Revisit 2015 via miniseries:

Episode One description: Lord Uhtred (Matthew Macfadyen), one of the more important earldormen of Northumbria, is killed and his 10-year old son, Uhtred, and a girl called Brida are taken as slaves by the Viking chief Earl Ragnar. The boy saves Ragnar's daughter Thyra from Sven, son of Kjartan, Ragnar's shipbuilder. Kjartan is banished and Sven is blinded in one eye. Uhtred and Brida are raised as Danes. In adulthood Uhtred and Brida see Earl Ragnar killed and Thyra taken by Kjartan and Sven. Uthred decides to embark on the task of regaining his lands from his uncle who is aligned with the Danes.

Episode two description: The death of Earl Ragnar and an English uprising in the North is blamed on Uhtred. Appealing his innocence to Ubba and Guthrum, Uhtred witnesses the death of the East Anglian King Edmund in the manner of a Christian saint. When his appeal is rejected Uthred and Brida flee to Winchester, capital of Wessex, the last surviving English kingdom. Alfred is wary of the pagan Uhtred and Brida and when Uhtred supplies information of an impeding Viking attack he advises King Aethelred to imprison them pending the outcome of the battle.

Episode 3: King Aethelred and Alfred win the battle but the king is mortally wounded, bequeathing his crown to Alfred rather than his own son. Uhtred and Brida are released and Alfred seeks a peace treaty with Guthrum and Ubba. Uhtred advises Alfred what the Danes fear and watches Alfred negotiate a peace to give Wessex time to prepare for future battles. Uhtred trains the Saxons after pledging his allegiance to Alfred for a year. Brida miscarries Uthred's child. Earl Ragnar's son, Ragnar the younger, appears. Realizing that Uhtred will not break his word to Alfred, she leaves with Ragnar.

Episode 4: In order to gain land and become an Ealdorman, Uhtred is persuaded by Alfred to marry Mildrith. Unbeknownst to Uhtred she bears the burden of her deceased father's debt, two thousand shillings, to the church. Uhtred realises he has been tricked. Despite this, love blossoms and Mildrith becomes pregnant. The Danes, under Guthrum and Ragnar the Younger, capture the fortified town of Wareham. During peace talks Uhtred and nine others including a priest are used in a hostage exchange with the Danes. He meets his brother Ragnar and Brida again. Meanwhile Mildrith gives birth to a son. When the peace collapses, with Ubba's imminent return from Ireland, the hostages are all killed except Uhtred who is allowed to leave after Ragnar's intervention. He spies a large Danish fleet, under Guthrum, and lights the first beacon warning Wessex of a new invasion.

Episode 5: The Danish fleet land in the south but lose many ships in a huge storm. Alfred goes south to defend against Guthrum and Uhtred joins the force led by Odda the Elder facing Ubba and the Danes at Cynwit on the Severn. Uhtred sneaks into the Danish camp and sets fire to some of their ships, causing confusion. But he is spotted and forced to fight Ubba to the death. He kills Ubba and Odda's forces arrive and defeat the Danes. But Odda is injured and, in Winchester, Odda the Younger persuades Alfred that the victory was his work. Uhtred objects and is humiliated by Alfred. Mildrith, Uhtred and their baby son (also Uhtred) return to their lands. Uhtred kills Oswald, the estate's steward, after realising that he has been cheating him.

Episode 6: Uhtred and Leofric leave Wessex with armed fighters dressed as Danes, to raid Cornwall and pay off Uhtred's debts. They are approached by Brother Asser, a monk. His king Peradur pays Uhtred and his band to attack a nearby fort held by Skorpa and his Danish warriors. Uhtred and Skorpa double-cross and kill Peradur and his men. Skorpa double-crosses Uhtred to take the king's treasure. But Peradur's pagan queen Iseult shows Uhtred the hidden treasure. Uhtred pays off his debt to the church with some of the plunder. Uhtred and Iseult arrive at Alfred's court, where Uhtred is accused in the Witan by Asser of raiding Cornish territory. Leofric, who is forced to testify against Uhtred, pleads with Alfred to resolve the dispute by fighting Uhtred to the death.

Episode 7: During Leofric and Uhtred's fight to the death, Guthrum's Danes attack. Uhtred, Leofric and Iseult rescue Hild and escape, hiding in the Somerset marshlands. There they discover Alfred, fleeing the Danes with his family. The king sends a message to Wulfhere, Beocca and Asser, who rally to him with their remaining forces. Iseult cures Alfred's sick son Edward, but warns that another child will die as a result. Skorpa's fleet of ships is moored elsewhere in the marshes. Uhtred and his men lure the guards into the deeper marshes, where they are killed and their ships set alight.

Episode 8: Wulfhere and his men desert Alfred to join Guthrum. Alfred and his remaining force journey to Odda in the hope of gathering an army. Uhtred discovers his son has died, fulfilling Iseult's prophecy. Iseult also reveals that Uhtred's sister Thyra is still alive. Alfred sends messages for loyal troops to gather at Egbert's Stone. Odda the Younger rejects Alfred's request for troops. Odda kills his son for his treason, and his men join Alfred and meet up with the other troops. Alfred's army defeats Guthrum, however Leofric and Iseult are both killed. Young Ragnar and Brida are taken as hostages to secure the new peace with the Danes, and Guthrum converts to Christianity having seen Alfred's victory as proof that his 'God is with him'. Uhtred, Hild, and Halig ride north to Bebbanburg.

