A copy of this book was provided by the publisher for an honest review at The Romance Evangelist.

CAGED is the latest entry in the Mastered series by Lorelei James and one that continues the upward swing of my enjoyment in a series that started out rough for me but keeps getting better. In this book, we finally get an HEA for two previously introduced secondary characters, including the one whose initial violent encounter was the starting point for the entire series.

Deacon McConnell is famous in the local mixed martial arts community for his ability to read and exploit his opponents’ weaknesses in direct competition. Yet when it comes to making a claim on the woman he’s wanted for years, he’s still unable to follow through. Molly Calloway came to the dojo at her best friend Amery’s insistence for self-defense training after an attack that threatened her physical safety. Now that Amery is happily married to the dojo’s Sensei, it’s Molly who’s still working on defending herself from both physical and emotional threats, the greatest of which is her undeniable pull toward Deacon. When Molly finally confronts Deacon in the unlikeliest of places, the simmering attraction between them flares up hot and strong. But as demons from both their individual pasts threaten to come between them, it will take more than physical desire to stay true to themselves and each other to their happy ending together.

I’ll admit that I hadn’t paid much attention to either of these characters in previous books, other than when Molly was being stubborn about not wanting to go to the dojo when Amery agreed to participate in classes with her there in the first book. But CAGED has fleshed out the backgrounds of both Molly and Deacon almost to the point of overload, and shown that they do have more in common than just irresistible sexual chemistry. Both of them were rejected in almost ridiculously horrific ways by the people who should have loved and protected them, and each has managed to not just survive but succeed in spite of all that. It was wonderful to see them have each other’s backs as they had to re-fight their family battles one last time, even when the going got rough and inevitably faltered along the way.

The only part that didn’t quite work for me in CAGED was the early continuing emphasis on Deacon’s various confrontations with his trainer and a new but ultimately temporary competitor, and the constant misunderstandings from Ronin’s lack of transparency in his dojo management. I wasn’t sure who was supposed to be the bad guy and who wasn’t, and was still confused right up until a few pages of explanation much later in the book when Ronin deigned to make things clearer to both Deacon and the reader. Frankly, anything that isn’t directly related to the romance is of lesser interest for me, so I was happiest when Molly and Deacon were front and center together. Their personalities complemented each other well when they didn’t let external forces become a distraction, and the obstacles in their path to their HEA helped them grow emotionally as individuals and a couple. By the end of CAGED, I knew that they were going to stay together no matter what, and that it was the best possible ending for both of them. I can only hope that they and we as the readers will continue to enjoy seeing other members of the Black Arts dojo family find their own happiness as the Bound series continues.

Berkley / NAL Romance is giving one lucky commenter a free copy of the first two books in the Bound series (BOUND and UNWOUND). Just leave a comment here at the blog on this review between now (7/9/2015) and a week from now (7/16/2015). The winner will be drawn at random from all comments on this post and will receive this prize directly from the publisher.

A copy of this book was provided by the publisher for an honest review at The Romance Evangelist.

SUDDENLY ONE SUMMER is only the second book I’ve ever read by Julie James, but she has already become a writer I trust to provide a couple I can’t resist in an interesting story filled with seemingly effortless dialogue and just enough plot twists to keep it lively. In this latest entry in her ongoing FBI / US Attorney series, our hero is an investigative journalist who was introduced as a secondary character in a previous book and his heroine is a divorce attorney determined to keep her life free from romantic entanglements.

Victoria Slade wasn’t supposed to move into her new house until the end of summer, but when burglars send her to the hospital with a panic attack, she’s forced to find another less frightening place to live until then. When she meets Ford Dixon, her temporary neighbor, Victoria is tempted, but refuses to let her libido or her heart get her in trouble. What she didn’t count on was getting pulled into Ford’s quest to find the father of his sister’s baby, and how their constant proximity would soon blossom into a romance neither Victoria nor Ford is quite ready to handle.

What I loved the most about SUDDENLY ONE SUMMER is how Julie James takes two people who are complicated characters in their own right and throws them together in a way that not only seems possible but inevitable as we feel every moment they experience on the way to their happy ending. Although Ford and Victoria come from different worlds, the childhood traumas that shaped them aren’t all that dissimilar, and when they reach the inescapable black moment of the story we can see their coping mechanisms are also variations on the same theme. The search for the father of Ford’s sister’s baby may at first seem not directly related to the romance, but as Ford and Victoria become more engrossed in their shared quest, their teamwork helps build the rapport and trust each needs to take their summer affair into something deeper. It’s also what ultimately keeps them in each other’s lives long enough to realize what they have is stronger than any past trauma, and pushes them into the shared leap of faith a real commitment requires.

It’s hard to fully describe the feeling I get when I read a Julie James book without sounding either pretentious or hackneyed. For me, her writing is like a perfectly mixed cocktail or a flawlessly constructed dessert, where you know there was extensive effort behind the scenes to make it all work but all you experience is the sublime result. SUDDENLY ONE SUMMER made me laugh, made me cry, and made me swoon, sometimes all in the same paragraph. It’s one of the best books I’ve read this year and reminds me I still need to go back and read all the other titles in this excellent series.

