Matti grows up in a tiny town in the remote north of Sweden in the 1960s and 70s. The chapters in this book are more like little short stories about different aspects of his childhood and adolescence, chronicled with humour and the occasional forays into strange, magical realism-inspired fantasy sequences. The inhabitants of his town and the surrounding areas seem to be either deeply puritanically religious or Communists, not caring for the trappings of religion at all. The gruff and peculiar inhabitants are set in their ways and far too prone to alcoholism. 

There's the story of Matti's near-mute best friend Niila, whose father, a lapsed preacher, is so domineering and abusive that neither of the many children of the family speak much, and Niila first learns to speak in Esperanto, through lessons he overhears on the radio in Matti's house. We hear about Matti and Niila's childhood discoveries of rock music, with the hits of Elvis Presley and the Beatles making a huge impact on their lives, inspiring them to form a band. There's the friendly rivalry of adolescent boys, and the organised warfare with airguns that the teens orchestrate in the neighbourhood. There's the summer when Matti is trying to make enough money for a guitar of his own, and engages in devious and gory rat extermination to keep the cabin of a visiting German author vermin free. 

Because the book is occasionally a straight-forward coming of age narrative about boys in a rural area in the 60s and 70s, but then all of a sudden veers into some dreamlike sequence where a boy gets trapped in a furnace for a winter and starts growing roots, or there is a cross-dressing witch in the woods who can exorcise ghosts, it's hard to pinpoint what the book is actually trying to be. As such, I found the book more frustrating than satisfying. The jumps in narrative, where the story will in one chapter talk about Matti's childhood, then his teens, then back again to earlier in his life, in very strange, seemingly unconnected episodes (all with the common denomination that they're set in Vittula, where he comes from) made the book confusing and while I appreciate the writer's skill, this book just didn't really work for me. 

Six days into the first manned mission on Mars, there is a huge dust storm, forcing most of the crew to evacuate, earlier than anticipated. Mark Watney, the crew's botanist and mechanical engineer is impaled on an antenna and believed to have died. He wakes up alone, stranded on Mars with no way of signalling Earth that he is still alive. The next manned mission to Mars is scheduled in four years' time, and even if he were able to send a signal to announce his miraculous survival, he doesn't have enough supplies to last him long enough for a rescue mission to reach him. Even if he could use his botany skills to grow food enough to last him, none of the equipment he has with him is designed to last for years in the unforgiving environment of the red planet. Mark Watney, one of the first men to ever walk on Mars, is very likely to be the first man ever to die there too. He's not going down without a fight, though? With his boundless optimism, his education and his creativity, he's determined to survive until the next crew of space explorers arrive, when he will hopefully be able to go home at last.

I was given this book as a Cannonball gift exchange present from the lovely Beth Ellen, but first heard about it in August last year, when my friend Erica, who usually can't stand science fiction books, read it in less than 48 hours and then rated it five stars. Since then, so many people all over the interwebs have read and reviewed it and absolutely loved it, to the point where I started getting scared of reading it at all, convinced I was going to be the first person I knew, in real life or online, who was going to think the book was just ok. So I kept putting it off, and finding excuses for why I couldn't read it yet, until the trailers for the upcoming film starring Matt Damon started being released, and I realised that unless I wanted to get spoiled, I was going to have to just read the book already. 

I discovered very quickly that I wasn't going to hate the book, and as I tore through the pages (annoyed that I actually had to do work, even with the summer holidays quickly approaching), it was really obvious why so many different people in my friend sphere had rated the book so very highly. I've seen it described as Robinson Crusoe meets MacGyver several times, and as a super-brief summary, that makes a lot of sense. Mark Watney is a great protagonist. He's funny, charming, self-deprecating, resourceful and smart. He keeps his head cool in a crisis (and being stranded on Mars is a hell of one) and his education, training and background make it believable that he'd be able to actually do the things he ends up doing to survive. I will admit I skimmed quite a few of the explanations of the mechanics and physics of what he did, because science is so far from what I cared about, but it all seemed realistic.

The chapters are short, the tension is high and Mark is a character you really root for. You want him to make it, you are invested in his survival and while I assumed he was going to be ok in the end, this was not a guarantee and actually told my husband (who, is coincidentally also called Mark) off for asking me questions while I was reading the final parts of the book. I needed for it to be only me and the book. So yes, you can add me to the long list of people who loved this book and have added Mark Watney to my list of favourite fictional characters. Now I'm one of the many who hope Ridley Scott doesn't screw up the film. 

Disclaimer! I got this as an ARC through NetGalley in return for a fair and unbiased review.The book is available now.

Agnieszka loves her valley home, her quiet village, the forests and the bright shining river. But the corrupted Wood stands on the border, full of malevolent power, and its shadow lies over her life.