The first series' storyline roughly covers the plot of the original two novels, The Last Kingdom and The Pale Horseman

    Alexander Dreymon as Uhtred of Bebbanburg
    Tobias Santelmann as Ragnar the Younger
    Emily Cox as Brida
    Thomas W. Gabrielsson as Guthrum
    Joseph Millson as Ælfric
    Rune Temte as Ubba
    Matthew Macfadyen as Lord Uhtred
    Ian Hart as Beocca
    David Dawson as King Alfred
    Adrian Bower as Leofric
    Simon Kunz as Odda the Elder
    Harry McEntire as Aethelwold
    Brian Vernel as Odda the Younger
    Amy Wren as Mildrith
    Charlie Murphy as Queen Iseult





Read by Jamie Glover. First of four in a series.

FIXED LINK - Viking Kittens

They are called Vikings when at war, and Danes when they trade.

Normally I am disappointed when an audio book comes abridged but just sometimes that designation is quite alright. I have enjoyed this story immensely just as it has unfolded - it's fast, violent and sort of historically accurate.

Gratuitously violent? I hear you ask. Let me just say that neither Cornwell nor the Vikings were  renowned for their stamp-collecting skills.

bookshelves: published-2004, historical-fiction, conflagration, britain-england, medieval5c-16c, revenge, war, norfolk, paper-read

My cover is unavailable on GR:



Dedication: For Kaye, with love

Front Quote:

Cold heart and cruel hand
Now rule across the land
Anglo-Saxon Chronicles

Opening:

1070
They left York by the Jubber Gate, what remained of it, like thieves in the night. Behind them smoke from the blackened timbers of the burning City billowed skywards, choking the night air, obscuring the moon, covering their escape.


[..]the fens, a stinking wilderness of sky and mud. It was rumoured that the fen dwellers had webbed feet, that nature had intervened to prevent them sinking into the endless marshland.

Sweyn II Estridson (Svend Estridsen) April 28, 1074

A great fictional read about a very obscure part of English medieval history, although a proof reader would not have gone amiss and the book length may have been reduced by, say, four pages if all the modern curses had been taken away. But I loved it, all those 'bloody' villains - and what about the coracle action to set the bridge aflame.

Yes, loves me some neat coracle action.

Seeing that history can never be construed as a spoiler, I will add that Hereward ultimately loses the battle to keep the Isle of Ely out of The Conqueror's hands.

3.5* upped to 4* for a great hero.

bookshelves: under-500-ratings, translation, published-1987, medieval5c-16c, nonfiction, paper-read, history, spring-2013

Opening: The Viking Age is shot through with the spirit of adventure. For 300 years, from just before AD800 until well into the eleventh century, Scandinavians from the modern countries of Denmark, Norway and Sweden played a decisive role in many parts of Europe.

the noun vik means 'bay' in English. So to go a-viking meant skulking in and out of bays (once the open sea voyage was over, natch)

It's got to be done:

clickerty click on the kitty

Lots of facts not necessarily displayed to best advantage and the utilitarian style got the job done. Yet where was the zest?

bookshelves: published-2007, summer-2013, e-book, under-20, nonfiction, paris, france, art-forms, architecture, history, medieval5c-16c, reference-book, cults-societies-brotherhoods, ghosties-ghoulies, gothic, anti-semitic, mythology, philosophy, racism

Opening: There are many churches dedicated to Notre Dame but only one Notre-Dame de Paris. Located on the east end of the Île-de-la-Cité, the cathedral is the spiritual and geographic center not only of Paris, but of the whole of France. Built between 1163 and 1250, it remains one of the first and most innovative Gothic structures in Europe.

Le Stryge: the unique and the single most memorable creation of the nineteenth-century restorer and architectural theorist Viollet-le-Duc. Though not a gargoyle in the proper sense of the term (since he does not serve as a drainpipe) he has nonetheless become the very essence of gargoyleness, the quintessence of the modern idea of the medieval.

Charles Méryon Le Stryge.

Gargoyles remove 'all the body, filth, and foulness that is ejected from the edifice'



'Romanesque architecture died. . . . From now on, the cathedral itself, formerly so dogmatic an edifice, was invaded by the bourgeoisie, by the commons, by liberty; it escaped from the priest and came under the sway of the artist. The artist built to his own fancy. Farewell mystery, myth and law. Now it was fantasy and caprice. . . . The book of architecture no longer belonged to the priesthood, to religion and to Rome; it belonged to the imagination, to poetry and to the people. . . . Now architects took unimaginable liberties, even towards the Church. Monks and nuns coupled shamefully on capitals, as
in the Hall of Chimneys in the Palais de Justice in Paris. The story of Noah was carved in full, as beneath the great portal of Bourges. A bacchic monk with asses’ ears and glass in hand laughed a whole community to scorn, as above the lavabo in the Abbey of Boscherville. At that time, the thought that was inscribed in stone enjoyed a pivilege entirely comparable to our present freedom of the press. This was the freedom of architecture.' Victor Hugo