In this third entry into the Harry Bosch Universe, we finally get more background on The Dollmaker case, which is really the case that catapulted Bosch to fame. Harry is being sued by the widow of The Dollmaker, whom he shot during an attempted apprehension, after the man reached under his pillow for what Harry thought was probably a gun, but which was, at it turned out, a toupee.
The widow is represented by prominent defense attorney Honey Chandler, who is nicknamed Money Chandler. Harry is represented by the county attorney, Belk. Harry is not satisfied with the quality of his representation. In addition, LA County has wanted to settle the case, but Harry won't let them. A significant portion of The Concrete Blonde occurs in the courtroom.
I am not really a fan of courtroom dramas - because I am actually a prosecutor, and I've tried a lot of criminal cases, reading courtroom dramas can be frustrating because I am all too aware of errors in procedure. I think it is probably human nature to struggle with books that cover territory that the reader has a deeper understanding of than the writer. This is the case with the courtroom portions of this book. I won't bore you with a detailed analysis of things that Connelly gets wrong, but there are aspects of the courtroom drama that he does get wrong.
Leaving those quibbles aside, though, I really enjoyed this book and thought that the mystery was exceptionally well done. During the trial, a body is discovered that appears to be from The Dollmaker, of a young woman who was killed well after Harry Bosch killed the man who the LAPD believed to be The Dollmaker. This throws the whole case into disarray, because the defense relies on the fact that the man that Bosch killed was a serial killer.
As the story develops, Harry has to look back into the old case and set aside his former conclusions in light of new evidence. He also has to work through his own discomfort with the possibility that he was wrong about the Dollmaker case four years earlier. And, again, his history becomes a significant aspect of the book, when Chandler accuses him of shooting the Dollmaker because he was avenging his murdered mother, whose killer was never brought to justice.
We also finally get to see Bosch getting some support from the LAPD brass, including Chief Irvin Irving who, for the first time, tells Bosch that he would back him up no matter what happened with the jury, and that the shooting was justified. Bosch is also involved with Sylvia Moore, the wife of Calexico Moore, who he has been seeing since the end of The Black Ice. She is a thoroughly nice person, a teacher, and has tried hard to pierce Bosch's nearly impenetrable armor.
I enjoyed this book a lot, and really liked the fact that Connelly didn't fall back on the same trope of institutional corruption that the first two books really relied upon. The interactions between Bosch and the LAPD show a different, more functional and respectful, relationship with his peers. The relationship with Sylvia isn't going to last, but it's nice to see Bosch letting down his guard a little bit.
Next up is Trunk Music.