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review 2018-06-27 14:34
Emotional
Forbidden - Helen Kirkman

For more comments and quotes - Buddy Read Forbidden

"The marks that are on me will be there all my life, not to be hidden by overlong hair, or by clothing, so that no one asks any awkward questions. They will always be there and even if they were not, even if it were possible to be rid of them it would not matter. 
Because they are nothing to what is on the inside."
 


Written in a different tone, think languid, poetic, and atmospheric, and voice, think internal/emotional, this story felt quite unique and unlike a lot of romance books. I'm usually a fast reader but this story made me slow down and take breaks, instead of my read in one to three sittings. The tone can drag you down at times as a lot of the action takes place from our hero and heroine's internal thoughts but it ramps up the emotional aspects. The writing style won't be for everyone but if you can let the characters and setting seep into you, you'll enjoy and get lost in Rowena's struggle to survive as a woman in limited power and the thrall Wulf she buys to help her. 

The author did a good job with the power dynamics, Wulf is the slave but as a man and more strength than Rowena, he has his own sense of power. Their relationship was slow burning and sparking at different turns and as most the story depends on them together, their chemistry does not disappoint. Rowena was a great heroine who acknowledges and uses what powers she has and while I liked Wulf, I would have liked his backstory to have been revealed earlier, would have filled out his character more. 

You will definitely enjoy the historical aspect of the story. The author does an incredible job setting the time and place with harvest festivals mentioned, terminology, and even an inclusion of King Ines (who I think gets overshadowed by Alfred the Great too often). 

There's heat, passion, and betrayal in this one. I enjoyed going to a different time and place and while the tone and slower pace may not be for everyone, if you're looking to escape the typical romance, this one would fit the bill.

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review 2018-06-22 15:59
Mystique by Amanda Quick
Mystique - Amanda Quick

Hugh the Relentless wants to become Hugh of Scarcliffe. To accomplish that, he needs to appease his superstitious villages by finding a green crystal that's been recently stolen from the Scarcliffe convent.

The green crystal was briefly in possession of Lady Alice, a sharp-tongued beauty that's determined to strike a bargain with Hugh. She'll help him locate the stone, if he helps her and her brother leave their uncle's manor.


This was almost an exact copy of Desire with the long-suffering, knightly hero becoming saddled with an opinionated, rather spoiled, and entitled heroine with a sharp tongue, reckless impulses, and (at least from what I've seen) not much wit.

The romance between Hugh the Relentless and Alice the Relentless Pain in his Butt left much to be desired, since the heroine was so bloody annoying, I couldn't comprehend what drew Hugh to her and Hugh being so goddamn bland, I couldn't comprehend what drew her to him.

The suspense was the saving grace of this story with motives and suspects galore, and the mystery involving past sins and the Stones of Scarcliffe was nicely intriguing. Unfortunately, it couldn't compensate for the lack in all other "departments".

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review 2018-06-21 16:11
Desire by Amanda Quick
Desire - Amanda Quick

Clare, lady of the Isle of Desire, has no other choice but wed. What little choice she does have, will be spent on choosing the right husband, following a specific "recipe". All she needs are suitable candidates; they must not be big, they must be kind and have a pleasant disposition, and they must read.

Her liege lord sends her only two possible candidates. Sir Nicholas is out of the question, since he's an idiot, while Sir Gareth, the knight they call the Hellhound of Wyckmere, will not do either. He's huge, too serious and appears emotionless...But at least he can read.


I like medievals; the pageantry, the hulking knights on huge warhorses, the swords, the damsels in their girdles and wimples...This one only had the hulking knight on a huge warhorse and his sword.

I liked Gareth. He was the incarnation of a still water running deep. He was honorable, protective, smart and cunning...And unfortunately saddled with an idiot for heroine.
I couldn't stand Clare. For someone who prided herself on her intelligence, she sure could act stupid and shrewish. I'm sure she was supposed to be a feminist, but her "smart, strong willed" tantrums landed her in the entitled and opinionated bitch territory. She was impulsive, she never thought before she spoke, and her stereotypical view of knights (even the one who has sworn to protect her), coupled with her idiotic fantasy of the "dream man" got old really fast.

The resulting romance between the poor guy and the somewhat TSTL shrew made me wince, the "suspense" was predictable (you could see the villain and his "accomplice" from a mile away) and too short-lived...The majority of the story was spent on the two protagonists getting to know each other and Clare being Clare. With a different heroine, it might've been entertaining; with this one, it was just painful.

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review 2018-05-14 03:55
Kept by the Viking (Forgotten Sons #1) by Gina Conkle
Kept by the Viking (Forgotten Sons) - Gina Conkle

Kept by the Viking (Forgotten Sons) - Gina Conkle 

 

Release Date: May 14th, 2018

 

Buy Links 

Harlequin: http://bit.ly/2Elt9Sw
Carina Press: http://bit.ly/2jidyHp
Amazon: http://amzn.to/2DgK9GA
B&N: http://bit.ly/2D6HAKe
Kobo: http://bit.ly/2Coojn5
iBooks: https://apple.co/2CYvNcM
GooglePlay: http://bit.ly/2mo0dy3

 

The story takes place in a time when Vikings were settling in and around the Frankish kingdom. The setting felt authentic and real, with lots of interesting facts and vivid descriptions of how people lived at the time. That was a real treat for me since I love historical bits in my romances. 
After being separated from her family, Safira asks the leader of the Forgotten Sons to help her return home, and while Rurik can tell she’s hiding something, he agrees to help her in exchange for the one thing Safira cannot give. 

I love the way Safira was depicted. From the moment they met, she proved to be resourceful and clever in a way Rurik had never before seen in a woman. Her powers of persuasion and perception came in handy at some crucial times, winning the respect of every one.

There was also the political intrigue, that although I can never get into because it’s all too confusing, it was still interesting enough to keep me turning the pages. The romance though was a slow-burn, not because it wasn’t good but because there were too many things against them as a couple. They did find a way to stay together but it sure took them a sweet long time to get there.

**I received this book at no cost to me and I volunteered to read it; this is my honest opinion and given without any influence by the author or publisher.**
 

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review 2018-04-22 10:22
Sortes Vergilianae: "The Inferno of Dante" by Dante Alighieri, Robert Pinsky (trans.)
The Inferno of Dante: A New Verse Translation by Robert Pinsky - Robert Pinsky
What I love about Dante is how he doesn't invoke the Muses, unlike Homer, or Virgil, and that he goes straight to the heart of the matter, and straight in to the poem, i.e. "In the midway of this our mortal life, I found me in a gloomy wood, astray, gone from the path direct". In the middle of his life Dante is lost in a dark wood, the man he most admires, a fellow poet, takes him by the hand and leads him through hell and purgatory, but when they reach the entry for Paradise, Virgil must give way to Beatrice, love is greater than wisdom, Dante's love for Beatrice, his desire for wisdom, what follows is exquisite poetry, and both Botticelli and Dali make an effort to capture the genius that resides there, as words, Virgil's trade, and Dante's, cede to inner knowing, as they ascend, then transcend, life, and reach beyond star and sun into the vast blue. TS Eliot wrote that Dante and Shakespeare "divide the world between them-there is no third." But is it exquisite poetry in English translation? I very much doubt it. The 1970s Penguin verse translation I read by Mark Susa was rubbish. Now I listened to an Audiobook with a translation by Robert Pinsky. Think I'll take T.S. Eliot's advice: use a prose translation if you must but learn Italian if you're serious about getting anything out of Dante's poetry (Portuguese and Italian both came from the same mold, Latin, but they're two very different languages).
 
 
If you're into Medieval Literature, read on.

 

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