Agatha Clay (although I'm going to assume that this is an assumed name, since she has another one in the TITLE of the book) is one of those diligent students, who no matter how much she wants to suceed just can't seem to. She's almost constantly late, she can't really seem to make her inventions work and she's a laughing stock at the Transylvania Polygnostic University. To make matters work, during a weird electrical incident in town, she's robbed and her precious locket, with the only pictures she has of her parents is stolen. A locket pretty much anyone in authority over her is appalled is missing.

When the clearly powerful Baron Wulfenbach arrives at the University to inspect their progress, it turns out the headmaster, Beetle, may have been conducting unlicenced experiments and there's somewhat of a change in power. Agatha is expelled from the university and explains everything about her bad day to her guardians, who announce that they need to pack everything and leave town as soon as possible when they hear the news that Wulfenbach is in town, and Agatha's lost her locket. Her uncle, who left to go adventuring and has been gone for eleven years was very clear on the fact that she should never take it off. Likely because it acts as some sort of dampener of Agatha's inherent "spark", which only the greatest of scientists seem to have. Wulfenbach's son and heir suspect she may be more than she appears.

Girl Genius is a Steampunk YA adventure series, that can be read online, but a few years back, I picked up the first volume mainly on the strong recommendation of Patrick Rothfuss. I then put it on my shelf and promptly forgot about it, but needed a twelfth comic to complete my last reading challenge this year, and it seemed like a good time to finally read it. It's difficult to ascertain much about the characters from the short volume I just read, but I'm sure it can't hurt for young women to have a scientifically minded young heroine to cheer for, even if she does seem to have been given clumsiness and tardiness as her chief characteristics so far. I'm not entirly sure yet whether Wulfenbach is an antagonist or potential ally and I suppose his son could be a love interest of some sort. At least he seems clever, which is a good quality to aim for in a partner.

As the first volume barely starts the story, with some of the plot and action being quite confusing, it wasn't exactly the best reading experience I've had this year, but the comic has potential and I like that I can make up my mind about whether I like more or not by reading it for free online, and then buy the volumes afterwards if I decide I want to support the authors. At least I got another book knocked off my already scarily big TBR shelf.

What did I just read? This comic certainly is completely different from anything I've experienced before. So the first time Suzie masturbates and orgasms, it literally makes time freeze. She's not sure if it's like that for everyone and having no one to ask, and limited resources to figure things out, she's a bit lost. Then she meets Jon at a party and is surprised to discover that it's exactly the same for him. They've always believed themselves to be alone, and now, when they've found each other, they become a bit addicted to exploring the range of their "powers".

The library where Suzie works is being closed down by the bank and Jon suggests that they use their unusual ability to stop time and rob banks. Just small amounts every time, slowly getting enough to save the library. Suzie's reluctant at first, but sadness and desperation to save her beloved library makes her change her mind. Only, Suzie and Jon aren't the only ones with unusual power, their activities have been noticed and there are people close on their tail.

While the book starts on a quite depressing beat, with Suzie explaining how her father was killed and her childhood wasn't exactly a barrel of laughs, most of the comic is actually very funny. Filthy and NSFW and probably not for kids, but laugh out loud funny and creative, with a rather unique concept and very likable characters. Volume 1 collects the first five issues, where we are introduced to Suzie and Jon and learn how they both came to discover their strange superpowers. Being a huge fan and frequenter of libraries and a passionate book lover, I can't really fault Jon's plan of robbing banks to prevent the closure of one. And his job at the bank does indeed seem pretty sucky, even if I don't exactly agree with some of his coping strategies.

Issue 5 ends at a pretty dramatic point and I'm very eager to get the next volume and see what happens next. My husband and everyone else who's recommended this comic were absolutely correct. Matt Fraction's writing is hilarious and Chip Zdarsky's art fits perfectly. I will be reading more of this in the coming year.

Like so many others, I was a huge fan of the first season of the Netflix series Daredevil. I decided that the time had come to look at some source material.  

In what could easily become season three of the series, Karen Page, Matt Murdock's former legal secretary and ex-girlfriend is down on her luck in Mexico. After a failed porn career, she's now a heroin junkie and she sells Matt's secret identity as Daredevil for her next fix. The name falls into criminal mastermind Kingpin's hands and over the course of six months, he sets out to completely destroy Murdock's life. His rent and utility bills turn out not to have been paid for months, his girlfriend Glori breaks up with him because he never has time for her anymore, he's accused of criminal misconduct and faces a grand jury trial. While the diligent efforts of his best friend Foggy keep him out of prison, he loses the right to practise law. As more and more things go horribly wrong, the more Matt's paranoia plays up and his mind slowly unravels. When Glori moves in with Foggy after her apartment's been trashed (Matt doesn't know that part), he's convinced even his best friend and his girl are against him. Only when his home is blown up, does he figure out that Kingpin's behind everything. All this - the first issue, guys.

