Sophie Mercer is a witch and because of the various bad incidents her magic has gotten her mixed up in, she and her mum have moved a lot during her lifetime. After Sophie seriously misjudges the oomph of a love spell at her current high school's prom, and there is a huge scene, Sophie's normally absentee father, a European warlock of some kind, gets involved. Sophie is sent off to a boarding school. On a remote island, where she will stay until she graduates at 18.

Hex Hall, as it's known among the kids there, is a magical reform school where wayward witches, shapeshifters and faeries are sent until they come of age. As an attempt at greater inclusion, there is currently also a vampire attending the school. Jenna the vampire also just happens to be Sophie's new roommate. After Jenna's former roommate ended up dead under mysterious  and suspicious circumstances (with two little holes in her neck) the year before, Jenna is pretty much feared and/or shunned by the whole school. Sophie doesn't want to jump to conclusions, however.

Before her first week is up, Sophie and Jenna are starting to bond; a trio of powerful Mean Girl witches want Sophie to join their coven so they can maximise their power (and are NOT pleased to get no for an answer); Sophie has detention for the rest of the term and an inconvenient crush on the most popular boy in school. She also learns that her father is in fact the head of the Order that sent most of the kids to Hex Hall, and as a result, he (and his daughter) are not really popular. Sophie is rumoured to be just as powerful as him, but having grown up around normal humans, never interacting with other magically abled, things that others consider child's play are completely new to her. She finds the most basic spells incredibly challenging and on top of that, she has to try to survive magical high school intrigue.

Sophie refuses to join the crusade against Jenna, which gets more intense after another girl is attacked, with Jenna having been one of the last to interact with her. Sophie wants to solve the mystery behind the attack and get good enough at magic that she can tell the coven to stuff it. At least she gets to spend lots of quality time with Archer (her crush) during their detention sessions. Now if she could only make him forget about Elodie, his current girlfriend and her nemesis.

Hex Hall is fairly highly rated on Goodreads and when I saw it cheaply in an e-book sale, it seemed a fun enough read. As an added bonus, the X in the title would allow me to finish my Alphabet Soup challenge for the year. It's a fairly generic YA paranormal fantasy, where the usual high school intrigues are made a bit more interesting as there is magic, witches, ghosts, various shapeshifters, faeries and possibly an evil demon on the loose. 

Sophia is a likable, snarky, independently-minded heroine. She doesn't really fit in with any of the popular kids and has a tendency to speak before she thinks. This sometimes backfires badly. Despite her disgust at being a cliche, she can't help but fall for the ridiculously handsome Archer Cross, and the more time she spends around him, discovering that he's actually smart, funny and kind, as well as well-liked around the whole school doesn't help. His only flaw is dating Elodie, the head of the coven, whose main goals seem to be to recruit Sophie to enhance the coven's power and to get Jenna expelled from the school. 

There are some fun ideas here - Lord Byron being a vampire sentenced to teach at the school. Detention is being forced to catalogue magical artifacts, that move to a new area every day, in a huge creepy basement. Supernatural teens who can't keep under the radar being sent to magical reform school at a remote location. 

I also like that Elodie, Sophia's initial nemesis and the Regina George of the coven, turned out to be a bit more multi-faceted than she seemed at first. I liked Sophia's fish out of water experience. The friendship between Jenna and Sophie was also a nice feature, and the revelation that Jenna was gay made sense without just seeming like a "insert token LGBT character here for diversity" thing. 

I didn't really care about the many shadowy groups who are out there trying to destroy the supernatural, although it's clear from the synopsis of the next book (and to anyone who's ever read a narrative) that they'll play a more significant part in the sequels. Sophia turning out to be the only child of the head warlock, with a legacy of super special power was a bit too convenient.

Not sure I got invested enough in this world and the characters to bother reading the sequels any time soon. I won't rule it out if I find them at a decent price in a book sale, but I doubt I'll be seeking them out in the immediate future. The book didn't stand out enough for that.

Warning! There will be spoilers for the plot in this review - because I have to pick apart the mediocre plot to fully get my scathe on. 