Her people rely on the cold, driven wizard known only as the Dragon to keep its power at bay. But he demands a terrible price for his help: one young woman to be handed over to him every ten years, a fate almost as terrible as falling to the Wood.

The next choosing is fast approaching, and Agnieszka is afraid. She knows - everyone knows - that the Dragon will take Kasia: beautiful, graceful, brave Kasia, all the things that Agnieszka isn't, and her dearest friend in the world. And there is no way to save her.

But Agnieszka fears the wrong things. For when the Dragon comes, it is not Kasia he will choose.

While this remarkable novel by Naomi Novik isn't actually a retelling of some traditional fairy tale, it feels like it should be. The book moves slowly, thoroughly establishing the sleepy little environment Agniezka and Kasia live in, with the terrors of the slowly encroaching Wood so close by. Once someone disappears in the Wood, they will hopefully stay lost. Should they return, they are like creatures possessed spreading its malevolent influence. It's because the dangers that threaten them constantly that the villagers accept having to sacrifice a young woman to the mysterious and reclusive wizard who lives in the tower nearby. He keeps them for ten years, when they return to their families briefly, apparently unharmed but inevitably changed. They never seem content to stay in their home villages, usually going to the capital, rarely to return. 

The Dragon always chooses the most promising and accomplished of the women, and so everyone in the area are expecting Kasia to be the next young woman to be taken. It's a huge surprise to everyone, not least Agnieszka, when she is the one selected to go with the wizard. She barely gets time to say good bye to her loved ones before the Dragon sweeps her away. Now, terrified and confused, because while the women who return from the Dragon's service always appeared healthy and unmolested, there were always rumours. They lived alone with a man for a decade after all. The impatient and surly wizard seems completely uninterested in her physically though, and after finding a note from a previous occupant of her room, Agnieszka is relieved that she won't be molested in any way. She tries to follow the orders of her new master, but because the Dragon isn't exactly very clear in what he actually wants, it takes her quite a while to understand that he's trying to teach her magic, and his lessons are not going as expected. It's only when she finds the dusty spell book of a legendary witch that she seems to get the magic to work for her.

At first the Dragon doesn't believe that Agnieszka's brand of magic could have any effect. Only after several attempts does it become clear that his way of using magic is more intellectual and book based, while Agnieszka's is more emotional and intuition based. As the threats from the Wood become greater, it's clear that they need to find a way to work together. One terrible day, when the Dragon is called away to deal with a crisis, Agnieszka receives word that her village is being threatened as well. When she discovers that her dearest friend Kasia has been taken by the creatures of the Wood, she risks everything to rescue her. Now she needs to find a way to free her friend from the Wood's influence, even if such a task has always been believed to be impossible. 

To begin with, Agnieszka seems like one of those women who only seem to exist in fiction, too clumsy for words and completely out of her element. We are told that while Kasia is all that is beautiful, talented, graceful and accomplished, Agnieszka can't go through a single day without getting her clothes torn or stained or in some way screwing things up. No one expects her to be the next woman to go with the Dragon. She is terrified and confused, unclear about her duties and feels absolutely horrible from the simple spells the Dragon makes her do. Because he's more than a century old, used to girls with more aptitude for magic (because that's what he does, he trains them in magic so they can help him keep the Wood from taking over more of the area), he's not used to having to explain his methods or motivation. He is also appalled when Agnieszka explains to him what everyone in the surrounding villages believes is his ulterior motive for selecting the girls. 

Because Agnieszka has always been unfavourably compared to Kasia, and is so completely unable to grasp the tenets of the Dragon's magical spells, she, like everyone else underestimates herself greatly. It takes time for her to realise that she has value and gifts of her own and that she is has a gift for magic, just not one that has been seen in the country for a long time. She truly begins to find her strength and powers when her best friend is threatened. Doing the impossible, she rescues Kasia from the Wood and refuses to give up on her. In the process, she is also forced to examine her feelings of inadequacy and jealousy towards her dear friend, because even best friends aren't always charitable in the ways they think of one another, and there will always be times when we are jealous, insecure and petty. Moving through and past this, Kasia and Agnieszka's friendship is changed, but stronger as a result. 

In the second act of the book, so to speak, Agnieszka has to leave the world she's always known, as well as the safety of the Dragon's tower and go to the capital, to deal with political intrigue, other wizards and discovers that the sinister forces that control the Wood are present even there and bent on causing destruction and havoc not only in her home country of Polnya, but also the neighbouring country. Because of Agnieszka's miraculous rescue of Kasia, the youngest prince of Polnya is determined to reclaim his mother, the missing queen, who allegedly ran away with her lover nearly twenty years ago. They both disappeared in the Wood. Is what they rescue from the forest, at terrible loss of life, truly the lost queen, or something much more sinister?

