Mei, Satsuki, and their father, Tatsuo, move into a crumbling old house in the country in order to be closer to the sanatorium where their mother, Yasuko, is recovering from tuberculosis. The girls adapt to their new rural life pretty quickly, although four-year-old Mei doesn't respond well to being left with their neighbor while Tatsuo is at work and Satsuki is at school.

Both girls realize there's something a little strange about their house when they first arrive. They briefly spot little beings called soot sprites, and Kanta, the boy who lives near them, tells them that their house is haunted. Then Mei starts talking about having met a being she calls Totoro and who Tatsuo believes is a forest spirit. Satsuki longs to see Totoro too.

I wasn't sure what to expect when I read this. Would it be a stiff and soulless adaptation of the movie, or would it be able to hold its own in the face of the movie's sweetness? I'm happy to say that it fell into the latter category. Although I still prefer the movie, the book was a breeze to read, added things to the overall story that the movie couldn't, and had much of the same charm as the original movie.

(I should briefly explain that I'm most familiar with the English dub of the movie. I'm not sure if I've even watched it in Japanese with English subtitles yet. Some of the information "missing" from the movie could possibly have been translation decisions when creating the dub, editing the script to better match mouth flaps. I won't know until I watch the movie with subtitles, and even then translator decisions are in play.)

The book was more direct about explaining exactly why Tatsuo, Satsuki, and Mei moved out into the country, explicitly naming Yasuko's illness. There were more mentions about what Satsuki and Mei's life used to be like, back in the city, and even one portion of the book where they briefly went back to the city. Yasuko was slightly more in the foreground - the book included letters she wrote to her children while at the sanatorium. I got a stronger picture of her personality here than I did in the movie. She seemed like a dreamer.

In general, I'd say that the bones of this book were about the same as the movie. A few scenes were added, and there were more details about the history of the house the family moved into, and Satsuki's efforts to learn how to cook different foods over an actual fire without burning them. I really enjoyed these additions.

One thing that disappointed me a little, however, was that the fantasy aspects were scaled back. In the movie, viewers' first exposure to Totoro happened when Mei chased after a little Totoro and ended up finding Totoro's napping spot. All of this happened on-screen. These same things happened in this book as well, but for some reason the author chose to focus on Satsuki instead of Mei. Mei told Satsuki and her father what she'd experienced, but there was no evidence that any of it was real, rather than the dreams or imaginings of a child. The first on-page appearance of Totoro didn't happen until the bus scene. The ending was also altered slightly - the scene where Mei and Satsuki watched their mother and father from a tree didn't happen. I was at least glad that all the Catbus scenes were included.

The focus of this book seemed to be slightly more on the relationship between the two sisters and their barely-spoken-of fear that their mother might die and never come home, as well as the girls' growing independence as they adapted to rural life. It was lovely, but, as I said, I did miss some of the Totoro stuff. All in all, this was an excellent novelization that I'd definitely recommend to fans of the movie.

Extras:

Several illustrations (black and white sketches with maybe a watercolor wash?), including a color map of Matsugo, the place where the Kusakabe family moved. The map also gives the exact year this story took place, 1955, so I suppose this could be considered historical fiction.

(Original review posted on A Library Girl's Familiar Diversions.)

I think that writing a really good novelization is becoming a lost art.  But Nancy Holder knows what she is doing.  This is everything a good novelization should be.

The novel, obviously, follows the plot and action of the recent Wonder Women movie.  The motivations and thoughts of several characters are fleshed.  Importantly, there are three Amazons that Diana particularly admires - her mother, her aunt (aka her other mother), and Artmis (who is the black Amazon that Diana spars with in the movie).  This is cool.  I also highly enjoyed Diana's thoughts on Etta.  There are some really wonderful passages, like young Diana's desire to fight peacocks.  One improvement over the movie is the story of the Amazon's birth and the fight with Ares.  Holder has both Antiope and HIppoytla tell Diana the story.  I like Holder's staging of the story much better.

Incidentally, there was some comment about Diana's interaction when she meets Chief - the use of Blackfoot language is kept without a translation (it's easily enough to find out what is being referred to online).  I really loved that touch.  

All Systems Red and Gotham: Dawn of Darkness were full price, but the Wonder Woman novelization was one dollar, the Alien book was two - and has some Ash, and I love this author - and Power Rangers 18 was two dollars, as BOOM! comics are half off after they're out in the world for a month. 

For $16 and change, that was a good haul.

I had to do a quick stop at Walmart last night. I spotted this and couldn't resist getting it. A movie novelization that isn't a Junior novel, yay!

I'm not planning on reading it just yet, but I did take a look at a few of my favorite scenes from the movie. I have a feeling this won't get above a 3-star rating from me. The scenes I read weren't bad, but there was very little extra for those who've seen the movie (like character thoughts, info that couldn't be shown on-screen, etc.), and the action was better on-screen. Oh well, maybe other scenes will be better.