[I received a copy through NetGalley, in exchange for an honest review.]

One of my favourite themes being in here, I still enjoyed the story for that aspect, but I admit that otherwise, I didn’t enjoy this book as much as I expected to.

While it definitely deals with cool concepts (the aloof, badass grandpa; the robots; the mysterious men wanting Alex’s just as mysterious robot; their magic, both awesome and gruesome), plot-wise the story was also completely over the place. In a way, it reminded me precisely of the way I envisioned stories myself when I was a young reader: “Something mysterious! A bully! School woes! Something else happens! Grandpa arrives! Mum is not happy with him! Something else happens! Let’s run away!” And so on. So perhaps this would appeal to a 10-year old audience? I’m not entirely sure either. (To be clear, it’s not the fast pace itself I found problematic—such a pace can be very powerful indeed؅—but the disjointed way in which it was handled.)

“Monstrous Devices” also contains a very specific pet peeve of mine, a.k.a “I’m not telling you anything because for some reason, I think it will protect you, yet I completely fail to see that it actually endangers you more.” I don’t know why this trope is so prevalent. Just talk to your kids, people, they’re not stupid, and if you think it’s OK to take them traipsing all over Europe while pursued by murderous robots, then why not equip them to deal with it better, hm? (And as a result, the reader is none the wiser either. Having a few things left open at the end, for the next volume or two, is cool; having too many is not.)

Conclusion: 2.5/5. Cool themes, and this will probably work for part of the intended audience at least, but not so much for me.

[I received a copy of this book through NetGalley.]

Beautiful artwork like in the first two collected volumes. I didn’t notice the same ‘eye-candy’ level during action scenes as in the first volumes, which is good since it makes those scenes more believable. Exception made for the illustrations at the end, these are all fine since they’re meant to depict the character posing anyway. Also, they’re beautiful. The art and colours remain as enjoyable as ever.

While there’s no resolution as to Mechanika’s past here either, we do get a few glimpses into what she has been through, thanks to her nightmares and memories. I can only hope that at some point she’ll get to find out the information she’s seeking.

This volume dealt with body transfer into what appear like a mix of golems and automata, which means that of course I got sold on that idea pretty quick. There’s a mix of dark experiments with magic and technology, action, and conundrums about what defines life, that I tend to enjoy. There’s a tall, dark and somewhat mysterious detective (Singh) that for once I felt more connection with than I usually do with that character archetype. Oh, and creepy toys, in a sense, considering the golems are doll-like and can easily be mistaken for toys.

This third instalment felt darker to me than the second one, and more interesting even though there was no trip to mysterious temples or adventures in the jungle; I guess that’s my natural preference for urban settings speaking, along with the themes explored in this ‘Lost Boys of West Abbey’ story.

The one thing I really regret is how short this volume was compared to the others. The plot deserved more.

The Desi Writers Lounge (DWL) is holding a short story contest. I submitted an entry that is almost 2k words long. The results will be announced in October, so I will wait until then to share it on the blog.

Until then, I will be sharing the shortest of shorts that I wrote for the Booksy subscription. It was included in the boxes with the other goodies. Here it is:

“Not into a bulb! Anything but that…”, the Ifrit begged but it was to no avail. What her hellions wanted, they almost always got. Fawj smiled as her daughter, Sid, morphed into a golem as big as a house. She looked down at the trembling Ifrit and lifted her behemoth foot, threatening to squash him. The Ifrit shook his head and vowed to murder his boss who had sent him into this madhouse in the first place. “It will be easy, they had said. They’re just a bunch of kids and their mother. You will be out of the house before they even realize you were in”, the Ifrit muttered as he transformed into a bulb in a room full of an octet of kids and their mom.

Ifrit

The golem bent down and picked up the bulb with surprisingly nimble bamboo-sized fingers. She hung him on an overhead beam and clapped like a little girl. She was a little girl, no older than five, realized the Ifrit as it gave her the evil eye, even as a bulb.

Girl Golem

The Thief of Thieves, he had been apprehended by a five-year-old as he sneaked inside her house to rob her! It did not matter that she had morphed into his personal nightmare at that time. Which was why, his guise had slipped, and the girl had snared him with a tentacle of an arm. It was too painful for him to remember what happened afterwards. He had been forced to turn into everything, from a cat’s chew toy to this last humiliation, a light bulb.

My Kinda Ifrit

“Brighter!” Sid growled now and he shined as bright as he could.  “Is that bright enough, mommy?” The girl asked, snuggling against her mother. Fawj nodded, watching her other children get started on their homework.

As if!

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A coming-of-age adventure in a world that is both threatening and full of wonders, following a boy who embarks on a journey to save his father: after Wulliam witnessed his dad being possessed by a river spirit, he decides to take his only parent to the sea, hunting down a legendary beast whose fluids are rumoured to have many healing properties. And even if it means abandoning his duties as the keeper of the river, Wull feels he doesn't have a choice: either that, or let his father wither and die.

There were quite a few magical, poetic descriptions and moments in this book, and I never found it hard to picture the characters' surroundings, or to imagine the mormorach, diving in the dark waters, preying on ships and crews bent on taking it down. Nor was it hard to imagine little Bonn, or Tillinghast's strange body (bodies?).

However, I was a bit disappointed in the “adventure” itself, for it was rather sluggish in more than one place, and some events and character arcs felt put on a bus after a while. Most of the people Wulliam meets have their quirks and an aura of mystery: from the undertaker to Tillinghast the man who's not alive, from Mix and her strange tattoos to Remedie cradling her strange baby, from the solitary scientist in the Deadmoor to the silent Mr Bent. The problem is that some of those people were given their own adventure... yet said adventures were never really concluded: only Wull and Tillinghast seem to have an ending of their own (as well as a few other characters, but let's just say that their ending is a little more, uhm, permanent). As a result, it felt less like an open ending, and more like the author wanted to get to Wulliam's ending mostly, with his quest being a little... on the side? I may be mistaken, but that's how I keep on feeling about it now. I still don't know why Mix doesn't eat, or what happened to Remedie and Bonn.

Wulliam was also pretty annoying as a character. On the one hand, I could understand his desire to save his Pappa, along with his underlying somewhat selfish reasons (he wants to save him because he loves him, of course, but also because he doesn't know how to be the Riverkeep in his stead, and wishes for his guidance some more); I could also understand how he'd come to be angry, considering everybody seemed to hitch a ride and not lift a finger to help. On the other hand, well... those characters helped in different ways (Till does pay for the trip, after all, and Mix does have a knack to gather resources unseen), and Wull after a while became more the annoying, tantrum-throwing type than the rightly-annoyed, unfairly-treated one.

Conclusion: ~ 2.5 stars out of 5. I liked the atmosphere, the depiction of the river and of the places travelled in this novel. Nevertheless, the pace was rather uneven, and unless it's the first book in a series and we're bound to learn more in a second one, not bringing closure to other characters' stories made me feel unsatisfied.