The last third of the book got a bit wearying, with what felt to me to be unnecessary and repetitive violence and finally a rather puzzling explanation of what the motivation behind the terrifying force of the Wood actually was. I can't stress enough how creepy and sinister I felt the Wood and its many "minions" was. It's such a great villain, for all that it's not one thing, but this seemingly unstoppable and relentless force, with feral wolves, giant preying mantises, evil trees and other monsters at its disposal. Still, I got a bit tired and confused towards the end, just wanting things to wrap up.

Overall, this is such a great read, with Agnieszka as a wonderful heroine at its centre. Her friendship with Kasia is heartwarming and her slowly developing powers and confidence feels empowering in all the right ways. The medieval style kingdoms felt extremely real and the whole story feels as if Naomi Novik found some treasure trove of old Eastern European fairy tales and just reinterpreted them. There is a romantic subplot in the book as well, and one of my other complaints, along with the dragging last third of the book, is that the romance isn't more fully developed. It has so much promise, damn it, and I felt cheated that there wasn't more of it. The only thing I'd read by Novik before this, was Temeraire (or His Majesty's Dragon, as it's also known). While that didn't appeal to me that much(even with dragons, there was too much military history, not my thing), this was great. For anyone with an interest in fairy tale narratives with strong, female friendship at its core and some real horrors to be overcome before there is a chance at a HEA, this is a book for you.

I can't believe it's been nearly a month since I read this book. Because of my massive backlog, I'm going to resort to my favourite short-cut, stealing the blurb from Goodreads:

A murder...a tragic accident...or just parents behaving badly? What's indisputable is that someone is dead. But who did what?

Big Little Lies follows three women, each at a crossroads: 

Madeline is a force to be reckoned with. She's funny and biting, passionate, she remembers everything and forgives no one. Her ex-husband and his new yogi wife have moved into her beloved beachside community, and their daughter is in the same kindergarden class as Madeline's youngest (how is this possible?). And to top it all off, Madeline's teenage daughter seems to be choosing Madeline's ex-husband over her. (How. Is. This. Possible?).

Celeste is the kind of beautiful woman who makes the world stop and stare. While she may seem a bit flustered at times, who wouldn't be, with those rambunctious twin boys? Now that the boys are starting school, Celeste and her husband look set to become the king and queen of the school parent body. But royalty often comes at a price, and Celeste is grappling with how much more she is willing to pay.

New to town, single mom Jane is so young that another mother mistakes her for the nanny. Jane is sad beyond her years and harbors secret doubts about her son. But why? While Madeline and Celeste soon take Jane under their wing, none of them realizes how the arrival of Jane and her inscrutable little boy will affect them all. 

Big Little Lies is a brilliant take on ex-husbands and second wives, mothers and daughters, schoolyard scandal, and the dangerous little lies we tell ourselves just to survive.

This is yet another book that it feels like I read after everyone and their mothers had discovered, read and raved about it, while I foolishly believed it was not for me. It's happened many times before, most notable with Jenny Lawson's amazing biography, the very funny Where'd You Go, Bernadette?, earlier this year with the lovely Station Eleven and now again with this. I had convinced me that this was just some sort of mommy version of Mean Girls with PTA moms gossipping and figuratively stabbing each other in the back. I was so very wrong, and I should have listened to all the eloquent and well-written reviews of my fellow Cannonballers. Sorry guys. It was only when my kindred spirit and book twin on the internet, Narfna, posted this review that I finally decided that OK, let's see what all the fuss is about.

I was hooked before I'd even finished the first chapter, where it's made clear that something very bad has happened at the trivia night of Pirriwee Public School. Of course, with chapter two, the action jumps six months back in time, introducing the reader to the three protagonists, three wonderful, interesting, but also vulnerable and flawed women who feel beautifully realistic and who at least I grew to love very quickly, for all that I understood that like my own friends, they would occasionally exasperate and annoy me, all the while they were there for me and had my back. You know from the very first chapter that someone is going to die at the trivia night, but Moriarty keeps you on tenterhooks as to who said individual is going to be. 

This book is so many things. Contemporary drama and mystery, it's very funny at times and heart-breakingly touching (at least to me) at others. It explores both the complicated friendships and rivalries between women, motherhood and the insecurities of getting older. The relationships between husbands and wives, both current and divorced, mothers and their children, teachers and parents. Sure, there are petty school intrigues and women gossipping about each other, but that's such a tiny part as to seem almost insignificant. There are a number of other issues explored in the book as well, that I don't want to reveal, because this book really is best read when you go into it more or less ignorant, able to face the surprises and plot twists as they are sprung on you. Suffice to say, it's about the importance of friendships, of not being too prejudiced and judging before you have the whole picture - and about the many secrets that we keep from our friends and loved ones because we fear to seem weak or less in control.