Lord Tristan Knight has come into the Earl of Ellington after his estranged father died unexpectedly in a carriage accident. As the late Earl blamed his son for the death of Lady Ellington, stabbed to death by an East End bandit, Tristan has been absent for a long time. His younger sister Emily was left alone with a grieving, neglectful father and after the return of her brother has tried to act out and scare away a series of governesses in an attempt to make her brother notice her. When she finally runs away, Tristan realises he's been very dumb.

After traces of Lady Emily's belongings are found in Tothill Fields, the same area where their mother was murdered years ago, Tristan becomes desperate. His butler recommends he seek out the aid of Lady Deidre Wilks, the notorious Viscountess Rotherby, who is known for her charitable acts in the area. When Tristan turns up on her doorstep, Deidre recognises him instantly. She was the pickpocket who lured Lady Ellington down the alley where she was murdered, and she's convinced Tristan has come to bring her to justice. Instead he convinces her to aid him in the search for his sister. Together they comb the slums for the runaway, fighting their instant attraction to one another as they grow ever closer.

Dear readers, this really wasn't a very good book. It sadly wasn't a bad enough book to really be entertaining either, and as it fit into nearly all my reading challenges in one go, there was no way I wasn't going to finish it. Apparently it's Kimberly Logan's debut novel, and as I doubt I could write a whole book, I don't want to be too dismissive here, but people, it's a very sad example of a historical romance.

First of all, Ms. Logan is extremely keen to let the reader know that Tristan and his sister Emily, like their mother before them, have violet eyes. Not blue, but a purply violet. This is mentioned twenty-one times over the course of the book (I went back and searched, because, really). Also, Deidre has strawberry-scented hair (this is only mentioned four times, however).

There is a whole lot of tell, don't show in this book and mostly very clumsy exposition. Luckily, when Lady Emily runs away, shortly after she is eye-witness to the criminal gang boss who unbeknownst to her also murdered her mother stabbing a dude to death, she is rescued one of a gang of kind-hearted pickpockets, the same ones Deidre reads stories to and tries to save from a life of crime by donating food and blankets to. All of them seem uncharacteristically rosy-cheeked, perky and optimistic for orphaned children who mostly have to steal to survive, with the notable exception of Jack, the bad seed, who is sullen, mean, untrustworthy, but allowed to stay with them until he resorts to attempted rape. Then he's driven off, without any of the boys cottoning on to the fact that he'll clearly sell their location and that of their foundling Earl's daughter out to the dastardly villain who's combing the area for her.

Lady Emily, despite being raised in a perfectly nice townhouse and while neglected by her father, not really used to a life of any sort of hardship, has no trouble settling into the drafty, dilapidated hovel the pickpockets stay in, helping with the cleaning, flirting with their young leader and learning pickpocketing right along side the others. Even when Deidre and Tristan show up looking for her, the boys lie about having seen her, because clearly a young noblewoman is much better off living with a bunch of orphan thieves than with her worried brother.

Deidre, once an orphaned pickpocket herself, picked the pocket of Viscount Rotherby and was pretty much adopted by him. Taught to speak, walk, dress and behave like a lady, she eventually married her patron because he was worried how she'd survive once he died. His servants have stayed on in her house and been nothing but supportive of this pickpocket street urchin who is now her mistress. There are all manner of unsavoury rumours about her, but Lady Rotherby is in fact, that wonderful creature amongst romance heroines, the virginal widow.

For all that Tristan darkly imagines the woman he lusted after from pretty much the moment he met her in the arms of a man old enough to be her father, Deidre is of course untouched and inexperienced. Sure, one of her best friend's is a prostitute, but she's never seen a naked man before she does the deed with Tristan. Naturally, despite her inexperience, they both climax simultaneously - and Deidre is hard pressed to imagine how sex could possibly have been better, had Tristan known in advance that she was a virgin. He claims he wanted more time to prepare her, but apart from some time spent giving attention to her boobs, there is no sign of anything like oral sex or fingering, to you know, give her pleasure without his penis being involved. During their first passionate encounter, there was also this description, that stood out to me as I honestly can't even: "It was as if they had been made for each other, two halves of a whole that had been made one."

