Hunter, a Tribunal enforcer, has had Fen kicked out of her pack. Fen, half human-half werewolf, has a weak wolf but has been given the power of an Alpha by her old Alpha. She has a small pack who travel with her as she goes in outpack areas. Getting into trouble in a bar, she receives help from a patron, Quill, to get her pack out of the bar alive. Quill becomes a member of her pack. Lia, one of her pack members who is also like her, a halfie, gets kidnapped by the SSS who believe halfies have special powers that can make a full werewolf strong. Now it is up to Fen and her pack to find Lia alive. Can they do it? What is the story with Hunter?

 

I liked this story, but I am not sure I am invested enough to read the whole trilogy. There are a lot of loose ends that may or may not be answered. The story is loosely written and needs to be tightened up, so the story makes sense as to who the SSS is and why are they kidnapping halfies. How does Hunter fit into all of this? Why is he always around at the right time? The world building is loose, so I don't know what is going on in this world.

 

I liked the characters. Fen has problems because while she may be an alpha, but it is not her true calling. I liked her pack mates. I liked Hunter but I have a lot of questions about him. Character development is good. I feel as if I know these characters. I wish the world building were as good.

There’s a little sense of dissonance when I read a classic and my response is “huh, okay.” This is especially true when I read the classic in translation; in this case, the translation is very smooth, contemporary, and easy to read, which causes its own form of dissonance. These now feel like contemporary stories rather than something written in the early 19th century, and compared to contemporary stories they don’t particularly stand out to me, but then I neither read them in their original language nor am familiar with the history of Russian literature so as to appreciate the ways in which Pushkin was blazing a new trail.

The stories:

“The Captain’s Daughter”: This novella occupies almost half of the book. It involves a romance between a young officer and the angelic daughter of the captain, set during the time of Pugachev’s rebellion, and Pugachev himself is the most vibrant character in it. The story moves along briskly and is fairly satisfying, though the characters are not particularly complex. This edition also includes an omitted chapter, which is interesting in that Pushkin ditched a bunch of melodrama and overt paternalism.

“The Tales of Ivan Petrovich Belkin”: These five stories, mostly around 15 pages each, are given a framing device in that they were all collected by a fictional young dead man, but they aren’t actually linked, so I’ll discuss them separately.

“The Shot”: The narrator pieces together the story of a multi-episode duel from others. It’s a bleak world in which men are expected to kill and die in duels over the most mundane insults, and those who refuse lose all respect from their fellows. (Pushkin, sadly, died himself in a duel at age 37.)

“The Snowstorm”: A prank disrupts a love affair. This is a cleverly structured story, in which after reading the end you go back and read over the earlier parts with fresh eyes, something I love in a short story. It made me uncomfortable in that I didn’t find Burmin’s behavior deserving of a happy ending.

“The Undertaker”: A man has ungenerous thoughts and is punished with a nightmare. Um, okay.

“The Postmaster”: Another narrator piecing together someone else’s story, this time of a postmaster and his prodigal daughter. This didn’t do much for me.

“Mistress Into Maid”: A sweet little story about a forbidden romance, also involving some pranking, but this time harmless. I enjoyed this one.

“The Queen of Spades”: This is a somewhat longer story about gambling and obsession, in which a calculating young man will go to almost any length for a guaranteed win at cards. I found this one pretty good and with a satisfying ending.

“Kirdjali”: Eight pages about the legend of an Eastern European bandit. Okay.

“The Negro of Peter the Great”: This is an unfinished fragment, around 40 pages long, of what was perhaps intended to be a novel. The title isn’t politically correct these days but the “Negro” in question is a (lightly fictionalized?) version of Pushkin’s own maternal great-grandfather, Abram or Ibrahim Gannibal, who was brought to Russia as a boy, adopted by Peter the Great as his godson, sent to France to study military engineering, and later returned to Russia to be an important figure in the military and the court. The fragment deals largely with Ibrahim’s love troubles, as well as his relationship with Peter the Great, who’s presented in a very positive light. This is interesting from a historical perspective though a fragment is unlikely to satisfy in a storytelling sense.

Overall, I’m glad to have read some work by a classic author I hadn’t been exposed to before, and appreciated the window into 18th and early 19th century Russia. But while the writing is perfectly fine, I can’t say any of it blew me away. I also have the sense that this collection doesn’t represent Pushkin’s best work, much of which was poetry and plays.

I picked this book up primarily because I loved the author’s memoir, The House at Sugar Beach, about growing up in Liberia until political instability and terror forced her family to leave. This book, though, is a biography of Ellen Johnson Sirleaf, president of Liberia from 2006 to 2018 and the first democratically elected female head of state in Africa. It’s a good biography, readable and engaging as all the best journalistic work is, and certainly informative though it lacks the humor and personal touch of Cooper’s memoir.

About the first quarter of this relatively short biography (290 pages) covers the first approximately 50 years of Ellen Johnson Sirleaf’s life, spending a few pages on her childhood before moving on to her marriage, higher education, subsequent divorce from her abusive husband (even though it meant no longer being able to raise most of their children), and her career as a financial bureaucrat. The second quarter focuses more on Liberia’s civil war and the years of coups and atrocities. Johnson Sirleaf was absent from Liberia for much of this time working for financial institutions abroad, but the reader needs to understand something of what was happening in the country to put her presidency in context. Finally, the last half covers her elections and presidency, though the book ends in 2015 and was published in 2017, before she actually left office.

