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text 2018-02-05 07:16
The benefit of a bounty of Beta-Readers

 

I am constantly amazed at how many errors there are in my manuscripts.

 

And I don't mean the first draft.

 

Nothing is more frustrating for me than finding errors in my books, or worse, having others point them out. As well as being patently unprofessional I feel it shows a lack of respect for the work, not to mention the reader. I suppose this could be resolved by hiring a professional copyeditor.

 

Bookbaby's Copy Editing services include, "A word-by-word edit that addresses grammar, usage, and consistency issues." My soon-to-be-released novella, Cold-Blooded, The Mattie Saunders Series Book II, is about 100 pages and would cost $700.00 to be copyedited by Bookbaby

 

If I sell the e-book edition of Cold-Blooded for $3.99 on Amazon my royalty will be $1.40, which means I'd have to sell 500 copies to pay for the copy editing alone (in my dreams). So I'd rather recruit non-professionals who are committed to making my work error free.

 

Beta readers can be anyone, though I tend to shy away from friends and absolutely won't use family. I'm not asking them to review or comment on the story (though I don't discourage it), just read it and make note of the errors. Right now I have two who had previously reviewed my books (favourably). I contacted them to see if they'd like to beta-read my new works. The other one is a friend. None are professionals and they all do it for a free copy of the finished book with their name on the acknowledgements page.

 

Prior to sending the manuscript to my beta readers, I've developed a process to make it as error-free as possible.

1. Each time I sit down to write I re-read and revise what I wrote during the previous session.

2. After I finish a rough draft I revise it thoroughly, then let it rest.

3. After I've got the story out of my system, which means I no longer have instant recall for each line written (minimum three months), I pull it out and revise it again with fresh eyes.

4. Then comes the computer spell-check.

 

Then I send it out to my three beta readers.

 

I used to be pretty confident once I'd done all that I'd caught at least most of the typos and filled in the dropped words, but it's embarrassing how many errors they still find. It's also remarkable how what one misses the other catches.

 

Once they get back to me I do the corrections which entails another revision. Finally, uploading it to Smashwords, Kindle and Draft2Digital gives me another opportunity to check it since I always do a visual review for formatting glitches.

 

I strongly urge you to begin recruiting beta readers - from your email list, through your website, on social media, a supportive friend, a note pinned on the bulletin board in the local library, or like I'm doing here in a Booklikes blog (see below). You simply cannot have too many and they tend to fall away.

 

If you're patient, methodical and persevere you can self-published a respectable book.

 

Besides, there are no guarantees a professionally edited, self-published book will have any more success than one that is carefully vetted by a group amateurs committed to making your work the best it can be.

 

Plus you'll save a lot of money.

 

Stay calm, be brave, watch for the signs

 

30

 

If you'd like to become a beta reader and have an opportunity to read (and improve) my new work free, please send me an email at rod_raglin@yahoo.com

 

 

 

Web links associated with this article:

Bookbaby Editing Services https://www.bookbaby.com/book-editing-services

Kindle Direct Publishing https://kdp.amazon.com/en_US

Draft2Digital https://www.draft2digital.com

Smashwords https://www.smashwords.com

Rod Raglin's Amazon Author Page https://www.amazon.com/-/e/B003DS6LEU

 

 

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text 2018-01-04 07:58
My 2017 writing year in review

This is a review of my writing for 2017. You couldn't call it a success, nor could you call it a failure since something would have had to have been achieved in the first place. Get what I'm saying? If you've never been up how can you be down?

 

If you don't, well, that's okay since I write this for myself to put the previous year in perspective.

 

Last year I decided to see what it would be like to take part in public readings and conduct writing seminars. The idea was to raise my profile while at the same time sell my books at these events.

 

It didn't take much to get booked for both, but the experience was not very satisfying, akin to pitching from behind a table you've rented at a flea market. After my initial experiences I didn't look for more opportunities. Sales just aren't that important to me.

 

The only thing I self-published was a novella, The Rocker and the Bird Girl. It began as an experiment on Inkitt to see if a shallow story about a rock star and a young woman who ran a bird sanctuary would be popular with the juvenile readers who populate that site. Unfortunately, or fortunately - I'm not sure which, I was soon having so much fun with this story and became so enamored with my characters (though very few Inkitt followers did) I decided to pull it from that site and self-publish it.

 

Novellas for "New Adults" (protagonist between eighteen and thirty) seem to be trendy likely due to the diminishing attention span of this age group and the fact they're read on cellphones during commutes. Quite unexpectedly I discovered I had a lot of story ideas for this heroine and I could easily expand it into a series. Series, according to the "experts" sell better than stand-alones so what the hell, nothing else is working.

 

Despite a thorough launch for The Rocker and the Bird: listed as a pre-order on Smashwords three weeks in advance of publishing, email ARC copies to my Advance Reading Team, giveaways on Booklikes and Library Thing, two weeks free on Smashwords, free with coupon on my website, and promoted unabashedly on my social media accounts  - it so far has had two reviews and no sales.

 

Undeterred, the second in The Mattie Saunders Series, Cold Blooded, is set to be self-published in March of this year. Here's the blurb:

 

"When a suspicious death at the The Reptile Refuge closes it down, Mattie receives a desperate call from Liz, an old friend from high school, asking if it's possible to temporarily board some reptiles at Saunders Bird Sanctuary. Mattie's not concerned with the circumstances and sees it as an opportunity to reconnect with Liz as well as help some animals in distress.

Unwittingly, Mattie's drawn into a dark intrigue and soon discovers it's not just the displaced inhabitants of The Reptile Refuge that are cold blooded."

 

Still determined to break into traditional publishing I spent the balance of last year polishing the manuscript of East Van Saturday Night - four short stories and a novella and submitting it to Canadian publishers. The list of rejections continues to increase from those publishers gracious enough to send me one.

 

What's ahead?

 

This year, as mentioned, the second in my series will be self-published, the third is already outlined (okay, only in my head, but it's only January 4th) and a first draft will be written, plus I'll continue to work on another full length novel with the working title, The Triumvirate - three exceptional people, one insurmountable challenge. I've already stopped submitting East Van Saturday Night and, once the disappointment abates somewhat will take another look at the entire project.

 

Promotions of my backlist are also a consideration for 2018.

 

Book sales from all sources in 2017 amounted to $174.44. Expenses including book proofs, book orders and postage totaled $253.88. You can draw your own conclusions.

 

Oddly enough I'm optimistic. Why not?

 

Besides, writing for me is its own reward - really.

 

Stand calm, be brave, watch for the signs.

 

30

 

Sites associated with this blog:

https://www.inkitt.com

https://www.smashwords.com

 

My Amazon book page

https://www.amazon.com/-/e/B003DS6LEU

 

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