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review 2018-05-24 03:31
Leah on the Offbeat (Creekwood #2)
Leah on the Offbeat - Becky Albertalli

Wow, I don't even know where to start with how awful this book is.

 

Terrible bi rep? Check.

Terrible girl rep? Check

Terrible fat girl rep? Check.

 

I loved Simon Vs The Homo-Sapiens Agenda and fell in love with all the characters (well, not Martin) and I felt especially drawn to Leah. So when I found out there was going to be another book, centered on Leah, I got excited. Then the blurb mentioned that she's suddenly bisexual, and I got concerned because there was zero indication or hint of that in the first book. But it couldn't be that bad, right?

 

Other reviewers have said it better: this story felt like fanfic. And not even good fanfic. It felt like the really bad fanfic that you don't admit to reading. The AU kind where everyone's gay and acts so out of character as to be unrecognizable in order to force together the writer's OTP that makes zero sense in canon but dammit they're going to make it work no matter what. 

 

On top of that, there's no plot. It's just a string of scenes that are connected only be the fact they happen chronologically (aside from a couple of flashbacks). Leah exists just to be awful and condescending and rude to everyone, yet for some reason everyone still loves her.

 

There's also no heart. We never learn why Leah acts the way she does because there's zero reflection on her actions or feelings, and so she never learns or develops. She's the exact same awful person at the end of the book as she is at the start of it, and she's taken everyone else down with her. This is just Leah referring to herself as a bitch for 300 pages because isn't it hilarious when girls call themselves slur words? There's no reason to care about Leah, so there's no reason to care about anything that's going on around her.

 

There's a really awkward attempt at addressing racism that feels more like it was written as an overhanded after-school special message than an actual examination of racism and all of its nuances. It's there solely to give Leah one shining moment of being not completely sucky. 

 

In a word, this book is superficial.

 

The first half dragged because nothing happened aside from Leah being rude, not knowing how to express herself, and constantly having brain freeze, stopped heart and flipping stomach, because that's what hormones do to seventeen-year old girls. And apparently being bisexual means you develop crushes on everyone. I couldn't take the plodding pace of non-action, so I did skim most of the second half starting around 60%. Thankfully, not much happened in that section beyond prom, Leah and her girlfriend being selfish and awful to everyone at prom, and the writer leaving a bunch of dangling threads.

 

This was a huge disappointment and read like the Ms. Albertalli just phoned it in.

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review 2018-05-20 00:48
Man & Monster (The Savage Land #2)
Man & Monster (The Savage Land: Book 2) - Michael Jensen

It was great (I guess?) getting back to Hugh's Lick, which is still as much a stain on the frontier as it was in the first book. I hoped that we would get to see John, Palmer and Gwennie again, and we do. Even though they're not the MCs here, we still see plenty of them as they help Cold-Hearted Cole, new to the frontier and not having a good time of it. Wendigos trying to devour you can be such party-poopers, ya know. ;)

 

I really liked Pakim (I don't remember if he was in the first book or not) and the relationship that developed between him and Cole was often humorous and sweet, even while Cole was fighting his feelings. There was some good sexual tension there too, just don't expect any mind-blowing sex scenes.

 

I didn't feel as engaged in this book as I did with Man & Monster. Cole isn't as engaging a POV character as John was, for starters. Cole is purposely closed off for various reasons, and while we do get to see flashes of who he is underneath the cold-hearted persona, it's not quite enough for me to care about him as a character. Then there's the really bad horror movie aspect of the book that involves the monster/wendigo that's terrorizing Hugh's Lick. 1) The majority of these settlers deserve to be eaten, and 2) it was like reading the equivalent of "running up the stairs in the dark" for two hundred pages. The pacing felt off, if not downright slow, and the characters barely even paid any attention to the warnings or advice they got. I also figured out pretty quick who at least one of the wendigos was going to be. The editing also could've been better.

 

Thankfully, once the show - or the characters - finally get on the road and get to doing something not phenomenally stupid, the action was pretty well-written, if just as over the top as you'd get from any blockbuster movie. 

 

It was good, and fun, but I think going through and trimming out about twenty pages would've helped a lot.

 

I do think when authors take liberties with historical figures, they really should make an author's note on their research and what they decided to change about that person for the sake of their story. So there's that.

 

In closing:

 

"Oh, the Lord is good to me.
And so I thank the Lord
For giving me the things I need:
The sun and the rain and the apple seed;
The Lord is good to me."

 

Bet y'all haven't thought of that one in a hot minute.  I know I haven't. ;)

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review 2018-05-16 02:04
Danger at Dahlkari
Danger at Dahlkari - Edwina Marlow

This was sooooo good! It reminded me so much of some of Mary Stewart's stories. I've been looking for an author with a similar style for a while now and I finally found one! : ) I can't wait to read some of Marlow's other books. The author writes under a million pen names so I should have plenty to choose from. Lol

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review 2018-04-26 12:17
A book for those who are not afraid to ask uncomfortable questions and are willing to challenge the status quo.
Memory Battles of the Spanish Civil War: History, Fiction, Photography - Sebastiaan Faber

Thanks to Edelweiss and to the publishers (Vanderbilt University Press) for providing me a copy of the book that I freely chose to review.