A copy of this book was provided by the publisher for an honest review at The Romance Evangelist (but I bought my own copy afterward).

ASKING FOR IT is an unusual story from a new author, or at least a new name to the genre. I wish I knew the name that Lilah Pace used for her other books, because I want to glom her backlist. Because I loved ASKING FOR IT. I loved it so much that I bought my own copy when it was released weeks after I read the ARC. It’s easily the best book I’ve read so far in 2015, and the only book I’m anticipating being better is the follow up book to come later this year.

Vivienne Charles has a special need for sexual satisfaction, an overwhelming need and a secret shame. Secret until one fateful evening when her drunk ex blurts out the truth in front of the one man who hears and understands. For Jonah Marks has his own wants and desires, and what he wants is what she needs. The forces that let them to this point may be pushing them together, but when long buried secrets are revealed, those same forces will drive them apart just as quickly, perhaps for good.

I’m not going to drop any spoilers to show why I found this book to be so incredibly good because as always, the joy is in the reading. But there is one thing I need to reveal because I’m convinced it will make you like the book more, not less. ASKING FOR IT is not a stand-alone book – it’s book 1 of a duology. That means the romance started here in ASKING FOR IT will not have its happy ending until book 2, BEGGING FOR IT.

If you hate cliffhangers, please know that I hate them just as much, and if I hadn’t known this story was continued in the next book, I’d have felt blindsided. Yet I did know, and as a result, the ending felt more like an intermission between acts, a natural break as opposed to an arbitrary stopping point. Vivienne and Jonah just have so many problems to work out both individually and together that any HEA in this book would have to be rushed and completely unbelievable. By the time ASKING FOR IT ends, there’s so much we know about Vivienne, but we’ve only just begun to plumb Jonah’s depths, and why what Vivienne wanted is what he wanted to give her…until it wasn’t.

If you’ve read the blurb or the disclaimers, you know what this book is about. It’s a woman with rape fantasies and a man willing to make them happen for her. But what this book is also about is consent, in big flashing capital letters. Consent is what brings Vivienne and Jonah together. Consent is what differentiates their relationship from any other either has ever had. And lack of consent is what could ultimately tear them apart. Because consent needs to be mutual, or it doesn’t exist at all.

The line that resonated with me the most about consent is also what I keep coming back to when someone asks me why their story had to be in two separate books. It was spoken by Vivienne’s therapist about Jonah, and it’s part of why this book was so different for me in a genre overrun with dub-con, non-con, and every variation of what is sold as “dark romance” these days.

“But he gets to have limits too.”

Readers also get to have limits. ASKING FOR IT might hit your limits, and that’s understandable. But if this is the kind of book you think you might like, I think you might like it a lot. I know I did.

I liked how it avoided the more obvious ways the plot could play out for something less expected yet more realistic.

Full review at The Romance Evangelist.

A copy of this book was provided by the author for an honest review at The Romance Evangelist.

THE DUKE OF ANDELOT is the triumphant conclusion to Delilah Marvelle’s excellent School of Gallantry series, but like the other books before it, it can easily be read as a standalone, even if you don’t know who everyone is in the lovely epilogue. I myself came into this series with book 4, NIGHT OF PLEASURE, and since then have enjoyed going back and discovering the stories running concurrently with all the others.

As the final book of the series, THE DUKE OF ANDELOT is somewhat different from the rest in that the bulk of its story takes place decades earlier. In it we learn how the notorious Madame de Maintenon found her own true love, only to lose him, perhaps forever, to the chaos of the French Revolution. Before she was the toast of Paris and London, she was merely Thérèse, the butcher’s daughter, tramping through the countryside on her way to her beloved cousin Remy and his small Paris theater. When a threatening highwayman turns out to be Gérard, a highly placed aristocrat on his way to attempt an improbable rescue of his beloved godfather, Thérèse is attracted to him, but skeptical of his motives. As their journey continues, their love for each other grows as quickly as the danger they both face while the Revolution speeds toward its predestined conclusion.

I’ll admit that when I first started reading, I was disappointed to begin in the past, with only my knowledge that this was Madame de Maintenon’s story to keep me from immediately losing interest. But once Thérèse and Gérard find themselves completely in love with each other, I was thoroughly hooked. And by the time they each must make the decisions they need to stay alive, I was awash in tears which lasted all the way to the short but satisfying epilogue which tied up the whole series in joy. Even the small repetitive parts (for those familiar with the previous books) couldn’t keep me from wallowing with glee in the Happy Ever After for the woman who had brought so many to others before her and the one man worthy of her love. THE DUKE OF ANDELOT is a satisfying historical romance for anyone who loves a happy ending that’s merely delayed, not denied.