Matt vows revenge, but is in a pretty bad state. He tries to kill Kingpin and fails miserably. He ends up in the East River, left for dead, framed for even more crimes he didn't commit. Matt, however, is tough and doesn't die. There is no corpse found, and Kingpin starts to worry. Afraid for her life because she's now hunted by Kingpin's assassins and feeling dreadful about betraying Matt, Karen laboriously makes her way back to New York City. Foggy and Glori grow closer, worried about the whereabouts, sanity and safety of Matt. Reporter Ben Urich works to clear Murdock's name and is nearly scared silent by the terrible reach of the Kingpin. Once again, the crime lord overplays his hand and loses control of the situation.

There is so much plot and action packed into the seven issues collected in Born Again, so much darkness, grimness, violence and pain. Frank Miller returned for a guest run in the middle of the standard Daredevil run, took all the toys out of the metaphorical toy box and didn't so much put them back where they were when he started, as blow up the entire box and leave the toys scattered and broken all over the place. I don't envy whomever was left to follow his limited guest run. It's not exactly easy comfort reading, but it's undeniably very good and there's no wonder this is one of the definitive Daredevil stories. Frank Miller was a heck of a writer before he went completely cray cray. I really wish his frequent misogyny hadn't reared its ugly head with the treatment of Karen Page. Not really surprised, because I've read Miller comics before, but I wish the character hadn't been degraded to the degree she is. Matt's current squeeze, who dumps him at the start of the story seems to move on to Foggy real quick as well, which I'm sure Miller just feels is illustrative of the fickleness of women. 

Published in the late 1980s, the art by David Mazzucchelli (who also worked with Miller on the seminal Batman: Year One), isn't entirely to my taste and the colouring especially is quite dated. Having fallen so completely for Charlie Cox' portrayal of Matt Murdock in the Netflix series, I just couldn't reconcile myself with Matt being ginger here. 

I'd love to see some of this play out in the TV show's later seasons (although there would have to be some changes, considering choices they've already made). The action packed climax would be especially interesting and opens for the intriguing possibility of cross-over with the cinematic universe that would be spectacular. Alas, I doubt that bit'll ever happen.

Time passes differently in the Underworld, and by the time Diana makes it to Zola, she's already nearly full term in her pregnancy. Almost immediately after birth, Diana and Zola experience a terrible betrayal, as the baby is stolen away. To locate the child, it's clear that Diana will need the aid of several of her demigod siblings. Zeus' continued disappearance and the shift in power on Olympus means the reawakenings of old forces and the birth of Zola's child could have an impact on more than our world. Orion, one of the New Gods arrives to help her in her search for the baby, but clearly has his own agenda, and it's unclear whether he wants to help or harm the child. In Wonder Woman: Iron we also get a look at Diana's early years. The god of war, Ares, wants to train her into a perfect warrior, but gives her up in disgust when she eventually refuses to finish off an opponent after a battle, showing mercy instead.

I must confess, that as I read this and the previous volume in the series on the same day, the plots do blend together a bit in my mind, and I'm not entirely sure what happened in each of them. Common for both, however, is an action-packed plot full of adventure, twists and turns. Things are very rarely as they appear on a first glance or sometimes even on a second. Everyone is ready to scheme and double cross everyone else. Cliff Chiang is an excellent artist and mostly I really like his style, in both the action scenes and the more quiet moments.

A bigger niggle is the introduction of Orion in the third volume. While my husband is a huge fan of Jack Kirby's New Gods and pretty much every iteration of them, I find them incredibly annoying and the only time I've not pretty much hated all of them is when Gail Simone had Big Barda in some guest appearances in Birds of Prey. So the prospect of more of them turning up in later issues is not a happy one for me. I really liked every single issue of Guts, but in Iron, there are several story lines being introduced (not just the Orion thing) that I'm not too keen on. Azzarello's portrayal of Wonder Woman, and his general take on the gods and demigods of Greek mythology is so creative and fun that I'll keep reading for at least a while longer.

When preparing to write this review, I got quite a surprise. I searched in the archives on my blog and on Goodreads to find my review of the first Hark! A Vagrant book and discovered that not only had I not reviewed it at any point, but I hadn't even entered it as read on Goodreads. I have absolutely no idea why, as I got the first book back in 2011 and was extremely happy that Kate Beaton was finally collecting some of her amazing comics in book form. As a bonus, the book included new strips, never before published on her website! The book was a clear five star read for me - I have no idea why I never got round to blogging about it. Back then I was more selective about what I reviewed for my Cannonball, but still - how could I not have spread the word about the genius that is Kate Beaton?

For those who don't know, Ms Beaton is a Canadian web comic creator with a background in history. She frequently takes history or literature as inspiration for her very funny comics, drawn in a simplistic style. One of her most popular creations, the little fat pony, is now the star of its own book and you can also get little plush versions of it (just in case anyone was wondering what I'd like for Christmas).

In her first book, highlights include Dude Watching with the Brontës:

Some lovely commentary on Jane Eyre:

 The always delightful 15th Century peasant comics:

And these great panels in a series about Bram Stoker's Dracula:

If you like any of these, you are likely to be a fan of Kate Beaton. The new book is much of the same, but some of the material didn't work as well for me. I still laughed a lot, but there were a few too many topics that didn't really feel as interesting to me. Which is still to say that it's a great collection of comics and I don't for a second regret getting the book in hardcover. I just wish there were more true classics, like this one: 

Check out her website, check out her books. She's clever and witty and deserves a large readership.