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review 2018-09-15 06:04
David Copperfield (Audiobook) (DNF @ 48)
David Copperfield - Charles Dickens

Whelp, that's 0-2 for me and Charles Dickens. I was going to try to power through this - I had 8 more days on the audiobook loan from my library - but every time I thought about listening to this for another 8 days, it was like those dolly zoom shots. I just can't. This is so boring! The first quarter or so was decent, and I thought it was going to go somewhere, like maybe Davie wasn't all that he seemed or something. And I thought for sure something was up with Steerforth, but nope! Davie finds refuge with his aunt and the story grinds to a halt and never recovers. It's just chapter after chapter after chapter of Davie meeting a friend and talking to them, Davie meeting another friend and talking to them, Davie corresponding with friends and then meeting them again and talking to them. Talk, talk, talk, blah, blah, blah. So, I'm done y'all. I'm going to spend the next 8 days doing something that's actually interesting. Like watching paint dry. Or watching grass grow. Or listening to Ben Stein read the dictionary.

 

2 stars because the writing here was a vast improvement over the self-indulgent A Tale of Two Cities. But this turned out to be a different kind of self-indulgence, just dressed up in pretty prose. Simon Vance does a great job with the narration, but even he can't make these characters interesting.

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review 2018-07-26 02:05
A Tale of Two Cities - DNF @ 40%.
A Tale of Two Cities - Charles Dickens

"You have been the last dream of my soul."

 

And this has been the end of my tether. I've run out of can for this book. Third time was not a charm.

 

When Dickens actually bothers to write characters living a story, the writing is tolerable. But then he goes into these long allegorical chapters that are pompous and overblown and I lose all track of what's going on or why I should care about any of this.

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url 2018-06-16 06:58
www.freedom-pdf.com/2017/03/christmas-caro.html
A Christmas Carol and Other Christmas Writings - Charles Dickens,Michael Slater

download the book pdf

 

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review 2018-06-04 10:14
4/5: Hard Times, Charles Dickens
Hard Times - Charles Dickens,Kate Flint

Thomas Gradgrind has a principle in life: Facts and cold logic are all that matters. There’s no room for imagination or anything that can’t be defined or measured. He expects the small school he runs to adhere to that principle, and expects the same of his own two children, Louisa and Tom. After all, what go wrong with the solid logical base of “The needs of the many outweigh the needs of the few (Or the one)”…?

Dicken’s tenth novel, published in 1854, has a very different feel to most of his other work. For a start, it’s very short for a Dickens novel. The chapters are shorter and the pacing faster as a result, and he doesn’t linger or pad scenes out.

Part of that may be the setting: Dickens isn’t in his beloved London for this one, but a fictional Northern England town called “Coketown”. He can’t fix the geography with real examples, so he goes for metaphor and simile. The pistons of the mills are described as working up and down like “the head of an elephant in a state of melancholy madness”, for example.

This was another story written as a serial, and it shows early on: Dickens quickly abandons his opening plot line of the school and his master and moves on to getting Gradgrind’s children grown up and married, which is when the story kicks in.

Louisa is married in a loveless union to Gradgrind’s best friend, Bounderby. And what else could it be, but loveless? The young woman has had imagination and love pounded out of her and replaced with cold facts since the day she started school. Her slacker of a brother encourages her to marry Bounderby so he can have an easy life (Tom works for Bounderby, and knows Bounderby will ease up on him to keep his sister happy).

Louisa is briefly seduced by an interloper, and fascinated by his lifestyle, but backs away. Instead, she confronts her father with the results of her cold education: His grand experiment has broken her ability to love, to feel anything for anyone. Shocked that the rigid rules of his life have done this to his daughter, Gradgrind recants.

In the meantime, Tom the slacker has run up some gambling debts and frames a local man for a robbery. He flees, but is captured by one of the former pupils of Gradgrind. In the best scene in the book, Gradgrind pleads with the pupil to let Tom go, but has his Utilitarianism is thrown back at him with brutal efficiency: The needs of the community outweigh Gradgrind’s wishes, after all.

The story wasn’t what I was expecting from Dickens. His tone is almost conversational at the start of the book; it felt more personal than his usual removed narrative voice. The novel is short, which helps the story move along, and the shift of location to a fictional town meant that he didn’t spend pages on padding descriptions.

Refreshingly for Dickens, Louisa felt like a real character and a not just a simpering and melodramatic female. Tom actually felt less well developed and more two-dimensional.

I liked the exploration of Utilitarianism, and I loved the way it was thrown back against Gradgrind, who thought it was wonderful…until he was the one and not the many.

