In the beginning, there was an apple –
And then there was a car crash, a horrible injury, and a hospital. But before Evening Spiker's head clears a strange boy named Solo is rushing her to her mother's research facility. There, under the best care available, Eve is left alone to heal.
Just when Eve thinks she will die – not from her injuries, but from boredom―her mother gives her a special project: Create the perfect boy.
Using an amazingly detailed simulation, Eve starts building a boy from the ground up. Eve is creating Adam. And he will be just perfect . . . won't he?
Husband and wife Michael Grant and Katherine Applegate team up to write this YA sci-fi tech-y novel combining computer programming with DNA experiments gone rogue.
Evening "Eve" Spiker survives a San Francisco streetcar crash... just barely. Eve is pulled from the crash site and is whisked away to Spiker Pharmaceuticals, her mother's research facility. Though Eve lives, she suffers a ruptured spleen, a severed leg and the necessary removal of a rib. She eventually heals physically but emotionally struggles to cope with her altered body. Eve's mother gives her project: using a DNA simulation program designed by Spiker Pharm, Eve is asked to create the perfect guy, literally. Part of what makes this ultimately largely bland sci-fi story worth reading is the characterization of Eve's ice queen mother. She comes off cold a lot of the time, but there's enough here to have the reader wondering sometimes, DOES she actually have good intentions toward her daughter? Or is Eve simply another worker bee to her? There are elements here that are similar to J.A. Souders' Elysium Chronicles series (but IMO Souders is the stronger writer).
So Eve jumps into developing this mythical perfect guy from the ground up. Once she has a prototype together she gives him the name Adam. In the background is Solo, mostly an office go-fer, dishing out coffee / donuts / bagels to the Spiker scientists, but he also finds opportunities to move under the radar and hack into computer files to see what secret projects Spiker Pharm has going on. What he discovers conjurs up some Dr. Moreau style freakishness. Solo's voice gets a bit over the top skater boi at times (I kept picturing the kid from A Goofy Movie lol).
"There is no always," I (Adam) say. "Nothing persists forever."
"Nothingness persists," she says. She is testing me.
"No. So long as anything exists, nothingness is impossible. In fact, it's nothingness that cannot persist. Nothingness gives way to somethingness. The nothingness that preceded the Big Bang Theory was obliterated. Nothing became something."
The woman nods. "Good. You've absorbed data well. Your intelligence is obviously fully functional. You sound like a college freshman taking his first philosophy course too seriously, but that's good. Eve will like that."
"I would still like to know how I came to be," I say.
"Consider it a mystery," Terra Spiker says. "Like the Big Bang Theory. One second there is nothing, and the next there is a universe."
It seems like the intent here was to go for a YA sci-fi thriller of sorts, but really it just ends up being kind of silly, especially in the beginning. The characters struggle to have a believeable voice --- they're meant to be teens (if I'm not mistaken) yet the "voice" of these characters runs the range from middle grade to teen up to late 20s. It's weird. Also, if this is meant to be YA, there are a number of references here that I doubt many teen readers here will identify with, such as Solo using the screen name Snake Plissken. And that conversation when the mother has the line, "Mixing home and work is like mixing single malt and sprite." I mean, as an adult liquor aficionado, I can appreciate that line, but how many teens are going to get the joke there, honestly? Again, it's just another layer of odd in a book that's marketed toward a teen crowd. But then again, maybe it's like when you watch Disney or Pixar movies as an adult and catch jokes you know there's no way the little ones in the crowd are going to understand. Maybe Applegate and Grant are playing the other side of the coin as well, knowing that a large percentage of readers in the YA market are actually full blown adults. Either way, doesn't change the fact that the writing as a whole was pretty muddled and weak... but still entertaining at points.
Yeah, it does get pretty good, comparatively, about 3/4 of the way through. Fun reading in parts, but largely forgettable after awhile... but I did find the closing moment a cute, comical one.
Check out the book trailer for Eve and Adam that kinda looks like a Navy Recruitment ad ... or maybe an Olay Regenesist commercial LOL