logo
Wrong email address or username
Wrong email address or username
Incorrect verification code
back to top
Search tags: east-van-saturday-night
Load new posts () and activity
Like Reblog Comment
show activity (+)
text 2018-03-25 08:27
Book Awards - To compete or not to compete?

To compete or not to compete?

 

Does entering writing competitions achieve anything other than deplete your bank account and inflate others?

 

Maybe - for the few who win, place or show.

 

Last year I researched contests, this year I'm entering them.

 

Why?

 

My writing career is going nowhere and doing the same things and expecting different results is a definition of insanity, right? So to delay that diagnosis last year I sent East Van Saturday Night - five short stories and a novella to maybe a dozen traditional Canadian publishers hoping they could take some of that grant money they get from the federal government and publish my book. Indie authors get no respect, and in most cases don't deserve any, but traditionally published authors get it whether they deserve it or not.

 

Most didn't even bother to reply, a few sent generic rejections and one, Thistledown Press, actually wrote a letter saying "while your writing is fresh, visceral and intuitively captures the rawness of youth and the dark energy of East Van, we do not have an audience presently to support such work."

 

Nice, but no cigar.

 

This year I'm thinking some recognition from a notable contest might generate some interest among readers and publishers. At the very least I could use the phrase "award winning" or "shortlisted" to stimulate my webpage and social media sites.

 

I began by submitting The Death You Choose, a story about a senior who realizes he has dementia and decides to take his own life rather than be relegated to the living dead, to Writer's Digests' Short Short Story contest in January.

 

The fee was $30 and the submission was an online so no additional costs were incurred.

I can't find out who won, but obviously it wasn't me, however, the fee might have been worth the exercise in editing a story about four times too long down to the required 1500 words.

 

Next I entered The Jacob Zilber Prize for Short Fiction sponsored by Prism, a literary publication put out by The Creative Writing Program of the University of British Columbia.

 

I was ambivalent about this submission because I feel there's an inherent bias in favour of submissions from fellow academics, and that's not me. I mean how would it look if someone without a degree in Creative Writing won a contest sponsored by a Creative Writing Department?

 

However, they kept extending the deadline which I interpreted as they were light on submissions, which means my work might have a better chance. Publication in literary magazines can fast track a career. I know it's hard to believe, but in Canada it's true.

So I sent in East Van Saturday Night and the Paper Shack, two short stories from the anthology that traditional publishers have all but given up on.

 

Why two? The entry fee for one was $35, and only an additional five bucks for a second one. Again, an online submission so no additional costs.

 

Results are pending.

 

I chose my novel Abandoned Dreams to submit to the Writer's Digest Self-Published Book Awards in the category of literary fiction. Here's where it starts to get expensive and that question about sanity begins to arise again.

 

Submission fee is $99.00 CA plus you have to send a paperback so add $20 for the cost of the book and shipping.

 

The submission process was the same for The National Indie Excellence Awards to which I submitted a paperback edition of Mad Maggie.

 

By the middle of April I plan to submit Forest to The Book Pipeline Competition which seeks material for film or television adaptation. They want approximately the first 5,000 words and full synopsis (1-3 pages). I think a good movie about Sasquatches is long overdue, don't you?

 

And once I finish this blog I'm going to submit The Big Picture to the 2018 Readers' Favorite International Book Award Contest to get their early bird discount of $89 USD. I'm entering this competition primarily because I like that "all entrants receive a mini-critique which will provide ratings on five key literary areas: appearance, plot, development, formatting and marketability."

 

If you lose, at least they tell you why?

 

As the year progresses I might even enter more contests - until I run out of money, or go back on my meds.

 

Want to preview the books I've entered? Go to my Amazon Author Page at

http://www.amazon.com/-/e/B003DS6LEU

 

Readers' Favorite Annual Book Award Contest

https://readersfavorite.com/annual-book-award-contest.htm

 

The 5th Annual Book Pipeline Competition

https://bookpipeline.com/

 

 

Stay Calm, Be Brave, Watch for the Signs

 

30

Like Reblog Comment
text 2018-01-04 07:58
My 2017 writing year in review

This is a review of my writing for 2017. You couldn't call it a success, nor could you call it a failure since something would have had to have been achieved in the first place. Get what I'm saying? If you've never been up how can you be down?

 

If you don't, well, that's okay since I write this for myself to put the previous year in perspective.

 

Last year I decided to see what it would be like to take part in public readings and conduct writing seminars. The idea was to raise my profile while at the same time sell my books at these events.

 

It didn't take much to get booked for both, but the experience was not very satisfying, akin to pitching from behind a table you've rented at a flea market. After my initial experiences I didn't look for more opportunities. Sales just aren't that important to me.

 

The only thing I self-published was a novella, The Rocker and the Bird Girl. It began as an experiment on Inkitt to see if a shallow story about a rock star and a young woman who ran a bird sanctuary would be popular with the juvenile readers who populate that site. Unfortunately, or fortunately - I'm not sure which, I was soon having so much fun with this story and became so enamored with my characters (though very few Inkitt followers did) I decided to pull it from that site and self-publish it.