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review 2018-05-26 21:46
Bygone Terrorism, A Not So Distant Memory.....
A Tale of Two Cities - Charles Dickens

The list of ‘classic books’ yet to fill my waking hours is long, but whilst I am embarked on a lengthy (albeit belated) campaign to put that right, I was inspired to elevate this Dickens novel based on a recommendation read in ‘The Big Issue’. Alas, I don’t remember the name of the celebrity endorser, but my reasoning was that if the book is worthy of inclusion on anyone’s list of five favourite novels, it has to be worth a read. In any event, it proved a good call.

 

The titular cities are of course London and Paris, towards the end of the eighteenth century, when the capital cities of England and France were presiding over tumultuous and historic social change. As our Gallic cousins warmed to the task of revolution and the permanent overthrow of their aristocracy through systemic decapitation, a newfound population of Anglophiles crossed the channel to escape the carnage. However, what is so delightful about Dickens’ approach to this dramatic backdrop and a hallmark of the author’s writing, is his primary focus on the working and middle classes and an exposé of his characters’ experiences, amid the shifting tectonic plates of European politics. Dickens can also be relied upon to craft for the reader extravagant phrases in which to luxuriate and there can be few more famous openings.

 

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going directly to Heaven, we were all going direct the other way….”

 

The novel is split into three ‘books’. ‘Book the first’ (“Recalled to life”), set in 1775, introduces Mr Jarvis Lorry, dutiful employee of Tellson’s bank and regular traveller between the firm’s London and Paris offices. He is to chaperone Miss Lucie Manette, whom he previously escorted to safety in England upon the death of her parents, back to Paris, to explore news that her father may in fact be alive. Dr Manette was a physician of some repute and has been imprisoned for many years ‘in secret’ before being released, an apparently broken man, to the dubious care of his former servant, Monsieur Defarge, now proprietor of a wine shop in the St. Antoine district. Indeed, Dickens’ description of the garret room in the attic used to incarcerate Dr Manette, as surely as the Bastille, the pitiable occupant and the loathsome landlord quickly establish for the reader a vignette of the approaching tempest and the descent into wider chaos.

 

Book 2 – “The Golden Thread”, picks up the story in London five years later (1780) and establishes Manette’s daughter, Lucie, as another key character. Uniting her father “to a Past beyond his misery, and to a Present beyond his misery…” Lucie dotes on her resurrected father and nurses him back to relative health and in so doing comes to the attention of another imperilled refugee from France, Charles Darnay and the two English lawyers who help successfully defend him from a charge of treason at The Bailey.

 

Notwithstanding Darnay denounces his heritage, the nephew of a despised French Marquis, any return to the country of his birth is likely to be fraught with danger. Moreover, his marriage to Lucie and their subsequent child confers similar risks to his family. Throughout, Dickens cultivates a stark contrast on either side of the channel and the operation of Tellson’s bank as the means of connecting affairs in Paris and London feels remarkably contemporary. But, while England plays host to the peaceful pursuit of life among family and friends, exemplified in Charles and Lucie, in France Monsieur and Madame Defarge are at the eye of the revolutionary storm. By 1792, the rising tide of discontent is watched ominously, as the Monseignor are scattered and take to their elite heels. For those with foresight, a foreign bank is a sensible depository for assets, but also acts as a magnet for revolutionary agents, to ensnare the treacherous upper class and slake the public thirst for bloody retribution.

 

However, though safely ensconced in England, when Darnay receives a letter from an imprisoned loyal servant of his family, clearly he does the honourable thing and returns to France, leaving letters for his wife and father-in-law.

 

Finally, Book 3 – “The Track of a Storm” magnifies the tension surrounding Darnay’s inevitable imprisonment and impending execution, through the selfless courage of his family and friends, who attend despite the risks. The cat and mouse tactics of Madame Defarge especially, desperate to seal the fate of the whole family, merely preying on casualties of a depraved process of social cleansing.

 

Still, cometh the hour, cometh the man and the final sacrifice is tragically heroic, but Dickens also reinforces the notion that nobility of character is not the sole preserve of the aristocracy. Indeed, the doctor, the banker, the lawyer and the daughter are all exceptional in their courage and fortitude and provide a glorious panoply of the human spirit. Again, Dickens has the turn of phrase to match the poignancy of the moment

"…It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.”

 

For me, this is tale that stands the test of time and though the reader glimpses exceptional demonstrations of love, its examination of the corrupting potential of power is the more potent lesson, as is the need for good people to show courage and resolve for what is right. 

 

In a timely update of the story, an adaption by BBC Radio 4 last weekend also gave the tale a contemporary twist, linking London instead with Aleppo (Syria). It remains powerful stuff, though perhaps sobering that the human experience continues to incorporate such destructive tendencies centuries later.

 

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