I wanted Madeline, Celeste and Jane to be my friends. I don't think there was a single chapter when I wasn't at least a little entertained. Every time I thought I knew where the story was going, there would be something new revealed that I hadn't counted on. There were absolutely some bits that didn't work as well for me, mainly Madeline's jealousy of Bonnie, her ex-husband's new wife and the rather wearying lengths her teenage daughter went to get attention, but those were such small things and this book made me laugh and cry, bite my nails and most importantly, turn the pages with bated breath with each chapter bringing me closer to the fateful trivia night and its aftermath. I cursed the work load that made it impossible for me to just devour the book. So, if you, like me, might think from the book description that this book isn't for you - give it a chance - it's such a good read. 

I will absolutely be reading more Liane Moriarty. In the acknowledgements, I discovered that she's the sister of another Australian writer whose books I love, the YA author, Jaclyn Moriarty. It just seems unfair to me that two such talented writers are related, but perhaps great writing skill is genetic.

Nine-year-old Bruno lives in a big house in Berlin and is not at all happy when the household is packed up and he, his mother, his older sister and the servants are forced to travel by train to a new house, far away in the desolate countryside. He misses the bustling city, the house with such a great banister for sliding down, his grandparents, his friends, even his school. At the new house, there is no one to play with, just a small garden and a tall fence in the distance, reaching as far as the eye can see. He tries to convince his parents that they need to move back, but is hopeful that his new exile will only last for maybe a month.

Of course, Bruno is wrong, and he is forced to settle into his new home. His busy father has uniformed soldiers coming in and out of his office all the time, and doesn't really have time for his wife or children any more. Going off on his own to explore the countryside, Bruno walks along the tall barbed wire fence and one day meets a skinny boy, dressed in what appears to be striped pyjamas. The boy's name is Shmuel and Bruno discovers that he too is nine years old. Not only that, they share the same birthday. Bruno doesn't tell his family about his new friend and keeps sneaking back to the fence to talk to his new friend, who seems strangely reluctant to tell Bruno too much of the details of his life. As the boys' friendship develops, Bruno becomes more and more curious about Shmuel's life behind the fence. When he decides to crawl under a loose section of the fence, it has unexpected consequences.

I'm unsure of who the intended target audience for the book is. Because it's written from the POV of a naive and sheltered child, it may seem like a children's book. But because of the subtle ways in which the story is told, you need knowledge of World War II and the Holocaust to really understand what is going on. A child wouldn't understand that "The Fury" is Hitler and "Out With is in fact, Auschwitz-Birkenau, probably the most infamous and well-known of all of the Nazi's death camps. Apparently, the author wrote the first draft of the book in about two and a half days, and intends it as a "fable" about the war. Which may describe why the story seems a bit too simplistic.

I was also expecting that a book at least tangentially about the Holocaust would affect me more emotionally, but this book really didn't make me feel much of anything, except perhaps bafflement that at nine, Bruno can be so sheltered and naive, and unwilling to question his surroundings. In one review I saw of the book, the reviewer suggested that a lot of Bruno's character traits would be more believable in a younger boy, perhaps around 6. That a nine-year-old whose father is a Commandant in the Nazi army is unable to pronounce "Der Führer" correctly, seems unlikely. Since the family aren't moved to Poland until 1943, I find it very doubtful that Bruno, in his school in Berlin, hasn't been taught about the superiority of the Aryan race and the inferiority of the Jewish race. That he doesn't know about death camps is fair, but I find it hard to believe that he wouldn't know anything about the Jews as a people and a deeply hated race.

It's not a very long book, but neither Bruno (despite the fact that we see the story through his eyes) nor any of the other characters are particularly well defined. Bruno seems rather spoiled and very oblivious. His sister is only 12, but spends much of her time attempting to flirt with some of the officers working for her father. This made me deeply uncomfortable. Bruno's parents are pretty much non-entities, although it's suggested that Bruno's mother has a drinking problem and possibly has an affair with one of the same young officers that her pre-teen daughter is trying to flirt with. Shmuel is the person who interacts the most with Bruno, but he doesn't make much of an impression either. I also question how he's able to sneak away from his work duties all the time to sit by a fence (which should surely be much more heavily guarded than it is in this book) to chat with Bruno.

The ending seems inevitable from fairly early on, and was probably supposed to affect me. I would feel like a bad person for not being moved, but the characters were too simply drawn and the whole scenario just seemed implausible to me. I know the book was made into a film in 2008, and from the plot summary, it seems that the plot has possibly been made more complex and plausible - Bruno certainly doesn't seem completely unaware of what a Jew is. Based on the book, I doubt I'd be all that interested in seeing the film either, though.