I got this review copy from NetGalley in return for a fair and unbiased review. The book is available now. 

Emily lives a nice, safe, uneventful life with her mother and adopted father Once a year she meets up with her biological dad for an awkward day, usually spent shopping, but she tries not to think too much about him or his side of the family. After all, he willingly signed away his parental rights and wanted nothing to do with her as a baby, right? However, when her mother receives word that Eli (her bio dad)'s mother has died, she insists they have to return to Kentucky for the funeral. What they discover there turns Emily's life on its head and challenges everything she ever believed about herself, her mother, Eli and his family.

Oz has wanted to be a member of the Reign of Terror, motorcycle club that Eli is a leading member of, for as long as he can remember. He's finally turned 18 and is eligible as a prospect for the club, when Emily bursts into his life and complicates it massively. For reasons no one wants to explain, a rival MC gang are trying to get to Eli through Emily, and Oz is tasked with keeping her safe. While he finds her easy on the eyes, she's also a total pain in his butt, and no matter how pretty she is, hooking up with the boss' daughter is a terrible idea. Emily also turns her nose up at everything Oz loves and admires, so just as he's determined to prove his worth to Eli and the other heads of the Reign of Terror by making sure not a hair is harmed on her head, Oz is determined to prove to her that she is wrong about the bikers and their community. 

I really like the YA books I've read in Katie McGarry's Pushing the Limits series, so when I heard that she had a new series out, and was able to request the book on NetGalley, I jumped at the chance. As with her other books, the chapters alternate between the heroine and hero, who usually start out from very different places, and gradually gain knowledge and understanding of the other. The setup for the book takes place over more or less twenty-four dramatic hours, when Emily and her parents go back to her mother's hometown in Kentucky to attend a funeral. Emily is persuaded to stay on with Eli and get to know more of his family, both biological and chosen. Due to her mother's stories about her time there, Emily is anxious and reluctant to stay, but also curious about Eli. When her beloved adopted father assures her that he doesn't feel threatened by her curiosity about her biological father's extended family, she's reluctantly convinced that staying in Kentucky is ok.

Oz lives and breathes for the biker club all the men of his acquaintance are a member of. Despite his parents' wishes that he go to college and use his brains to get a good degree, all he wants is to become a full member of the club, working for the security firm they own. He likes coaching little league teams and working with kids, but it's the club that is his only focus. He's asked to help guard Emily during her first twenty-four hours, and when he briefly nods off on duty, she and her parents are nearly attacked by their rivals, and Oz' chance at making prospect suddenly look very weak. So when Emily is persuaded to stay, and Eli gives Oz a second chance to prove his worth, Oz swears he'll never leave her side. 

There are clearly secrets about Eli and Emily's mother's shared past that neither Oz and Emily know enough about, but members of Eli's family really want Emily to dig into her roots. While their relationship begins as deeply  antagonistic, the more time they spend together, the closer they grow. In the series description for Thunder Road, of which this book is the first, it claims it was pitched as West Side Story meets Sons of Anarchy, which seems pretty apt. Emily and Oz come from different worlds, but the more time Emily spends in Kentucky, the more she discovers that their heritage is very much the same, she's just been denied hers.

I liked the book, but it didn't captivate me like the best of McGarry's earlier books. I will be looking out for the next book in the series, and there are a number of troubled teens introduced over the course of the story that the reader will no doubt see find their own happy endings in future books. 

Disclaimer! I got this as an ARC through NetGalley in return for a fair and unbiased review.The book is available now.

Agnieszka loves her valley home, her quiet village, the forests and the bright shining river. But the corrupted Wood stands on the border, full of malevolent power, and its shadow lies over her life.

Her people rely on the cold, driven wizard known only as the Dragon to keep its power at bay. But he demands a terrible price for his help: one young woman to be handed over to him every ten years, a fate almost as terrible as falling to the Wood.

The next choosing is fast approaching, and Agnieszka is afraid. She knows - everyone knows - that the Dragon will take Kasia: beautiful, graceful, brave Kasia, all the things that Agnieszka isn't, and her dearest friend in the world. And there is no way to save her.

But Agnieszka fears the wrong things. For when the Dragon comes, it is not Kasia he will choose.

