A few of these I've read already, so I'll be lazy and link to those reviews. ;)
The Custom of the Army - 2 stars
The Space Between - no rating
I didn't bother getting this when it was originally released solo and I'm glad I didn't. I don't have much interest in Joan, and even less interest in the Comte St. Germain, nor did I ever once wonder what happened to the guy or what his backstory was. So this was one long bore and I skimmed a lot of it to get to the important plot points. It was nice to see Mother Hildegard, but her role here is pretty much just cameo and doesn't make up for the rest.
A Plague of Zombies - 4 stars
A Leaf on the Wind of All Hallows - 5 stars
(No review for this one though. Sounds like a good reason for a reread.)
And reread I did and loved it just as much as the first time. Roger's father, Jerry MacKenzie, is unexpectedly launched back in time when his plane crash lands, and he goes through hell and back to get back to his time and his family. We get a few scenes of what's going on with Marjorie and baby Roger, but most of this is focused on Jerry. It's beautifully and heartbreakingly written, because if you've read the Outlander books you already know what everyone believes to have happened.
Virgins - 3 stars
Jamie and Ian are mercenaries in France. There's a lot of anti-Semantism in this one, as Gabaldon doesn't shy away from the prejudices of the time, and even our protags are guilty of it. The Jewish characters themselves though do not appear - at least to me - to be caricatures or stereotypes. Some of the Scottisms seemed strange - Ian's constantly referring to Jamie as a "wean" - I didn't think their age difference was all that great, so it felt odd. There's also this whole subplot with one of the other mercenaries who makes Gregor Clegane look like a fluffy kitty.
A Fugitive Green - 4 stars
Minnie and Hal's first meeting! I was intrigued by the backstory we got about Minnie in The Scottish Prisoner, so getting to see a more detailed telling of it was great. Minnie's wonderful and resourceful, and we even get a brief (too brief, I thought) subplot of Minnie's mom and her quest to find her. That was rather melodramatic - the mom's backstory that is - and I kept feeling like there was something more there going on than we heard
because nuns getting pregnant is not exactly unheard of so why exactly did Minnie's mom go mad because of it?
The ending also felt a bit rushed, so I hope this isn't the last exploration we get into these characters' backstories.
Besieged - 4 stars
Man, John can't even leave an assignment without getting pulled into a war. :P This is an interesting follow up to A Plague of Zombies, as John's still temporary military governor of Jamaica and trying his darnedest to resign that post. Enter his stepfather with some harrowing news. Loved seeing Tom Byrd again, and it was neat to see how Rodrigo is dealing after being zombified. There's your ingrained racism of the time, what with the slavery and all. I've never liked John's pragmatic view of slavery, but it is what it is, I guess? At least here, that pragmatism is a help to them.
I liked this one. I liked it more than I liked the movie I think except for one thing. I felt like the main characters Jamie and Landon had more of a connection in the movie. I just didn't see that as much in the book. I did feel more hopeful at the end of the book than I did in the movie, however, I was still bawling my eyes out.
This is partly my fault, and partly the book's fault.
My fault - For some reason I thought this was like Rear Window, and that the movie was an adaptation of this book??? The movie has a guy with view outside his room, okay! I've never seen it, I just know about it through pop culture and the last time I heard anything about it was years ago, so I forgot the title. So I saw this book, and went hey! I should read that and then I can watch the movie, or rewatch that episode of Castle at least. Hahahaha! Nope. There is a murder, but that's about the only thing these two have in common. So incorrect expectations are totes my fault.
Book's fault - Bored now. Women were repressed in ye olden times. Did you know that? This is complete news to me. *sigh* Just a bunch of talking heads, characters are self-important and annoying (well, I guess Lucy's alright) and NOTHING HAPPENS. Walk around the countryside and talk. Next day: walk around the countryside and talk. Next day: Drive around the countryside and talk. Talk talk talk talkety talk talk. This is a British romance so boring even Hugh Grant wasn't in the movie adaptation. It's that bad!
This audiobook is brought to you by Patrick Lawlor and Siri. Ok, Melanie Ewbanks reads the female POVs (I googled it - she is not Siri), but true story: I was driving to a meeting at a building I hadn't been to before when I first started listening to this audiobook, so I had my GPS turned on. The first time Ms. Ewbanks took over the narration, I seriously thought that my GPS lady got bored and started to randomly narrate the book. (I googled the GPS lady too - not Ms. Ewbanks.) She improves a little as the story goes on - or I just got used to her - but if you want to know what sex scenes sound like when read to you by a Siri-esque voice, now's your chance! (I didn't, so I skipped over them. Even when Lawlor was reading them. Narrators reading sex scenes are just painful.) Patrick Lawlor did a much better job of getting into the material and bringing life and warmth to the story. Unfortunately - as happens too often with dual narrators - the narrators are clearly not in the studio together when they recorded their parts, so Lawlor still has to do female voices and Siri still has to do male voices and I have no idea why you would pay for two narrators and then split up the reading this way. Stop doing this to your listeners!
Sadly, even the best narrators couldn't have saved this book. This has three - count them - one, two, THREE - romances crammed into one long-ass boring romance novel with an attempt at an intriguing suspense subplot to thread it all together. It just doesn't work. Rating them from blandest to most promising, the romances are these:
3 - Charles, Cybelle, Joe - Love triangle. Bored now. Love triangle set during WW II? UGHHHH! At least it's not set in Pearl Harbor? Seriously, it's WW II and that's the best the author could think to do with these characters? STAHP. The only good thing about this part of the story is that Charles and Joe stay friends.
2 - Kelly and Tom - The old "girl kisses boy, boy freaks out and enlists in the Navy, boy and girl don't see each other for 16 years and in all that time they clearly barely even change since they're right back where they left off as soon as they're in the same room again" story. Yeah, nothing new here either. I did like Tom's struggles with his head injury and wondering if he's still capable of leading. I'm just not sure this story actually answers that question. I also liked Kelly's struggles with understanding her father, Charles, and getting closer to him as his health is failing.
1 - Mallory and David - The old "geek boy who's really a nice guy (but not a Nice Guy) stalks beautiful girl and gets her" story. Ok, stalking is a little strong. He just makes himself visible, and he's a lot more confident and self-assured than geek boys tend to be in these stories. Mallory's change of heart toward him is gradual, and while it occasionally threatens to veer into boring romance cliche territory, it mostly avoids it.
The terrorist stalker subplot is one I've read before also, so again, nothing new here. This was published pre-9/11, so maybe the regulations were a wee bit more relaxed then, but I doubt it. If a bomb threat gets called in, it has to be investigated. End of story. If a building needs to be evacuated in a hurry, pull the fire alarm. The ending was convoluted and eye roll worthy, and the negligence on display here by literally everyone except our protags defies logic.
This series is not off to a good start, but I've seen other reviews mention the books get better after this one, so I'm going to at least give the next one a try.