A very dark fanfic in which Alpha Castiel cares for omega Dean following a brutal assault in his own home. Detective Benny attempts to find the assailant.
At last I delve into the world of Damen and Laurent, I bought these books as soon as they came out and has been setting in my e-reader for a while now but O never got around to reading them.
According to the summary of this book and everyone's review I thought I am going to love this but sadly I was mistaken.
This book was a disappointment to me, there was absolutely no connection between the Mcs, and there was too many secondary characters that added an annoying mystery to the book, the writing wasn't bad but I didn't like it either at times I felt lost.
However I kinda liked Damen a little which made me continue with the book and curious to know what is going to happen next.
I will read the rest of the series and hopefully the other books will be better and I will find what everybody is talking about.
Thanks to Rosie and the whole team at Pen & Sword for providing me a paperback copy of this book that I freely chose to review.
A while back I read and reviewed a book in the same series ‘Images of the Past’, called The British Seaside, and I enjoyed the combination of the wonderful images and the informative and humorous text, fairly light on reading but high on entertainment value. In this case, the same is true, even with the serious subject and the unavoidable reflections on how times don’t seem to have changed so much, although know we get to hear about many of the details that in the past would have remained hidden from the general public.
I’ve always been fascinated by the history of cinema, and Hollywood, from its beginnings to now, although times have changed somewhat, and tinsel town is not what used to be (if it ever was). I have watched documentaries and read magazines about the industry, particularly about the era of the big studios, when everything seemed more glamourous and shiny than our everyday lives.
This book looks, mostly at past scandals, from the early history of Hollywood to some more recent ones, but does not include the XXI century, and although some of us, who grew up watching reruns of classics, will remember many of these stars (and some have become icons, like James Dean or Marilyn Monroe), to the youngest generation most of them will sound like ancient history. Only Roman Polanski, Woody Allen, and the TV preachers are still alive, and although their controversy remains alive, it seems to have been dwarfed by most recent scandals.
This is not an in-depth study of any of the cases, but rather a quick survey with a few details of the biographies and circumstances of some of the stars, whose lives became as well-known and exposed to the public attention as that of their characters. Despite that, although I thought I was familiar with the majority of the actors and actresses the book talks about, I discovered I didn’t know many of the details, perhaps because they were not discussed at the time or have been revealed later, and many of the pictures where totally new to me (and I thoroughly enjoyed them, especially those showing the stars when they were young). I am sure, though, that experts or true fans of these actors and actresses will not learn anything new, but I enjoyed the combination of text and pictures (and I particularly relished the introduction, which offers interesting insights into the effects of some of these scandals, like the Hays Code, that went beyond the content of the movies and affected the personal lives of the stars as well), that makes it ideal as a present for people of a certain age who enjoy celebrity magazines of the time, and also for the younger generation who might not have been exposed to these stories and the old-fashioned notion of celebrity and stardom.
It is impossible to read this book without comparing many of these scandals to some of the recent ones. The big studios spent a lot of money on lawyers, on keeping the press at bay, and of course, power has always talked. Thankfully, some of the things that were considered normal practice at the time have now become unacceptable and are the subject of legal procedures.
To give you a better idea of the content, there are fourteen chapters, each focused on one of these stars: Charlie Chaplin, Fatty Arbuckle, Jean Harlow, Errol Flynn, Grace Kelly, Lana Turner, Marilyn Monroe, Jayne Mansfield, Elvis Presley, Roman Polanski, Joan Crawford, Rock Hudson, Jim Bakker & Jimmy Swaggart, and Woody Allen.
I thought I’d share a couple of the quotes I’ve highlighted, so you get some idea of what to expect. Here, referring to James Dean:
“The star of East of Eden and Rebel without a Cause was bisexual and had affairs with actresses Pier Angeli and Ursula Andrews but when asked if he was gay his reply was: “Well, I’m certainly not going to go through life with one hand tied behind my back!” (Blundell, 2018, p. 8).
In the chapter about the TV preachers Jim Bakker and Jimmy Swaggart (a fascinating phenomenon that seems pretty unique to the USA), it explains that Swaggart confessed and apologised to his congregation and the viewers of his TV channel the first time he was caught with a prostitute. But the second time, he truly spoke his mind:
“This time, rather confessing to his congregation, Swaggart brazened it out with the rebuff: ‘The Lord told me it’s flat none of your business’ (Blundell, 2018, 143).
