Date Published: May 28, 2018

Format: Hardcover

Source: Library

Date Read: March 9-12, 2019

Review:

About the time I was ready to write this review, the terrorist shooting in Christchurch, New Zealand happened. That was not the time to review a book that starts with a mass shooting and the body count goes up from there. So here I am several weeks later writing the review.

This is the romantic suspense from Nora Roberts from last year; I would say this is more suspense than romantic suspense, as the relationship doesn't really get going until 80% into the book. The suspense was finding out when and how the killer and the investigator were finally going to meet in a long-awaited face off. That said, I think it was a wise choice to de-emphasize the romantic relationship and instead focus on the many other relationships that were impacted by the shooting. The half-baked killer was seriously straight out of Twitter troll casting, but I think that is what made her so realistic. 

A twisted take on the Mad Hatter Tea Party from Alice in Wonderland. I wasn't planning on reading this installment, as the novellas in the In Death series don't move the series forward and are just quick snippets of the police work involved in the full length books. When I saw this was available on RB Digital (a service my library uses to borrow digital material), I borrowed and read so I could complete my In Death series reading one more time. 

Oh hey look - it's Dr. Louise and Charles! I thought they moved to Westchester the way the recent books don't bother to even to mention them. Nope, they are still alive and well, except they found their friend's dead body and the friend's sister's dead body. Louise called in a favor for Eve to be the lead murder cop on the case. Eve decided to dig deeper on the sister and was able to solve the case before anyone else was murdered. 

A quick but fun read.

From Casual Debris.

In 1985 Academy Chicago Publishers released a four-volume series of books featuring rarely re-printed novellas by popular mystery writers. The books were divided into four mystery sub-genres and included four novellas apiece. The volume titles and themes were: Women Sleuths, Police Procedurals, Locked Room Puzzles and Great British Detectives. The series featured sixteen stories by sixteen different authors, with no writer appearing more than once. Though labeled as novellas some were actually longer short stories, or novelettes. Many of the stories saw little print, which is not surprising as it has always been difficult to publish and re-print stories of such awkward length. The series itself was later reprinted, in 1991, as a boxed set by The Readers' Digest Association.

Volume two in the series is well balanced in that it features two strong stories and two average ones, two real novellas and two novelettes, and though each work follows police procedure, the stories themselves are diverse within the sub-genre. The better works are the first two: McBain's "The Empty Hours" and Westlake's "The Sound of Murder." While the Simenon and Pentecost stories are not bad, they are not memorable and, with so many stories out there, questionable in their re-print worthiness.

McBain's "The Empty Hours" is a cold, distant telling of the murder of a young woman who, despite her modest situation, lived in an expensive apartment with expensive things. The mystery expands and reveals itself very much through official procedure, and culminates in a tragic denouement. Westlake's story is similar in that it too is genuinely tragic, but while McBain's tragedy is brought on by the gritty reality of the urban landscape (specifically New York City), Westlake's tragedy in "The Sound of Murder" is internalized and the petty needs of humanity are reflected in a neurotic and sensitive middle-aged detective.

Georges Simenon's novelette "Storm in the Channel" is a far lighter story than the first two. It involves a recently retired Jules Maigret on holiday with his wife, stranded in a rooming house during a rainstorm, where one of the employees gets murdered. Though there are procedural elements in the investigation, much of the focus is on humour so that it reads more like a cozy than what a reader might expect a procedural to be; paired down to its investigative elements and removing the lightness could have led the story toward its own dramatic tragedy, but instead the death and motivation feel almost incidental. Similarly Hugh Pentecost's "Murder in the Dark" is an uneven story that reads like a fusion between different sub-genres, with the procedural aspect being not among its most notable. In an interesting change the detective is relegated to observer as a secondary player, an initial suspect, abducts the narrative and investigates in a clumsy, inefficient way. Add a love story and other tidbits from assassins to the locked room ("where in the hotel are those diamonds?") and the mish-mashing is complete. The story's greatest achievement is in the confessional written out by our protagonist, and the details in diamond-smuggling, appraisal and retailing that I found fascinating.

With the exception of Pentecost's piece, the investigators themselves play an important part in the story itself. The gritty down-to-earth qualities of McBain's detectives are very much a part of the dark New York landscape. Westlake's detective is a self-questioning and neurotic late middle-aged man whose awareness of his own mortality makes the reader aware of general human mortality, and his self-concern is in striking contrast with the waste in which human life is eventually equated to. Finally, Simenon's detective is more comical and unaffected by the tragedy of the victim in his story, and to me this unfortunately diminishes the characters themselves. In Pentecost the characters are more pastiche, and the detective is a bit player who stands grinning in the background.

Though overall the anthology is somewhat above average, it is certainly an interesting overview of the procedural, at least for the twenty-five years leading up to 1962. I'm certain there are other, more comprehensive anthologies out there dealing with police procedurals, though perhaps not devoted on the longer short form.

Wow....  What a marvelous book!  Talk about culture shock!   Talk about world-building!  Talk about complex, multi-faceted plotting!

I'm not even sure I can describe this book!  It's set in Japan during the Edo period, so everything is very rigid.  Filial duty, honor, and service to one's master are all top priorities.  The whole society is based on these things, so when personal ambitions, desires, and truth to oneself crop up, there are some major complications that cause shuddering ramifications to all kinds of people from all kinds of walks of life.  This society is very fragile, and there is no room for disobedience, even when disobeying is the "right" thing to do.  In this story, it is never the right thing to do.  So what happens when our protagonist, Sano Ichiro does it?  Well, a heck of a lot more than one might expect!

This book is a mystery.  It starts out with what seems to be a straightforward murder.  I thought Ihad the killer pegged early, and felt certain that I had the motive.  This was just another easy mystery wrapped up in a pretty package.  PUH!!!   This story twists and turns, nothing is as simple as it seems, and bad things happen to characters that in other books would be immune from such things.  Plots thicken, consequences become more and more severe, situations become very, very hopeless.  The reader is pulled along in this story.  I couldn't put this down, and I didn't want it to end.  I loved this book, and I hope the next Sano Ichiro book is just as good.