An anthology of four stories with BSDM as the focus.

The first story A IS FOR ASSIGNMENT by Ginny Glass has Lane, a police psychologist, working undercover with Detective Cameron Isley to break a drug ring at the local BDSM club. One night she dominates. The next he does. Things go too far, and they cannot think of the other without remembering the night she dominated him at the club. But will they break the drug ring? I liked this story. I liked Lane and Cameron. He is too used to dominating others that seeing him fall submissive under Lane's hands is good. I liked that both kept thinking of their session. I also liked that both decided to be honest when the time comes to talk.

Second is B IS FOR BONDAGE by Christina Thacher. Rachel goes to Marc to learn how to be a good submissive so she can gift her submissiveness to her boyfriend, Danny. Turns out Rachel and Marc break the rules. Danny is no dominant but an abuser. When Rachel goes to her final lesson, the truth comes out. Will Marc like the truth? I liked Rachel for her shyness. I liked Marc because he tried to follow the rules and not get involved with Rachel. When she comes for her class after Danny finds out, I liked how Marc showed Rachel her bruises did not change his feelings. I also liked that he puts the brakes on but Rachel has a mind of her own.

Next comes C IS FOR CURIOSITY by Emily Cale. Hilary works as the receptionist at a BDSM club where Mistress Rebecca works. Trying to find a private space, Hilary inadvertently walks in on Mistress Rebecca's session. After the session, Mistress Rebecca tells Hilary she must be punished for breaking the rules. Mistress Rebecca gives the punishment to Hilary. Hilary responds beautifully to Mistress Rebecca. What happens when the one time is done? I enjoyed this story. I liked that both were afraid of being fired for their behaviors. Hilary's curiosity was refreshing as was Mistress Rebecca's feeling for Hilary. I liked Hilary's eagerness and her recommendation. It was a twist Mistress Rebecca was not expecting.

Last is D IS FOR DETAINED by Maggie Wells. Sherry has to go back to her hometown to clean out her parents' shop. Not having good memories of the town makes it hard for her. While there, Deputy Tyler comes in thinking she is a criminal. He is also the only boy who said no to her during high school. He now makes up for it. Will Sherry forgive him? I liked this story. Sherry finally finds out why Tyler said no. They explore what they could have had and find out they like it. It was fun watching Sherry goading Tyler. I also liked that Tyler has plans for the future which include her.

Each story had its own special hotness. I will have to see if more volumes were written in this series.

The Great Wave Learning from Van Gogh & Hokusai about 19th Century Art

Reconsidering Transcendence in Art Presence or Absence of divine Learning from Van Gogh & Hokusai by Nataša Pantović

The late 1800s was the time of Impressionism as a radical art movement , centered around Parisian painters, the wave that rebelled against classical subject and gave respect to Mother Nature.

Travelling to their thought-form, Vincent van Gogh to the artist friend Emile:

Letter from Vincent van Gogh to Emile Bernard, Saint-Rémy, 1889

“But now look, ... you surely can't seriously imagine a confinement like that, in the middle of the road, with the mother starting to pray instead of suckling her child? Those bloated frogs of priests on their knees as though they're having an epileptic fit are also part of it, God alone knows how and why!

No, I can't call that sound, for if I am at all capable of spiritual ecstasy, then I feel exalted in the face of truth, of what is possible, which means I bow down before the study - one that had enough power in it to make a Millet tremble - of peasants carrying a calf born in the fields back home to the farm.

That, my friend, is what people everywhere, from France to America, have felt. And having performed a feat like that, can you really contemplate reverting to medieval tapestries? Can that really be what you mean to do? No! You can do better than that, and know that you must look for what is possible, logical and true.”

Letter from Vincent van Gogh to Emile Bernard, Saint-Rémy, 1889

“Now to enlighten you, my dear M. Van Gogh, ... I am searching for and at the same time expressing a general state of mind rather than a unique thought, to have someone else's eye experience an indefinite, infinite impression. To suggest a suffering does not indicate what kind of suffering: purity in general and not what kind of purity. Literature is one (painting also). Consequently, suggested and not explained thought.”

Letter from Paul Gauguin to Theo van Gogh. At this time, Vincent was 36 year old.

The Starry Night Vincent Van Gogh, 1889 & Japanese print Hokusai Great Wave 1833

First seen outside Japan in the 1880s, Van Gogh's brother was one of the first Europeans to collect Japanese prints and has admired Japanese art.

Starry Night (1889), was created while Vincent was a patient at Saint-Paul-de-Mausole Asylum in France 

"The artist always comes up against resistance from nature in the beginning, but if he really takes her seriously he will not be put off by that opposition, on the contrary, it is all the more incentive to win her over - at heart, nature and the honest draughtsman are as one.” Vincent Van Gogh to his brother” “The struggle with nature is sometimes a bit like what Shakespeare calls “the taming of the shrew””. Vincent van Gogh Letter to Theo van Gogh, 1881 in Etten, At this time, Vincent was 28 year old.

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