While this remarkable novel by Naomi Novik isn't actually a retelling of some traditional fairy tale, it feels like it should be. The book moves slowly, thoroughly establishing the sleepy little environment Agniezka and Kasia live in, with the terrors of the slowly encroaching Wood so close by. Once someone disappears in the Wood, they will hopefully stay lost. Should they return, they are like creatures possessed spreading its malevolent influence. It's because the dangers that threaten them constantly that the villagers accept having to sacrifice a young woman to the mysterious and reclusive wizard who lives in the tower nearby. He keeps them for ten years, when they return to their families briefly, apparently unharmed but inevitably changed. They never seem content to stay in their home villages, usually going to the capital, rarely to return. 

The Dragon always chooses the most promising and accomplished of the women, and so everyone in the area are expecting Kasia to be the next young woman to be taken. It's a huge surprise to everyone, not least Agnieszka, when she is the one selected to go with the wizard. She barely gets time to say good bye to her loved ones before the Dragon sweeps her away. Now, terrified and confused, because while the women who return from the Dragon's service always appeared healthy and unmolested, there were always rumours. They lived alone with a man for a decade after all. The impatient and surly wizard seems completely uninterested in her physically though, and after finding a note from a previous occupant of her room, Agnieszka is relieved that she won't be molested in any way. She tries to follow the orders of her new master, but because the Dragon isn't exactly very clear in what he actually wants, it takes her quite a while to understand that he's trying to teach her magic, and his lessons are not going as expected. It's only when she finds the dusty spell book of a legendary witch that she seems to get the magic to work for her.

At first the Dragon doesn't believe that Agnieszka's brand of magic could have any effect. Only after several attempts does it become clear that his way of using magic is more intellectual and book based, while Agnieszka's is more emotional and intuition based. As the threats from the Wood become greater, it's clear that they need to find a way to work together. One terrible day, when the Dragon is called away to deal with a crisis, Agnieszka receives word that her village is being threatened as well. When she discovers that her dearest friend Kasia has been taken by the creatures of the Wood, she risks everything to rescue her. Now she needs to find a way to free her friend from the Wood's influence, even if such a task has always been believed to be impossible. 

To begin with, Agnieszka seems like one of those women who only seem to exist in fiction, too clumsy for words and completely out of her element. We are told that while Kasia is all that is beautiful, talented, graceful and accomplished, Agnieszka can't go through a single day without getting her clothes torn or stained or in some way screwing things up. No one expects her to be the next woman to go with the Dragon. She is terrified and confused, unclear about her duties and feels absolutely horrible from the simple spells the Dragon makes her do. Because he's more than a century old, used to girls with more aptitude for magic (because that's what he does, he trains them in magic so they can help him keep the Wood from taking over more of the area), he's not used to having to explain his methods or motivation. He is also appalled when Agnieszka explains to him what everyone in the surrounding villages believes is his ulterior motive for selecting the girls. 

Because Agnieszka has always been unfavourably compared to Kasia, and is so completely unable to grasp the tenets of the Dragon's magical spells, she, like everyone else underestimates herself greatly. It takes time for her to realise that she has value and gifts of her own and that she is has a gift for magic, just not one that has been seen in the country for a long time. She truly begins to find her strength and powers when her best friend is threatened. Doing the impossible, she rescues Kasia from the Wood and refuses to give up on her. In the process, she is also forced to examine her feelings of inadequacy and jealousy towards her dear friend, because even best friends aren't always charitable in the ways they think of one another, and there will always be times when we are jealous, insecure and petty. Moving through and past this, Kasia and Agnieszka's friendship is changed, but stronger as a result. 

In the second act of the book, so to speak, Agnieszka has to leave the world she's always known, as well as the safety of the Dragon's tower and go to the capital, to deal with political intrigue, other wizards and discovers that the sinister forces that control the Wood are present even there and bent on causing destruction and havoc not only in her home country of Polnya, but also the neighbouring country. Because of Agnieszka's miraculous rescue of Kasia, the youngest prince of Polnya is determined to reclaim his mother, the missing queen, who allegedly ran away with her lover nearly twenty years ago. They both disappeared in the Wood. Is what they rescue from the forest, at terrible loss of life, truly the lost queen, or something much more sinister?