I was drawn to this book because although I was born and grew up in Spain, I have spent the last 25 years of my life in the UK, and between the time invested in education and work, I know I have missed some of the big debates about the past that have taken place in the country. From personal experience, I know that living abroad gives you a different perspective, usually wider, on a country’s history and society, and I was interested to learn the opinions of a foreign Hispanist on the controversial topic of the book.

This book was illuminating for me. I’ve discovered that I need to catch up and read books, watch documentaries, and explore the memory movement in Spain. I know some details thanks to my mother’s family, but it is a drop in the ocean compared to the many initiatives and projects that have been implemented. I learned about laws (helpful and, mostly, unhelpful), about controversy and debates, about the origin of well-known photographs and documents (including the fact that photographers shared cameras and subjects during the Spanish Civil War, and no matter what their intent, those photographs also had, even at the time, a commercial value), about the uneasy relationship between Culture, cultural objects, and History. Is fiction less valuable when it comes to documenting the reception and the collective memory of a historical event? Or more?

Although I am not an expert in History, I have read some History books over the years and one of the things I found more refreshing about this volume, which collects a variety of essays on topics that fit in well together, is the fact that rather than offering an authoritative version of events or pontificating about the right or wrong way of looking at a particular period in history, it asks questions. On relevancy: how can an academic book written in English discussing events and recent debates about Spanish history and politics reach a wider audience? Are academics simply talking to themselves without ever reaching the general public (unless given an “official” status)? On the approach and the position historians should take when researching and writing their findings: Can historical essays and books ever be “neutral”? And should they be “neutral”? Isn’t it better to be open about one’s point of view and allegiances? (As the author observes, WWII historians are clearly positioned when writing about the war, but in Spain, this is frowned upon). On comparative studies and the risks of conflating similar events in different countries and eras, thereby missing the most interesting and fruitful aspects for analysis: Is it legitimate to apply international models (like those developed through the Holocaust studies) to the Spanish Civil War and the Francoist repression?  On the position of the intellectuals and how politics and affiliations affect even those who try hardest to be rigorous. How can those intellectuals who were heavily invested in the Transition open up to other opinions and not consider them a personal criticism? On the memory movement, the hurdles faced by those trying to find out more about relatives or friends, and about the resistance of historians to see any value in memory narratives. Is forgetting the past the best option, or do the unhealed wounds and traumas that have been festering, no matter how long for, always find a way to resurface? About the boom in historical fiction novels about the Civil War and what they tell us about society and popular opinion. Although the author’s opinions are clearly stated, the questions hang there and readers can take them up and find their own answers.

As I said, I cannot claim to any expertise on the topic, and I suspect experts will have much to take issue with in this book, but for me, it helps provide the tools to answer some of the questions that inform the author’s work and that are the same that a large part of the Spanish population are asking. Quoting from the book:

How have history, fiction, and photography shaped Spanish memory? How has democratic Spain dealt with the legacy of the Civil War, the Franco dictatorship, and the Transition? And how have academics, writers, filmmakers, photographers, and journalists in Spain and elsewhere engaged with a collective process that is central to the country’s future as a unified, functioning democracy?

In view of recent events, these questions are more pressing and relevant than ever, and I hope this book reaches as wide an audience as possible. I recommend it to anybody who is open to fresh perspectives on the subject and is up for a challenging — but ultimately rewarding— read.

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review 2018-04-25 02:38
Born a Crime: Stories from a South African Childhood (Audiobook)
Born a Crime: Stories from a South African Childhood - Trevor Noah

Trevor Noah narrates his own autobiography with humor and passion. Even when he's describing things as crippling as apartheid, racism, and domestic abuse, he's able to relate the events in a way that not only educates the listener about the horrible cruelty that crippled a country under the laws of apartheid but also allows the listener to laugh - or cry - with him at the absurdity of some of the situations. 

 

As an American, I know very little about apartheid, except that Nelson Mendela helped bring it to an end and that it made Jim Crow look like a Sunday brunch. Trevor Noah explains the ways that the South African government, ruled by the minority white population, overcame the majority black population, split them up and took the power from them. He's able to convey the lessons he learned growing up in this system - which made his very existence as a half-white/half-black child a crime - and how his mother found ways to get around the system time and time again. 

 

In a lot of ways, there are many things here that many can relate to - your first pet, feeling left out of the crowd, struggling to make ends meet - but the constant presence of apartheid and its aftermath turns those things on their head. His observations on life, people, the power of language and empathy, and the laws that surround us and shape us are astute and timely, even today. Maybe even especially today. 

 

I wasn't sure what I was going to get with this story, and didn't realize that Noah was that guy from the Daily Show until after I finished it, but I enjoyed this a great deal, which is a weird thing to say about a book filled with such heavy topics.

 

“Nelson Mandela once said, 'If you talk to a man in a language he understands, that goes to his head. If you talk to him in his language, that goes to his heart.' He was so right. When you make the effort to speak someone else's language, even if it's just basic phrases here and there, you are saying to them, 'I understand that you have a culture and identity that exists beyond me. I see you as a human being.”

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