In sum, this is a fun book for people who love anecdotes and to peep into the lives of the Hollywood famous, especially those from the era of the Hollywood big studios. If you want a brazen and amusing book, with its dark moments and plenty of pictures to get the conversation going, or are looking for a present for somebody who loves movie memorabilia, I recommend it.
Blundell, N. (2018). Images of the Past. Fallen Idols. A Century of Screen Sex Scandals. Barnsley, UK: Pen & Sword.
[I received a copy of this book through NetGalley, in exchange for an honest review.]
This was a little of a rollercoaster book for me, in that the blurb -is- pretty misleading when it comes to the expectations it rises—so there were quite a few chapters when my interest ebbed and flowed, as I poised between “this is not what I wantedto read” and “that’s pretty interesting” and “I expected something different in terms of world-building”, etc. Especially, there’s a romance element that is -not- in the blurb, and since I’m not a big fan of romance for the sake of romance in general, my first reaction was pretty much ‘ugh, no, not yet another romance plot, you should’ve warned me about this, since I don’t feel like reading romance these days’.
However, as everything settled, as the plot fully came together, as I got to know the characters more, this change of mood abated, and I found that I was actually liking this novel. I do regret that the art of binding wasn’t explored more in depths, with deeper explanations of how it worked, and this is something that disappointed me until the end. Still, I nevertheless felt myself rooting for several characters, getting angry at how other people treated them, didn’t accept them, at the rampant intolerance, too. It wasn’t ‘enjoyable’ (I so wanted to slap the parents), no. The main characters were often annoying in many ways, too. But it made for a good story.
I must say that I usually have several pet peeves when it comes to romance (yes, there’s some romance in it), one of the major ones being when the lovers lose sight of priorities (typical example: “who will she chose, the boy she loves, or saving the world?” --> everybody knows that 99% of the time, the world is doomed). Here, there is strong potential for turning these characters’ world(s) upside down, but I didn’t get that feeling of thwarted sense of priorities, because all in all, most characters had bleak prospects to start with, and what hinged on them was something that wouldn’t have made so many other people happy anyway: arranged marriages, bad job prospects, abuse, cannot go back to their old lives, etc.
Speaking of abuse, the world Emmett lives in is rather bleak in that regard as well. It reminded me a lot—and that was no doubt on purpose o nthe author’s part—of 19th century novels, with a strong country/town dichotomy: the countryside as a ‘pure, natural, innocent’ world where people have a chance to be happy, vs. the town as polluted, home to crime and vice, and where the wealthy treat servants and poorer people in general as dirt, as toys that can be broken and then mended at will. While the abuse is not depicted in gory ways, and usually alluded to rather than directly witness, the allusions are not veiled either. It is very clear who rapes their servants, and who gets others murdered for the sake of their own interests. Those aren’t triggers for me, but they could still be depending on the reader. All in all, that also reminded me of other literary movements of that time: there’s no shortage of showing people being sick, reduced to their ‘bodily functions’, shown as the cowards they are, and so on. If you’ve read Zola, you’ll know what I mean. This novel doesn’t sing the praises of human beings in general, for sure, and shows most people as being weak at best, and hidden monsters at worst.
I am… bizarrely satisfied with the ending. It’s fairly open, and there are still many loose ends, but it also allows the book to close on a kind of resolution that I found fitting, balancing between “it could still turn so sour so quickly” and “well, there’s hope left and the future looks kinda good”.
Conclusion: 3.5 stars
For the first time in this series I had some minor issues regarding the story.
For example, I HATE it when a character doesn’t want any children and explicitly says so, and yet his partner tries to convince him otherwise. Some people/couples just really, truly don’t want any children and like it that way, authors.
I also wasn’t very enthusiastic about that storyline with Lucas’ sister Nicole. I found his strong reaction towards her a little weird and also out of character. I didn’t get why he still held such a huge grudge against her after all these years for something she said to him when she was 14 (!) years old and basically still a child.
But this is just small stuff. Because when this series shines, it shines. And it never shines brighter than when (any) two characters have a heart to heart (Lucas and Snow!). Those are the moments that make this series.
Oh, and that wedding of course. That was everything one could wish for.
~ 4 stars ~