The last third of the book got a bit wearying, with what felt to me to be unnecessary and repetitive violence and finally a rather puzzling explanation of what the motivation behind the terrifying force of the Wood actually was. I can't stress enough how creepy and sinister I felt the Wood and its many "minions" was. It's such a great villain, for all that it's not one thing, but this seemingly unstoppable and relentless force, with feral wolves, giant preying mantises, evil trees and other monsters at its disposal. Still, I got a bit tired and confused towards the end, just wanting things to wrap up.

Overall, this is such a great read, with Agnieszka as a wonderful heroine at its centre. Her friendship with Kasia is heartwarming and her slowly developing powers and confidence feels empowering in all the right ways. The medieval style kingdoms felt extremely real and the whole story feels as if Naomi Novik found some treasure trove of old Eastern European fairy tales and just reinterpreted them. There is a romantic subplot in the book as well, and one of my other complaints, along with the dragging last third of the book, is that the romance isn't more fully developed. It has so much promise, damn it, and I felt cheated that there wasn't more of it. The only thing I'd read by Novik before this, was Temeraire (or His Majesty's Dragon, as it's also known). While that didn't appeal to me that much(even with dragons, there was too much military history, not my thing), this was great. For anyone with an interest in fairy tale narratives with strong, female friendship at its core and some real horrors to be overcome before there is a chance at a HEA, this is a book for you.

Disclaimer! I was given a free copy of this through NetGalley in return for a fair and honest review.

Single mother and entertainment lawyer Ellen Callahan just wants to live a quiet life, which is not as easy after her twin brother, an international pop superstar, fell in love with and was photographed spending time with her pregnant next-door neighbour. Now she keeps having to throw paparazzi off her lawn, which is vexing, to be sure, but it's not like she needs a bodyguard.

Her brother disagrees, and Ellen finds security expert Caleb Clark on her doorstep, determined to do his job, whether Ellen likes it or not. The locks on her doors are flimsy, she hasn't got adequate lighting on her porch, her yard is completely open for anyone to wander in - it's a nightmare from a private security point of view. Ellen grew up in her famous' twin's shadow, always pushed to the side by their ambitious and fame-hungry mother. She then went on to nearly abnegate herself completely during her marriage to a narcissistic, cheating alcoholic, but finally had enough when she discovered she was pregnant and demanded a divorce. Having spent the last few years, raising her boy alone, learning to be self-sufficient and independent, she is not about to have anyone tell her how to run her life or fence her yard, not even someone as handsome and charming as Caleb.

Having spent years on deployment in Iraq, Caleb feels a heavy responsibility to take care of his family after such a long time away. His mother is over-protective and still clearly convinced he'll up and leave them at any second. His father, always vibrant and physical in the past, is recovering from a stroke and can no longer take as active a role in managing the apartment complex he owns. Caleb's younger sister Katie shares a house with him, having returned after nearly a decade in Alaska without her boyfriend and no apparent wish to talk about the subject. The security business he started on his return to Camelot is still in the early stages of development and a high profile client like Jamie Callahan is Caleb's chance to really make it a success. So he really needs to convince both Ellen and her neighbour, Carly, neither of whom seem interested in listening to him at all, that they need to adapt to change their behaviour and shield themselves from the sudden press attention, or he's going to be replaced real fast. The raging attraction he feels towards his client's sister is a complication he wasn't expecting at all, and it's causing quite a lot of complications when he really needs to keep his focus crystal clear.

I'm making a concerted effort to read a whole bunch of the books I've been granted through NetGalley in the past year or so, and it seems that every time I go digging and pick up one of the books, I am so very pleasantly surprised and regret not reading the book ages ago. This book is no exception - it's just such a delightful contemporary romance, between two head-strong individuals who nonetheless seem very realistic. Even though Caleb is determined to keep their relationship purely professional, as he's working for Ellen's brother, his resolve lasts for less than forty-eight hours after actually meeting Ellen, helped along by both his old friend Carly and his sister Katie. Ellen doesn't exactly have a lot of casual experience with men. but decides she wants a no strings attached fling with Caleb, the first guy she's really been interested in since her marriage ended. Caleb, who as well as being very attracted to Ellen, starts bonding with her little boy Henry the minute they meet, rather quickly realises that he wants something a lot more permanent with the stubborn and opinionated lawyer. 

