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url 2022-12-06 19:00
artof4elements.com/entry/299/blat-the-island-fortress

 by Nataša Pantović

Even though an opera is a theatrical form expressed within the theatre environment for centuries, the opera film is a rather new form of art. Until recently, the opera's composer would be passing his instructions to the cast. There was only one Carmen, or one Magic Flute. However, not that long ago, the stage director became increasingly important. With the introduction of an Opera Film, the opera world has become an increasingly complex art form.

Blat – The Island Fortress Film  Trailer

To enjoy it, the audience must recognize opera as a multidimensional art performed by singers not actors. The director must remain true to the work, to the composer and the musical language used. This is a three-dimensional art not attempted by many.

Directing an opera film, the director must show the full appreciation for the talents, principal singers, dancers, chorus and stay true to the visuals. We find that not only the stories, but the music and the very form itself has to be reinvented.

 

 

BLAT: The Island Fortress was the project by the Mikiel Anton Vassalli as the executive producer.

Blat an Island Fortress

Blat an Island Fortress

The opera-film was composed by Dr Reuben Pace with lyrics written by Gorg Peresso and Amy Borg. The film was written and directed by Alan Fenech.

Opera films are the most difficult genre to engage in. A first ever opera in Maltese, Blat: The Island Fortress, was a brave endeavour. New stages in artistic development lead to new dynamics, and critics should understand the new challenges that the operatic theatre has created. An authentic opera with its own music, script and staging, in which each stage of the process has been carefully performed always brings unique challenges. New stage interpretations of classical operas were perceived by many as a breath of fresh air.

blat-opera-film malta

Blat Opera Film Malta

In this new situation, the director takes precedence, not only in the stage presentation of the operatic score, but also in the development of opera as an art form and, finally, in the communication with the audience.

Source: artof4elements.com/entry/299/blat-the-island-fortress
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url 2018-10-18 18:55
BookRiot: "25 Of The Best Space Opera Books"

I own many of these but have so far only read one, Binti.

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review 2017-03-23 19:33
Star’s End: An Inner Space Opera
Star's End - Cassandra Rose Clarke

Man, I really like Clarke's stuff. Not real flashy, but emotionally detailed.

 

My latest at B&N SciFi & Fantasy

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url 2016-01-02 23:18
More Musical Fireworks, courtesy of Bonn Opera: "Benvenuto Cellini" by Hector Berlioz

Laugh-out-loud funny and starring my new favorite tenor, Mirko Roschkowski, in the title role.

 

We have opening night season tickets, but I unfortunately missed this when it premiered in November -- so when my mom and the friend of hers who went with her in my stead said I absolutely had to see this, too, we decided to get tickets again ... and I'm so glad we did!

 

(And, yes, I am on a roll this holiday season ... :) )

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url 2015-11-09 12:56
Trilogies and Tribulations: a Conversation with Julie E. Czerneda & Karina Sumner-Smith
This Gulf of Time and Stars - Julie E. Czerneda
Towers Fall - Karina Sumner-Smith

When writers get together, shop talk is a given. We each have our own styles and approaches. We all learn from one another. Case in point: trilogies…with occasional tribulation!

 

Just because we Canadians are so darn pleasant and polite, we have not one, not two, but three prizes to giveaway! 

 

Just click through to read the whole conversation, and enter to win!

Source: beauty-in-ruins.blogspot.ca/2015/11/trilogies-and-tribulations-conversation.html
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