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review 2018-06-28 20:50
Historical women shout-outs
Breathless - Beverly Jenkins

The heat now glittering in his eyes touched her like a hand. “You are going to be in so much trouble, Miss Bookkeeper.” 

I was really enjoying this one, more so than the first one because I thought the hero and heroine had better back and forth (I still had moments where I thought the dialogue was a bit stop and go), but the last 40% or so was pretty full of dropped in and random threads. 
There was some awesome shout-outs to historical women figures and Jenkins does a great job of setting the scene, made you feel the West. There's not a lot of angst between our couple but I enjoyed their chemistry, not scorching but playful. 
I just don't understand how the last half ending wasn't cleaned up more, it left you feeling as if alternate endings were dropped in together and messily meshed together.
Going to read the third because Regan was a character that grabbed my attention and Jenkins gives good historical feel and context (There's a tiny Geronimo and Lozen guest appearance here!).

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text 2018-06-28 16:36
Breathless - Beverly Jenkins

Ada took issue with the way the great Sojourner Truth was being held up as ignorant and illiterate. “The manner in which her words are portrayed in some of the pamphlets irks me to no end. She speaks English and Dutch, which is one more language than any of those other women speak.”

Fascinated, Portia admitted, “I didn’t know that.”

“She began life as a Dutch slave. English is not her first language, but to hear the movement’s leaders tell it, she speaks like an unschooled Deep South slave. And why they refuse to allow Colored women in their ranks says a lot about who they are. Especially Elizabeth Cady Stanton. This phrase they’re beginning to use—intelligent suffrage—is designed to leave women of our race on the side of the road. As if they’re the only ones with enough smarts to read a ballot.”

Portia had seen the phrase bandied about in the newspapers. Stanton and some of the other leaders were advancing the notion that a test of some sort be applied to ensure that only women of sound mind be given the vote, which of course everyone knew would be applied specifically to women of color. Stanton was still smarting from Colored men having been given the access to the voting booth ahead of them with the passage of the Fifteenth Amendment. In Portia’s mind, if they were all so keen on an immediate solution they should be advocating a movement to Wyoming Territory where women were given the vote in 1869.

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text 2018-06-27 20:37
Reading Update: 30%
Breathless - Beverly Jenkins

“I do like those high-collared blouses you wear.”

She looked down at herself.

“Makes me want to undo all the little buttons and see how you manage with my kisses against your bare throat. Curious about what scent you place there, too.”

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review 2018-06-14 01:35
history meets the present, and love is found in more places than one.
Breathless - Celeste Bradley

This was a fun read, a mixing of past and present with a link between the two. Brenna is drawn to the history of "the Swan", a courtesan. Fitch is drawn to "the Siren" paintings. He finds them for his client. The two bump heads but find love while figure the history out. I loved the mingling of past and present. I tried to guess where the story was going but was not correct. Despite that, I enjoyed this story.

I received a copy of this story through Netgalley, and this is my unsolicited review.

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text 2018-01-23 03:39
Breathless - Dean Koontz

This book begins in the woods. An ex-Army guy is out for a stroll when he sees something strange, life-changing: two creatures that look like dogs, but with human hands. They seemed to have escaped from a lab, or something. From there unfolds a tale of massive government conspiracy and permanent changes in the natural order of things.


Oh, sorry. If you thought I was describing Dean Koontz’s 1987 blockbuster hit, Watchers, you’d be wrong. It is in fact the setup of his 2009 non-hit, Breathless. Because apparently two decades is long enough before devolving into this level of self-imitation.


The title of this book is fitting. The sheer stupidity of the plot and characters did indeed leave me breathless . . . from laughing so hard. First off, this book has like six subplots going on, and it’s only 330 pages. The font is massive, the chapters are James Patterson-level short . . . and most of these characters don’t even meet each other. Seriously. There are two plot lines in this that have nothing to do with each other or the unfolding ‘main’ story, but they’re given almost as much attention. The hell, Koontz? And almost every thread is left dangling because the narrative ends more abruptly and with more force than the time I slammed my Honda Civic into a ditch and flipped it through a wood-log fence. On the whole, I preferred the experience of that car wreck to reading this steaming pile of dog crap.


Speaking of dogs . . . what is with the fetishization of dogs? It’s common knowledge Koontz has a weird thing for furry friends, but this book takes it to another level. Not only are the two dogs-slash-people-slash-monkey (Alex Jones, is that you?) prevalent here — their origins never being explained, by the way — but the main character also has a dog. Yay. By the story’s end there’s a half-baked love interest between the ex-Army, muscle man (oh he’s so tough and dreamy and emotional while not emotional at all!!! Squeeee!!!!!) and the local veterinarian, but I’m pretty sure the dude would rather be slipping it to Fido. That would’ve made for a better read than whatever the hell this is.


I can’t. I just can’t. What did I just read? I feel like I’m having an aneurism. And that isn’t even touching Koontz’s explanation for why the theory of evolution is completely and totally bunk. But I won’t go there. I can’t. I’d prefer not to put a bullet in my head, tyvm.

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