The book is highly readable and offers a lot of explanation to readers who may not know anything about Liberia; Cooper is clearly adept at bridging two cultures. It is an admiring biography, and as far as I can tell an authorized one—Johnson Sirleaf allowed Cooper to follow her around and was interviewed for the book, though Cooper didn’t share her drafts—but Cooper also highlights areas where Johnson Sirleaf made poor or questionable choices. I wasn’t quite sure what to think about all her female supporters who stole their adult sons’ voter IDs to prevent them from voting for her clearly unqualified male opponent, for instance—interestingly to me, Liberian women seemed far more likely to vote for a candidate because of her gender than their American counterparts. But I was glad to see Cooper really dig into Johnson Sirleaf’s achievements in office: the chapter about how she managed to persuade other governments, multinational institutions and private companies to forgive Liberia’s $4.7 billion debt is fantastic and highlights a huge accomplishment that few others could possibly have achieved.

Meanwhile, other reviewers have mentioned that the book deals with some dark subject matter around Liberia’s civil war, and this is true though it isn’t the primary focus of the book. The last 35 pages mostly focus on the Ebola pandemic, which was interesting to read during another pandemic: there was a lot of initial denial around Ebola too, though once people accepted that it was real they seemed to do a good job of taking necessary precautions to wipe it out.

Ultimately, there’s a lot of good information in this book, but there’s more distance from its subject than I would have expected in a semi-authorized biography of someone who’s still alive: I didn’t get much sense of Johnson Sirleaf’s personality, what makes her tick, how the people close to her view her, etc. Maybe she didn’t want her personal life in a book, her family didn’t want to share, and Cooper decided to respect their wishes—hard to say. But while I still blew through the book in just a few days, I think I would have liked it even better with more personality. Cooper credits several people in the acknowledgments with making her ditch her “flip tone” and I wound up wishing she’d kept it. There are a few humorous bits, which were welcome.

But I’d certainly recommend this book to anyone interested in the subject, and Johnson Sirleaf is without doubt a tough and impressive woman, though (like everybody else) imperfect. Those who would like a more personal, in-depth and at times humorous story (with some overlapping subject matter) should check out the author’s memoir.

Only time will tell how to interpret events after the end of this book: Johnson Sirleaf stepped down in 2018, allowing for Liberia’s first peaceful transition of power in decades, but then the winner of that election was George Weah (the soccer player), whose vice president is Jewel Taylor (ex-wife of Charles Taylor, the war criminal). Hmm. I hope Cooper will keep on writing books about Liberia; I for one will be happy to keep reading them.

This is an interesting biography of a woman I can’t help viewing as the Hillary Clinton of turn-of-the-18th century England: Sarah Churchill, Duchess of Marlborough, was a prominent, divisive, highly political woman closely connected to her country’s leader, but not naturally suited to her supporting role. Opinionated, partisan, determined, self-righteous and stubborn, even today Sarah Churchill remains a colorful figure often portrayed in a highly negative light. Churchill is best known for having a very close relationship with Queen Anne, up until their dramatic falling-out largely due to political issues: the queen leaned conservative while Churchill was a committed Whig, and after decades of friendship Churchill seems to have assumed too much in terms of her influence once Anne ascended the throne. During the course of their friendship, Anne sent Sarah a lot of letters that today come across as highly romantic in tone and vocabulary, leading many to assume that the two were lovers. Author Ophelia Field looks at both sides of that question, but without spending too much time on speculation, preferring to focus on known facts. It’s pretty hard to figure out centuries later whether people were sexually involved, but we do know that many of the female courtiers at that time wrote each other letters like this, perhaps in part due to overheated epistolary conventions and in part because friendships were prioritized more at the time than they are now. It’s also worth noting that certain words simply had different connotations at the time (people declared their “passion” for their parents and children as well as their friends). On the other hand, while Anne dutifully got pregnant with her husband an astonishing 17 times (none of which resulted in a child surviving to adulthood), she did not have quasi-romantic relationships with male courtiers in the way other queens of England did, and Sarah evidently saw something untoward in Anne’s letters, as after falling out of favor she used them to blackmail the queen. This book though is a rather exhaustive chronicle of Sarah Churchill’s life, of which the Queen Anne episodes were only a part. There’s a lot about her relationship with her husband and his military victories, a lot about political maneuvering, and a lot about various satires and attacks against the Churchills in the press at the time. I also appreciated the final chapter dealing with the various portrayals of Churchill since her death. I don’t disagree with the reviewers who say the book goes on a little long, in perhaps too much detail, with the letters, politics and press attacks. It’s interesting stuff, but it may not need to be quite so granular and as a result the book takes a little while to get through. In my view Field does an admirable job of remaining balanced: Churchill was clearly a difficult person in a lot of ways, prone to strong opinions and long-running arguments (though perhaps not quite as contentious as some of her detractors portrayed her). She doesn’t seem to have been an attentive mother and was controlling toward her grandchildren, using the fortune she amassed through clever investments to keep them in line. At the same time, her willingness to step out of the standard role of a woman of her time is admirable, and she was clearly tough, committed, charismatic and intelligent. She wrote a lot, and was very concerned with how posterity would view her, so we get many excerpts in her own words. Overall, this is an interesting and at times dramatic biography of a strong personality, though at times it does drown a little in detail, while there were a few areas (such as Churchill’s children) that I would have liked to see fleshed out more. This book is a good choice for those interested in the topic.

Joe Abercrombie's talent is to make an experience so real that you feel you're there.

He turns an incident when a boat, being portered over a mountain, slips its ropes and must be held fast by an exceptionally strong man a great personal cost, into something filled with tension and pain and sweat and stoic selfless bravery that bypasses analysis and hits your emotions like an injection of adrenalin to the heart