In addition to the main romance between Ellen and Caleb, there's the secondary plot involving her brother Jamie and Carly, who are already in the complication part of their romance when the book kicks off. Really interestingly, it seems Knox initially set out to write about a Justin Timberlake-alike pop star falling in love, but the secondary characters kept stealing the scenes, so she retooled the book to be about them instead. When the book starts, Jamie is off in LA, having fled Camelot after he and Carly was caught on camera by a paparazzi after a somewhat careless post made by Carly on her blog. A big argument later, and the two are separated. Carly has spent years trying to get pregnant, only to find that by the time she achieved her goal, her husband no longer really wanted her or the baby. Then, already pregnant and determined to be a single mum (inspired in part by Ellen next door), she met Jamie and they fell in love. It's clear that Jamie, while a nice guy, has never really met many challenges, having been spoiled and pampered by his fame-hungry mother, then living the life of a celebrity. He's never had to fight for anything at all in his life, and having to really work to win Carly back, is oh so good for him. 

Both Ellen and Caleb are professionals who are very good at their jobs. They start out with very different expectations for their relationship. Ellen needs it to be very casual, because having been submissive to people for so much of her life, only to finally establish herself as a competent, independent and self-sufficient woman and mother after her divorce, she's afraid to rely on anyone else ever again, believing it will lead to her becoming subjugated and weak again. Caleb, having spent so long as a soldier in dangerous areas of the world, has none of Ellen's confidence issues. Returning to his home town and seeing how much his family members need his help now, he's got no problem with the idea of settling down himself, and getting a ready-made family in Ellen and Henry (who he insists calling Hank every chance he gets, because he loves how it annoys Ellen) would just be a bonus. 

One of the things I really liked about the book is that both the primary and secondary heroine are single mothers, one who's already proven that she can manage to raise her child more or less on her own, with her friend determined to do the same, while both the heroes, Caleb and Jamie, seem to have absolutely no problems stepping into a fatherhood role for kids who are not their own biological offspring, without this in any way diminishing their masculinity in any way. Frankly, I found both of  them more attractive exactly because they were so willing to step up and take an active paternal role to children not originally their own.

This is only the second ever Ruthie Knox book I've ever read, but based on the way she writes really relatable and believable protagonists, as well as a fully formed cast of really nice supporting characters, I really should make it a priority to check out more of her books as soon as possible. I plan to glom my way through the entire Camelot series on my way to finishing my Cannonball.

Disclaimer! I was granted a copy of this through NetGalley in return for a fair and honest review. 

This is one of the novellas Deanna Raybourn wrote about her intrepid heroine Lady Julia Grey, who the reader can follow in five very enjoyable Victorian set mysteries, where she solves murders along with her delightful husband Nicholas Brisbane. While this novella can absolutely be read on its own, you shouldn't deny yourself the pleasure of starting at the beginning, with Silent in the Grave. 

The large and very eccentric March family are all gathered at the family estate, Bellmont Abbey to perform the Twelfth Night revels. This is something they do every ten years and Lady Julia's father is directing the rehearsals like a general in the field. Lady Julia and Brisbane are somewhat distracted by the mystery of who abandoned a newborn infant in the helmet they were intending for St. George. Julia's father, the earl, asks them to locate the child's mother (although they mustn't miss rehearsals while they investigate). 

As the younger generation of Marches present seem just as peculiar and unusal as Lady Julia and many of her siblings, Julia and Brisbane are aided by their some of their nieces and nephews. The clues seem to suggest the baby may have originated in an abandoned and rumoured to be haunted cottage at the edge of the village. The couple are surprised when they discover who is seeking refuge inside.