 

Novellas for "New Adults" (protagonist between eighteen and thirty) seem to be trendy likely due to the diminishing attention span of this age group and the fact they're read on cellphones during commutes. Quite unexpectedly I discovered I had a lot of story ideas for this heroine and I could easily expand it into a series. Series, according to the "experts" sell better than stand-alones so what the hell, nothing else is working.

 

Despite a thorough launch for The Rocker and the Bird: listed as a pre-order on Smashwords three weeks in advance of publishing, email ARC copies to my Advance Reading Team, giveaways on Booklikes and Library Thing, two weeks free on Smashwords, free with coupon on my website, and promoted unabashedly on my social media accounts  - it so far has had two reviews and no sales.

 

Undeterred, the second in The Mattie Saunders Series, Cold Blooded, is set to be self-published in March of this year. Here's the blurb:

 

"When a suspicious death at the The Reptile Refuge closes it down, Mattie receives a desperate call from Liz, an old friend from high school, asking if it's possible to temporarily board some reptiles at Saunders Bird Sanctuary. Mattie's not concerned with the circumstances and sees it as an opportunity to reconnect with Liz as well as help some animals in distress.

Unwittingly, Mattie's drawn into a dark intrigue and soon discovers it's not just the displaced inhabitants of The Reptile Refuge that are cold blooded."

 

Still determined to break into traditional publishing I spent the balance of last year polishing the manuscript of East Van Saturday Night - four short stories and a novella and submitting it to Canadian publishers. The list of rejections continues to increase from those publishers gracious enough to send me one.

 

What's ahead?

 

This year, as mentioned, the second in my series will be self-published, the third is already outlined (okay, only in my head, but it's only January 4th) and a first draft will be written, plus I'll continue to work on another full length novel with the working title, The Triumvirate - three exceptional people, one insurmountable challenge. I've already stopped submitting East Van Saturday Night and, once the disappointment abates somewhat will take another look at the entire project.

 

Promotions of my backlist are also a consideration for 2018.

 

Book sales from all sources in 2017 amounted to $174.44. Expenses including book proofs, book orders and postage totaled $253.88. You can draw your own conclusions.

 

Oddly enough I'm optimistic. Why not?

 

Besides, writing for me is its own reward - really.

 

Stand calm, be brave, watch for the signs.

 

30

 

Sites associated with this blog:

https://www.inkitt.com

https://www.smashwords.com

 

My Amazon book page

https://www.amazon.com/-/e/B003DS6LEU

 

Like Reblog Comment
text 2017-07-20 07:56
East Van Saturday Night - submissions, round two

 

East Van Saturday - four short stories and a novella, has just been sent out to three more Canadian publishers.

 

The process began in November of last year when I decided that self-publishing another work (currently I've self-published eight novels and two plays) wasn't going to achieve what I wanted.

 

What do I want?

Critical, serious consideration for my writing and you're not likely going to receive that as an self-published author.

 

Why? Because it's now dead easy to self-publish and guess what, everybody's doing it. In 2015 alone, 625,327 ISBN numbers were issued for individual indie books.

 

In the past six months I've submitted to five publishers. If you think sending out submissions is easy, well, I guess it depends on what you're comparing it to.

 

Consider:

- publishers are obsessively specific about how your manuscript should be presented: what font style, what type size, margin widths, headers, etc.

- part of the submission package is to explain why you think your work is a good fit for them,

- you must provide details on how you're prepared to market your book,

- in most cases they will not accept simultaneous or multiple submissions,

- they won't let you know they received your submission,

- you are under no circumstances allowed to contact them in any way,

- they won't let you know if they reject your work, they'll just shred it, using "a secure process".

 

Okay, so it's not that difficult, it's just extremely annoying to have to deal with their arrogance - and that's without ever having the opportunity to speak with any of them.

 

To make it even more galling, in 2014-15 these guys (and gals) received $30 million dollars in Canadian government subsidies - that's my tax money.

 

And what exactly do they do for this money now that all the services: editing, cover design, production, marketing and distribution can be done by the author or purchased from experts relatively inexpensively?

 

One thing.

 

They're the gatekeepers to literary acceptance. If you're an indie author you're a joke, if your traditionally published you're accepted by the literati.

 

Not that I'll make any more money. Emerging authors are lucky to receive a fifteen percent royalty on traditionally published books.

So here we go again.

 

East Van Saturday Night - four short stories and a novella, are to some degree autobiographical and impart to the reader why you can take the boy out of East Van, but you'll never take East Van out of the boy.


Though the stories are all set in East Vancouver (with the exception of Hitchhike, which is a cross Canada misadventure during the "summer of love"), the themes have universal appeal and the music, the fashions and the culture are distinctly familiar to "boomers".

 

Stay calm, be brave, watch for the signs.

 

Amazon Author Page   https://www.amazon.com/-/e/B003DS6LEU

 

 

More posts
Your Dashboard view:
Need help?