Neither Tristan nor Deidre really have a lot of interesting character traits. Tristan is very tall, has violet eyes and feels haunted by seeing his mother stabbed to death in front of him (sadly, he doesn't become the Regency version of Batman, that would have been the best plot development!). Deidre, despite her lowly origins, has become the perfect lady, who spends most of her days doing charity works in the East End slum she grew up in, all the while ignoring what society gossips say about her. They both spend an unseemly amount of time thinking about boning each other when they should be worried about the safety of a young girl lost in a very rough part of London. Of course, she's the luckiest little girl that ever was, taken in by friendly Disney pickpockets rather than kidnapped and sold into sexual slavery or something similarly seedy.

Apparently Ms. Logan also wrote a sequel, where a grown Lady Emily is reunited with Peter, the head of the cheerful band of pickpockets who rescue her, now a Bow Street Runner. I have absolutely no wish to read this book, or anything ales that Ms. Logan has written. Her writing may have improved after her debut, but based on this, I'm not giving her another try any time soon.

21-year-old college student Devin Jones gets a summer job at old-fashioned carnival and amusement park Joyland, trying to mend his broken heart, after his girlfriend left him for another. Working at Joyland, he's taught the ways of the experienced carnies, discovers his knack for entertaining children while "wearing the fur" of park mascot Howie the Hound, lays the foundation of some life-long friendships and discovers the legend of the genuinely haunted House of Horror, where a young woman in a blue dress and an alice band had her throat slit by a man she thought loved her. He also meets Mike, a seriously ill little boy with unusual abilites and Annie, Mike's sad and serious mother.

I honestly didn't know what to expect from Joyland and went into the book knowing little to nothing about the plot (which is exactly what Narfna, my book twin on the internet recommended). In my early teens I would almost compulsively take out Stephen King books from the library, reading them even though I didn't particularly like the way the horror novels affected me (I've only read Misery the one time, but it's still burned in my memory - and yes, I would have been all over the Misery books, they sound wonderfully cracktastic). At university, I read the first four books of King's Dark Tower saga, and was lucky enough to read the final books in the series only a few years later, unlike some, who waited decades for it to finish. While I was mostly disappointed with the final three, there is no denying that King is a great story teller.

This book is mostly a mystery with a hint of suspense. It's not a horror novel, but there are some supernatural elements. Mostly, it's a little slice of the early 1970s, a coming of age novel, depicting a summer in an inexperienced and heart-broken young man. It's also a quick read, which I would have blazed through if my brain hadn't been severely rattled by my untimely concussion, leaving me unable to read anything on paper or screen for about two weeks without getting a splitting headache and eventually blurred vision. The pulpy cover is lovely, and fits the story remarkably well.

This is book 3 in an ongoing series. While it can be read as a stand alone, the world building and the overarching story line will make a lot more sense if you start at the beginning, with Kiss of Steel. 

Sir Jasper Lynch is the head of the Nighthawks, basically the mostly nocturnal police force of the Steampunk London that Bec McMaster has invented here. All of the nearly four hundred Nighthawks are rogue bluebloods, people who have caught the craving virus by accident in some way (become vampires) and who are not of the Echelon, the nobility who rule the country. After an assassination attempt on the Prince Regent, Lynch is tasked with finding the notorious human revolutionary, Mercury. If Mercury is not brought to justice within a short space of time, Lynch's life is forfeit instead.

Using his enhanced senses and his decades of experience with detective work, Lynch manages to track down Mercury, and is shocked to discover that the revolutionary is a woman. Not only that, she manages to get the better of him by using her feminine wiles to distract him, then she escapes. Now the reason he wants to find her is as much professional as it's personal. Little does he realise that she's much closer than he is expecting.

Rosalind Fairchild needs to find her missing brother, who was involved with the rogue group of revolutionaries who tried to blow up a large part of the Echelon and visiting dignitaries from Scandinavia. She needs to infiltrate the Nighthawks, and gets herself hired as Sir Jasper Lynch's personal secretary. She knows that if he discovers that she is also Mercury, he will arrest her and hand her to the Echelon to be executed, but Rosalind has been trained for subterfuge by the very best, and has no intention of getting caught. She needs to locate her brother, rescue him and then she can go back to ridding the world of all bluebloods.

