 20%, or after the Final Battle to be precise. Maybe during it's final half-hour, too. That's when the author quit crazy and spontaneous, turned on a drone and started explaining and over-explaining and then ex-plai-ning-to-death and then some just to drive the final nail in.
After the report filing at the gingerbread castle I skimmed through the rest of the pages. The story got sappy and it dragged out for more than it had to.
In the end I was left feeling a bit unbalanced. The badassery turned to sap, the unpredictable and unexplained turned into dissecting everything under a microscope. I really didn't care about the Song or Music Magic or how Nunzio's disability worked.
ALSO - The Burrito Incident. Someone specifically targeted Nunzio. Why? Never explained.
So, I am cutting 6.5 stars off for all the un- and over-explained instances and giving this book 4.5 stars.
Stories about Cardassia and Garak have easily become my favourite part of TrekLit nowadays, so it was time to reread this excellent "autobiography".
Divided into 3 parts, A Stitch in Time sheds light on Garak's history, the way others always made decisions for him, the way loss and betrayal shaped his life more than loyalty and friendship. And it all starts at school where he meets life-long friends and equally life-long enemies, and the love of his life, Palandine, who indirectly causes his fall from power and exile on DS9.
This part is a fascinating glimpse into Garak's history with various characters (such as Dukat, the story behind "The Wire", Tain), Cardassian society as a whole, but also into the microverse of Garak and his family. Tolan Garak, the man he believed to be his father and who turned out to be his uncle, ultimately perhaps influenced his life more than Tain and his mother Mila. Because while Tolan only belonged to the frowned-upon service class he nevertheless was more independent from outside influence than upper-class men, including who Garak comes to be. It takes years for Garak to see that.
The second part are diary entries between "In the Pale Moonlight" and his departure for Cardassia which relay Garak's conflict (culminating in the panic attacks) between betraying Cardassia and ultimately saving it from the Dominion together with the Federation. It highlights the growing distance between Julian and him, and the anxiety just what Cardassia he'll be able to return to. What will be left? As a side story, he meets a friend of Ziyal's who turns out to be an agent of the Khon-Ma, assigned to kill him - a woman who survived the destruction of the shuttle back on Bajor that cost her family their lives and for which she holds Garak responsible (again see "The Wire").
Finally, the third part is set on post-war Cardassia. Garak has returned home, a world in perpetual twilight after the Dominion tried to exterminate the population, leaving over a billion dead, a world in ruins. He turns Tain's home into a memorial, a place where people can mourn and slowly move on. And for the first time in his life he finds himself able to choose his own path, meeting old friends and enemies and determining Cardassia's future.
In the end, Garak comes full circle, open to new ideas because he's learned to adapt due to his ever changing surroundings. And I think Tain would turn in his grave if he saw Tolan's influence prevail over his own, resulting in Garak's interest in the Oralian Way (even if also as a means to find his love Palandine after the war - BTW, curious how the later novels don't mention her but emphasize Garak's friendships with Bashir and Parmak)... but it's gratifying to see that all of Tain's machinations, his power and loyalty plays, his treating people like pawns on a giant chess board ultimately fail.
A highly recommendable book - and together with "The Never-Ending Sacrifice" maybe the key to understanding the Cardassian mindset.
Bashir and Sarina learn of a secret programme that pervades systems throughout the Federation (and beyond) and has been in place for centuries. Nominally it registers threats and brings them to the attention of the authorities - but it has long since developed a mind of its own, acting on its own... and creating Section 31, calling itself Control. Bashir engages Data's help in finally bringing down this machine.
First of all, the idea of the machine Uraei reminded me awfully of Person of Interest. A machine that listens to everything and monitors everyone to evaluate threats and prevent them. Here, Uraei develops a mind of its own because it sees that the normal channels are too slow, too bogged down by bureaucracy to work efficiently. And so it creates its own hierarchy, its own agency that operates without oversight, and Section 31 is born (just like Samaritan back in PoI). And of course, shutting it down means infecting all copies and preventing the machine from downloading a saved original copy from a secure place. Again, like PoI. So, this part did not really seem very original, and didn't actually engage me all that much.
The only thing here that held my interest are the implications, like the machine allowing the Xindi attack for the higher purpose of trying to strengthen security and eventually form the UFP pretty much earth-dominated etc. So there are canon events orchestrated by Uraei, and that of course, puts Federation history as we know it in a new perspective.
So, Bashir, Sarina and Data try to put an end to a machine code that pervades everything, every computer, every system on starships, every local law enforcement - but how to actually expose and remove that all-powerful surveillance and indepently acting force without actually throwing the UFP into chaos? And what if that all-knowing machine that has planned events for centuries now, that has built layers upon layers of security around itself, is actually aware of what's going on... and just uses people for its purpose? Doesn't that put a new, and rather bleak spin on fate, how much is predestined and how much one can control and change his own fate?
I think that's where "Control" gets really interesting, not so much in the premise that is, after all, not really new, but in those far-reaching ramifications. It feels as though Bashir, Sarina and Data just play unknowingly in a giant holo-programme, a holo-programme that encompasses the whole universe, and only the machine knows what's really going on. A nightmare-ish scenario... but is it if you're not really aware of it? If you don't know anything about the machine or Section 31 (unlike Bashir, Sarina, Data and some other select people)?
Bashir and Sarina unknowingly fulfill their part in Control's machinations, fight a fight that they can't win, and suffer the consequences when Control pits them against each other. I have to admit that I haven't really cared all that much about Sarina, but her fate, and consequently Bashir's actually put a lump in my throat. Catatonic, Bashir ends up in Garak's care on Cardassia where "Enigma Tales" picks up the tale.
Actually, Garak's role is pretty small. He's one of the 3 persons (other than Sarina) who Bashir trusts in this situation, and his feelings towards Bashir become ever more overt. I'm wondering where this is going to lead. Other than that, Mack continues with Data's tale and Lal's development; and most importantly, some of the questionable missions of recent TrekLit years come to the light while fighting Control, such as Zife's removal from office and subsequent execution (and Picard's involvement), Section 31 trying to commit genocide against the Founders etc. It's going to be interesting to see the repercussions here.
Overall, a quite disturbing novel that takes a bit to gain steam. But once it does, Mack doesn't pull any punches, makes his usual twists and turns and puts his characters through the wringer. And the outlook on Federation politics may never be the same again - because who's really in charge?