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A copy of this book was provided by the publisher for an honest review at The Romance Evangelist (but I bought my own copy afterward).
ASKING FOR IT is an unusual story from a new author, or at least a new name to the genre. I wish I knew the name that Lilah Pace used for her other books, because I want to glom her backlist. Because I loved ASKING FOR IT. I loved it so much that I bought my own copy when it was released weeks after I read the ARC. It’s easily the best book I’ve read so far in 2015, and the only book I’m anticipating being better is the follow up book to come later this year.
Vivienne Charles has a special need for sexual satisfaction, an overwhelming need and a secret shame. Secret until one fateful evening when her drunk ex blurts out the truth in front of the one man who hears and understands. For Jonah Marks has his own wants and desires, and what he wants is what she needs. The forces that let them to this point may be pushing them together, but when long buried secrets are revealed, those same forces will drive them apart just as quickly, perhaps for good.
I’m not going to drop any spoilers to show why I found this book to be so incredibly good because as always, the joy is in the reading. But there is one thing I need to reveal because I’m convinced it will make you like the book more, not less. ASKING FOR IT is not a stand-alone book – it’s book 1 of a duology. That means the romance started here in ASKING FOR IT will not have its happy ending until book 2, BEGGING FOR IT.
If you hate cliffhangers, please know that I hate them just as much, and if I hadn’t known this story was continued in the next book, I’d have felt blindsided. Yet I did know, and as a result, the ending felt more like an intermission between acts, a natural break as opposed to an arbitrary stopping point. Vivienne and Jonah just have so many problems to work out both individually and together that any HEA in this book would have to be rushed and completely unbelievable. By the time ASKING FOR IT ends, there’s so much we know about Vivienne, but we’ve only just begun to plumb Jonah’s depths, and why what Vivienne wanted is what he wanted to give her…until it wasn’t.
If you’ve read the blurb or the disclaimers, you know what this book is about. It’s a woman with rape fantasies and a man willing to make them happen for her. But what this book is also about is consent, in big flashing capital letters. Consent is what brings Vivienne and Jonah together. Consent is what differentiates their relationship from any other either has ever had. And lack of consent is what could ultimately tear them apart. Because consent needs to be mutual, or it doesn’t exist at all.
The line that resonated with me the most about consent is also what I keep coming back to when someone asks me why their story had to be in two separate books. It was spoken by Vivienne’s therapist about Jonah, and it’s part of why this book was so different for me in a genre overrun with dub-con, non-con, and every variation of what is sold as “dark romance” these days.
“But he gets to have limits too.”
Readers also get to have limits. ASKING FOR IT might hit your limits, and that’s understandable. But if this is the kind of book you think you might like, I think you might like it a lot. I know I did.