Rosalind is a humanist, one of the disenfranchised humans who believe revolution is necessary, as the Prince Regent and the Echelon keeps making further demands for blood taxes and humans and mechs (humans who have had to get mechanical prosthetics after injuries) are being treated worse and worse. Few know that Mercury, the infamous revolutionary, is in fact a woman. Recently, a small band of her former followers went rogue, clearly sick of waiting for results. Not content with trying to kill a large group of people with an explosion, they are now working on some sort of weapon that turns bluebloods crazy with bloodlust, slaughtering everyone near them. Rosalind is as determined to stop these rogue revolutionaries as Lynch. 

Lynch is the nephew of one of the ruling Dukes on the Echelon council, but was cast off by his family when he refused to fight his cousin in a duel for the rights to be the Duke's heir. Instead he founded the Nighthawks, non-noble bluebloods trained to police the city, solve crimes and bring criminals to justice. What Lynch fears most of all is losing control, and he keeps himself in check, never drinking more than the minimum required amount of blood, never letting himself get emotionally involved. So when Mercury gets under his skin so very quickly, it awakens needs in him he'd almost let himself believe he didn't have. He knows he can never have Mercury, but his newly awakened emotions draw him towards his impudent new secretary, a lovely widow who seems determined to drive him to distraction, even as she tidies up his private life. 

Less involved in the larger politics of this world, and more on investigation and police work, My Lady Quicksilver may be my favourite book in the series so far. By now, all the pieces of the world building are firmly in place and McMaster can just let her characters play. The opposites attract story at the centre of this book is delightful. Rosalind is an outlaw, Lynch an officer of the law. She's all about temptation, sensuality and fun, he's all about control, order and work. Neither wants to fall for the other, but they are helpless to control their emotions.

As well as Lynch and Rosalind's romance, I very much liked the supporting cast of Nighthawks in this book. Family is very important in these books, and Rosalind's relationship with her brothers and with her werwulfen friend also adds depth and complexity to the world. Teased in this book, and coming up in the next one, is the romance between two of Lynch's most trusted lieutenants, Garret Reed and one of the few blue blood women, Perry Lowell. I very much liked their banter in this one and hope their book is as satisfying as this one.

I'm trying to recall where I first encountered Felicia Day. I think it may in fact have been on Buffy the Vampire Slayer, where she played one of the many potential slayers in season seven. I know I saw her in Dr Horrible's Sing-a-Long Blog (true story, on our honey-moon seven years ago, I declined to go out and explore Stockholm with my husband until I had used the hotel wi-fi - which was really rather slow - to download and watch the second episode) before I actually watched and got completely hooked on The Guild.  

I've known of and admired Felicia Day for a long time, is what I'm saying. I've been a member of her online book club, Vaginal Fantasy since it started, and one of the highlights of my month is watching her and her co-hosts talk about fantasy and/or sci-fi romance. I've probably watched most of the stuff she's put out on the web, including Co-Optitude, where she plays video games with her brother. So naturally I was going to pre-order this book. I chose to get the audio book, so Felicia herself could read me her memoir. 

While I knew that Felicia Day was a good actress in the things I'd seen her in (although I do seem to recall her Buffy character had an atrocious accent), as well as extremely smart, creative, fond of video games and romance and an internet entrepreneur, I learned so many new things about her from this book. That she and her brother were home-schooled, that she went to college at sixteen and ended up with a double major in violin and mathematics, or that the reason she cut her hair in a pixie cut a while back (which she, naturally, as a woman on the internet got so much hate about) was because stress and other very serious medical issues made her hair fall out in clumps. 

I suspect that even if you don't really know who Felicia Day is, you'll enjoy this book. She's very honest and open and recounts stories from her life and her many impressive achievements in a very entertaining way. Being a successful woman in the social media age is not easy, being a successful woman who dares to have an interest in and opinions of video games on the internet has made her the target of a lot of hate and harassment. She's very forthcoming about her anxieties, the two years she was completely addicted to World of Warcraft, her obsessions and what drives her. I found her impressive and admirable before, now I'm very much in awe of her. This is not a funny celebrity autobiography like Bossypants or Is Everyone Hanging Out Without Me?, although there are absolutely bits that made me laugh out loud. The closest comparison I can think of is Jenny Lawson's book, but they're really not all that similar.

This isn't a very long book, I listened to it in less than twenty-four hours. It pretty much made me feel all the feels and I can highly recommend it.