It's been several years since I read The Dark Enquiry, the fifth and final full novel about Lady Julia and Brisbane. I had actually forgotten about Ms. Raybourn's books for a while, and was delighted to discover that not only had she published four e-novellas continuing the story about one of my favourite Victorian sleuthing couples, but some of her more recent novels are at least loosely connected to the Lady Julia mysteries, with one of them being about one of her nieces. This is a fairly short novella, but it reminded me how funny these books can be and what an amazing supporting cast the many colourful March siblings make up. I am absolutely going to be reading the remaining three novellas as well, the final of which I suspect sets up the ground work for the more recent books, set in the early 20th Century.

Disclaimer! I got this from NetGalley in return for a fair and honest review. 

Samantha Moore has spent most of her life in foster care. Having tried to hold down a job on her own, she reluctantly accepts a scholarship offered by an anonymous benefactor, to Medill School of Journalism at Northwestern University. The scholarship will only be available as long as she completes her degree, and writes about her progress to the foundation, care of the CEO, who hides behind the name Mr. Knightley. Samantha has always had trouble relating to people in the real world, hiding away in classical literature, where she finds solace. She has trouble making connections with others, since she speaks more in literary quotations than actual words, afraid to really be herself or let anyone close to the real her.

Because George Knightley is such an admired hero of Sam's, she accepts the stipulation, and begins to write regularly. Mr. Knightley never responds, but Sam knows her missives are beign read, as very occasionally, she receives a note from the CEO's assistant, responding if it is required. To begin with, Sam finds journalism extremely difficult, wanting instead to focus on a career in creative writing. Because of her difficulties in opening up and properly communicating with other people, her journalistic work is stilted and impersonal. As well as in her many books, Sam finds escape through running. On the running track, she slowly starts bonding with Kyle, one of the other foster kids, but as they are both wounded and slow to trust others, their friendship is difficult to really build. 

As she struggles to discover who she really is and overcome her academic challenges, Sam gradually manages to emerge from behind her affected literary personas and make genuine connections. She makes a couple of female friends at college and through a series of coincidences befriends her favourite author, the crime writer Alex Powell. She gets a boyfriend for the first time, and her letters to Mr. Knightley become more like a personal journal than reports on her academic progress. Will she ever find out the real identity of her mysterious benefactor, and how will she react when she does?

I get a fair amount of books through NetGalley, mainly because I can't stop myself from requesting everything that looks even vaguely interesting to me. Sadly, I am really not as good about reviewing the books I am granted ARCs or review copies of, frequently forgetting about them unless they're by an author I especially love (and even then there are so many other shiny books out there to distract me). This is one of those books I forgot about completely and only remembered again when I was looking for epistolary novels for my Eclectic Reader challenge. The fact that it also fit into my key word challenge for March was just a bonus.

While I can see on Goodreads that quite a lot of people (at least of the reviews I browsed) found this book disappointing, and a pale copy of the children's book that it's inspired by, Daddy Long-Legs, I found it very sweet and it reminded me a lot of another book I really like, The Language of Flowers by Vanessa Diffenbaugh. It also features a heroine with a long history in the foster care system, who is wounded and needs to learn to find her place in the world. I can absolutely understand why readers may find Sam annoying. I'm fairly sure she's supposed to be. The entire premise of this book is that she is so guarded and distrustful that she's unable to make any real connections, seeking refuge in books and hiding all her true feelings and ineptly channelling fictional characters when forced to talk to others. She's a complete train wreck, but there are good reasons for that. While the book starts when she is 23, this book is clearly a coming of age narrative, and Sam needs to grow up and learn to face reality, both the painful and the joyful parts. 

As far as I can tell, the epistolary aspect of the book, where she has to write letters to the mysterious Mr. Knightley is to make it as close to the premise of Daddy Long-Legs as possible. I'm sure I'm not the only reader of the book who started suspecting the true identity of her benefactor fairly early on, because really, I'm not even sure if it's supposed to come as a surprise to anyone who's read more than a couple of books in their life. There are only so many people it could be. It didn't take away from my enjoyment of the book, although I think said person could have come clean sooner instead of continuing to deceive Sam. It still didn't ruin my suspension of disbelief. 

Reading and enjoying this book has also made me decide to check out the book that it's based on, and that so many Goodreaders are enthusing about. I'm very glad I re-discovered this book in my NetGalley pile, and will happily seek out other books by this author in future.